The Poetical Books

The poetic books of the Old Testament--Job, Psalms, Proverbs, Ecclesiastes, Song of Solomon--are often called humankind's reach toward God. The other books of the Old Testament picture God's reach toward man through the redemptive story. Yet these five books reveal the very hear of men and women struggling with monumental issues such as suffering, sin, forgiveness, joy, worship, and the passionate love between a man and woman. C. Hassell Bullock, a noted Old Testament scholar, delves deep into the hearts of the five poetic books, offering readers helpful details such as harmeneutical considerations for each book, theological content and themes, detailed analysis of each book, and cultural perspectives. Hebrew is a language of "intrinsic musical quality that naturally supports poetic expression," says Bullock in his introduction. That poetic expression comes from the heart of the Old Testament writers and reaches all of us exactly where we are in our own struggles and joys.

The Bible is simply a love letter compiled into sixty-six books and written over a period ofsixteen hundred years by more than forty authors living on three continents. Although theauthors came from different backgrounds, there is one message, one theme, one thread that runs throughout the entire Bible from the first book, Genesis, to the last book, Revelation. That message is God's redeeming love for mankind--a message that is as relevant for us today as it was two thousand years ago.The Poetical Books reveal the heart of the nation of Israel and are considered some ofthe finest literature ever written. It is as if the authors' very hearts have been openedup for all to see. Pain is not minimized, nor is man's struggle to understand God downplayed. Questions of suffering are boldly asked, worship is gloriously displayed, wisdom is held in highest esteem, married sexual love is unashamedly portrayed, and philosophy is openly debated.Hebrew poetry is not structured around the rhyme or meter we are used to reading andhearing. Instead, ideas are often stated in one line and then reinforced in the secondline, or a second line is composed to add to or complete the thoughts of the first. Inother forms, the second line of poetry contrasts the first.Job and Song of Solomon were written as dramatic poems that tell a story. Most ofthe psalms were written to be accompanied by an instrument and are thus examples oflyric poetry--rich in its language of worship and praise. Proverbs and Ecclesiastes areexamples of didactic poetry, giving instructions or lessons about life in short conciseverses.

A fresh, provocative look at the link between poetry and Christianity, both as it relates to the Bible itself as well as to Christian and religious life, by an accomplished scholar. The Bible is full of poems. In the Old Testament, there are the Psalms and the Song of Songs, the great exhortations and lamentations of the Prophets, and passages of poetry woven in throughout. In the New Testament, Jesus describes the kingdom of heaven with poetic epithets such as “a treasure hid in a field,” calling the Son of God “the true vine,” “the light of the world,” “the good shepherd,” and “the way, the truth, and the life.” The Gospels reverberate with allusions to the poetry of the Old Testament; the last book of all is Revelation, a visionary poem. The Bible, in other words, asks to be read poetically from start to end, and yet readers have rarely considered what that might mean, much less heeded that call. In The Bible and Poetry, the poet and scholar Michael Edwards reshapes our understanding of the Bible and religious belief, arguing that poetry is not an ornamental or accidental feature but is central to both. He speaks personally of his early, unanticipated, transformative encounters with scripture. He offers close, insightful, and resonant readings of biblical passages. Poetry, as he sees it, is the vital and necessary medium of the Creator’s word, and the truth of the Bible is not a question of precepts and propositions but of a direct experience of its poetry, its power.

“Far more than a conventional novel. It is a meditation on life, on the erotic, on the nature of men and women and love . . . full of telling details, truths large and small, to which just about every reader will respond.” — People In The Unbearable Lightness of Being, Milan Kundera tells the story of two couples, a young woman in love with a man torn between his love for her and his incorrigible womanizing, and one of his mistresses and her humbly faithful lover. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our pristine actions but also in the public sphere, and the two inevitably intertwine. This magnificent novel is a story of passion and politics, infidelity and ideas, and encompasses the extremes of comedy and tragedy, illuminating all aspects of human existence.

The most accessible and joyous introduction to the world of poetry! The Random House Book of Poetry for Children offers both funny and illuminating poems for kids personally selected by the nation's first Children's Poet Laureate, Jack Prelutsky. Featuring a wealth of beloved classic poems from the past and modern glittering gems, every child who opens this treasury will finda world of surprises and delights which will instill a lifelong love of poetry. Featuring 572 unforgettable poems, and over 400 one-of-a-kind illustrations from the Caldecott-winning illustrator of the Frog and Toad series, Arnold Lobel, this collection is, quite simply, the perfect way to introduce children to the world of poetry.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

This valuable resource introduces readers to the Old Testament books of wisdom and poetry--Job, Psalms, Proverbs, Ecclesiastes, and Song of Songs--and helps them better understand each book's overall flow. Estes summarizes some of each book's key issues, offers an exposition of the book that interacts with major commentaries and recent studies, and concludes with an extensive bibliography. Now in paperback.