The Poets Jesus Representations At The End Of A Millennium

Poets have always been the medium through which a culture talks of, and to, its gods. Now, in this learned but lively commentary, Peggy Rosenthal shows us the astonishing range of poetic encounters with Jesus. With a special emphasis on twentieth-century poetry, Rosenthal draws from an unprecedented range of world poetry--from Africa, the Arab world, and the Far East to Latin America and the West--to give readers an understanding of how different times and different cultures have affected the way poets refigure Jesus and of how poets' fascination with the man from Nazareth transcends all barriers. She also demonstrates that, despite the twentieth century's self-definition as a secular and post-Christian epoch, it has produced poetry about Jesus of truly surprising quality and variety. Impeccably researched and extremely accessible, The Poets Jesus will strongly appeal to scholars of poetry and religion as well as for all general readers of poetry.

The Facts On File Companion to World Poetry : 1900 to the Present is a comprehensive introduction to 20th and 21st-century world poets and their most famous, most distinctive, and most influential poems.

This unique multidisciplinary study views Jesus as one of the most central figures in history with a wide-ranging impact on society, literature, art, and philosophy. Jesus in History, Thought, and Culture distills 2,000 years of thinking about Jesus into two intriguing volumes. In more than 200 A–Z entries, internationally recognized scholars summarize views of Jesus from the Gospel writers to contemporary theologians. Not only does the book explore Christian liturgy and worship—including the long-lasting 4th- and 5th-century schisms over whether Jesus is human or divine—but it examines the position of Jesus in the traditions of other world religions, such as Judaism, Islam, and Hinduism. Even outside religion, little has been untouched by Jesus's influence. Jesus affected social and political theory in his time and continues to do so today. The encyclopedia also explores his changing image in art, sculpture, music, and literature, pulling disparate fields of study into one powerful resource. Scholars, students of theology and world religions, and other interested readers will all welcome this unique resource.

This multifaceted work contextualizes Jesus in religion and culture by bringing together articles on folklore, history, literature, philosophy, popular culture, and theology. Many books have been written about Jesus, but this two-volume work takes a different approach than most. What sets it apart is that it emphasizes Jesus' lasting impact on world history and his legacy in the imagination over 2,000 years. Written as an introduction, the encyclopedia is equally suitable for Christians who wish to better understand the history and philosophy of their religion and for non-Christians who wish to grasp Christianity in its historical and social contexts. Alphabetically arranged entries cover representations of Jesus in the bible and the writings of key theologians, examining the essentials of philosophical and religious views across history. The set also includes hundreds of entries that reflect on the role Jesus has played in popular culture and contemporary vernacular religion—perspectives that are not usually placed alongside theology. Through the encyclopedia, students will see how artists, writers, philosophers, church figures, and others have imagined Jesus and been influenced by their perceptions of him. At the same time, primary documents will encourage students to compare and contrast ideas and evaluate arguments that have arisen over 20 centuries.

First United Methodist Church in Augusta, Georgia, gives concerts to raise money for local service organizations. Trinity Lutheran Church in Mission, Kansas, has been sponsoring a religious art show for more than twenty-five years. Fellowship Lutheran Church runs a Christian arts camp for young people every summer. These are just three of the eighteen case studies of practicing arts ministries in this book, in which Michael Bauer encourages the nurture and support of all the creative gifts of God's people. Bauer lays a solid foundation for arts ministry, grounding it in the historic Christian tradition and urging churches to expand their engagement with the creative arts -- "to live and worship in full color," as he puts it. A concluding chapter clearly lays out how to develop an arts ministry, helping readers to take these ideas from theory to practice, to embrace and celebrate the continuing creative activity of God in the church.

Can an understanding of the poetics of the Gospels, together with a reading of poetry inspired by them, make the homily an art form as compelling as a poetry performance? In Preaching the Poetry of the Gospels, Elizabeth Michael Boyle, O.P., offers a preaching guide to the Sunday Lectionary using the insights of poets to enliven and elicit more powerful homilies. Preaching the Poetry of the Gospels demonstrates that not only the Fourth Gospel but also the Synoptics can be read with special understanding when they are interpreted as narrative poetry. For each Sunday, from the first Sunday in Advent through Trinity Sunday, the author offers a poet's reflection on the literary devices in the liturgical texts, and a gathering of poems about the gospel event. Chapters are "Incarnation: Advent to Epiphany, " "Redemption: Ash Wednesday through Holy Week, " "Resurrection: The Sundays of Easter, " "Transformation: Ascension to Trinity Sunday, " and "Reclaiming the Poetry of Ordinary Time."

Provides a comprehensive introduction to 20th- and 21st-century world poets and their most famous, most distinctive, and most influential poems.

Robert Graves tells us that “the poet’s first enrichment is a knowledge and understanding of myths.” Certainly, as this collection of essays, poems and visual images affirms, mythology has been a field richly mined by poets and artists from antiquity through to the present day. It is testament to both the enduring power of myth, as well as the adaptability of its form, that poets and writers continually turn to the mythic for both inspiration and guidance. This volume presents a diverse collection of analytical and creative works by scholars, poets and visual artists, in response to their varied explorations of the prolific dialogue that exists between myth and poetry.