The Policewomen S Bureau

A page-turning novel about the inner workings of the NYPD, based on the true story of a young officer's decades-long fight for respect in the male-dominated world. The Bronx, 1958. The Policewomen's Bureau isn’t respected within the Department, even when it handles cases the men can’t solve. Marie Carrara is a young police matron who wants to move beyond the grim routine of guarding female prisoners to become one of the few female detectives in the NYPD. Though she is a shy and naive, from a sheltered, immigrant background, Marie dives into the strange and terrifying world of big-city undercover work without hesitation, using her genuine innocence to deceive degenerates and drug dealers into thinking that she’s an easy target. As she begins to create tougher undercover characters, she discovers that they might be able to inspire her in her off-duty life as well. Despite the violence of her job, the sexism she faces daily, and a rocky-at-best marriage waiting for her at home, Marie is determined to make a name for herself within the NYPD and be the role model her young daughter deserves. With the support of Marie Cirile, the real-life inspiration for Marie Carrara, Edward Conlon adapts the true events of her memoir into a thrilling drama, a book only a best-selling author and decorated Bronx detective could have written.

Women in policing have seen three phases of acceptance. Beginning in about 1880, they were admitted as police matrons with extremely limited duties. Next they were accepted as policewomen around 1910-1916, when that title was officially bestowed on them. Finally came assignment of females as general duty officers in the late 1960s and early 1970s. Not coincidentally, an active women's movement was the driving force behind all three phases. As women in policing went from matrons to regular officers, they faced harassment and discrimination that only worsened as they neared equality. Many still face it today. This book examines the history of policewomen from 1880 to 2012--particularly in the U.S.--and tells the story of their gradual recognition by the professional establishment of male officers.

Breaking and Entering: Policewomen on Patrol explores the problems women face beginning a career in the traditionally male-oriented profession of police work, and the ways they have learned to deal with these problems.

Considers (69) S. 1750.

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.