The Poetic World Of Boris Pasternak

The dramatic political struggle of Boris Pasternak and the continued success of his novel. Dr. Zhivago, have often taken center stage in discussions of this writer. Olga Raevsky Hughes chooses instead to focus on the aesthetics underlying Pasternak's snuggles and successes to explore the ways in which his views of art and the artist were applied in his writings. Professor Hughes examines those aspects of Pasternak's views on art that he himself considered crucial: the beginnings of poetry in his life, the relation of his art to life, his relationship to his time, and his responsibility to lite and to society. Pasternak's views on art are analyzed as he himself saw them in his autobiographies, critical essays, and letters; and also as they were reflected in his work. Pasternak is allowed to speak for himself: accordingly, all of his published works are used, including letters, little-known works, and available variants of his early poems. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Critically analyzes the Russian poet and novelist's works, and details his struggle against governmental control of man's individuality, and his fight for humanistic concern.

Translation of poems by Yuri Zhivago, the main character of the Nobel Prize winner Boris Pasternak's world- famous novel "Doctor Zhivago", which was turned into an Oscar-winning Hollywood movie with Omar Sharif and Julie Christie. The twenty five poems are part and parcel of the novel as a separate chapter and are considered to be a masterpiece of Russian poetry. Boris Pasternak had to reject the Nobel Prize due to restrictions imposed in the then Soviet Union. Keywords: Doctor Zhivago, Lara Antipova, poetry, Boris Pasternak, Russian poetry, Russian Revolution, Soviet Union

First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms, voicings, and tone—in this beautiful translation of a classic of world literature.

This authoritative new biography of the Russian poet and prose writer Boris Pasternak is the first part of a two-volume set, covering the period 1890-1928. Drawing on archives and many eyewitness accounts, Barnes' study sheds light on currently unexplored aspects of Pasternak's character and family background, and his artistic, social and historical environment. He combines biographical investigation with detailed textual analysis of translated quotations in verse and prose to reveal the source of Pasternak's extraordinary writings. The book examines a wide range of topics that include his musical enthusiasm and relations with Scriabin, his philosophical studies, his activities in World War I and his response to the 1917 revolutions, and his stance as a liberal artistic intellectual in the 1920s.

This authoritative new biography of the Russian poet and prose writer Boris Pasternak is the first part of a two-volume set, covering the period 1890-1928. Drawing on archives and many eyewitness accounts, Barnes' study sheds light on currently unexplored aspects of Pasternak's character and family background, and his artistic, social and historical environment. He combines biographical investigation with detailed textual analysis of translated quotations in verse and prose to reveal the source of Pasternak's extraordinary writings. The book examines a wide range of topics that include his musical enthusiasm and relations with Scriabin, his philosophical studies, his activities in World War I and his response to the 1917 revolutions, and his stance as a liberal artistic intellectual in the 1920s.

Boris Pasternak was a Nobel Prize and gret modern russian poet and writer. Pasternak's first book of poems, My Sister, Life (1917), is one of the most influential collections ever published in the Russian language. When it finally was published in 1921, the book revolutionised Russian poetry. It made Pasternak the model for younger poets, and decisively changed the poetry of Osip Mandelshtam, Marina Tsvetayeva and others. He continued to change his poetry, simplifying his style and language through the years, as expressed in his next book, Early Trains (1943). Pasternak's post-Zhivago poetry probes the universal questions of love, immortality, and reconciliation with God. Boris Pasternak wrote his last complete book, When the Weather Clears, in 1959. Pasternak was awarded the Nobel Prize for Literature in 1958, an event which both humiliated and enraged the Communist Party of the Soviet Union, which forced him to decline the prize, though his descendants were later to accept it in his name in 1988.