The Possibility Of Culture

The Possibility of Culture: Pleasure and MoralDevelopment in Kant’s Aesthetics presents an in-depthexploration and deconstruction of Kant’s depiction of theways in which aesthetic pursuits can promote personal moraldevelopment. Presents an in-depth exploration of the connection betweenKant’s aesthetics and his views on moral development Reveals the links between Kant’s aesthetics and hisanthropology and moral psychology Explores Kant’s notion of genius and his views on theconnections between the social aspects of taste and moraldevelopment Addresses aspects of Kant’s ethical theory that willinterest scholars working in ethics and moral psychology

Van Jones said it well: "If we're going to end this fiscal madness and start rebuilding America, we're going to have to get creative We need a tsunami of music, film, poetry and art. The Culture of Possibility shows us how creativity can take our story back from Corporation Nation, tilting the culture towards justice, equity, and innovation. I urge you to read this book " We are in the midst of seismic cultural change. In the old paradigm, priorities are shaped by a mechanistic worldview that privileges whatever can be numbered, measured, and weighed; human beings are pressured to adapt to the terms set by their own creations. How we feel, how we connect, how we spend our time, how we make our way and come to know each other-these are all part of the scenery. In the new paradigm, things are given their true value. People care passionately about how they and the things they value are depicted. They revive themselves after a long workday with music or dance, by making something beautiful for themselves or their loved ones, by expressing their deepest feelings in poetry or watching a film that never fails to comfort. In the new paradigm, it is understood that culture prefigures economics and politics; it molds markets; and it expresses and embodies the creativity and resilience that are the human species' greatest strengths. The bridge between paradigms is being built by artists and others who have learned to deploy artists' cognitive, imaginative, empathic, and narrative skills. The bridge is made of the stories that the old paradigm can't hear, the lives that it doesn't count, the imagined future it can't encompass. Using first-person stories, drawing on both history and headlines, embracing new knowledge from education, medicine, cognitive science, spirituality, politics, and other realms, The Culture of Possibility shows why, how, and where we can build a bridge to a sustainable future.

Today human ecology has split into many different sub-disciplines such as historical ecology, political ecology or the New Ecological Anthropology. The latter in particular has criticised the predominance of the Western view on different ecosystems, arguing that culture-specific world views and human-environment interactions have been largely neglected. However, these different perspectives only tackle specific facets of a local and global hyper-complex reality. In bringing together a variety of views and theoretical approaches , these especially commissioned essays prove that an interdisciplinary collaboration and understanding of the extreme complexity of the human-environment interface(s) is possible.

The Wave is speculative fiction. Gloria Steinem has written that "The Wave tells us how to create a future in which creativity, empathy, and social imagination are the primary forces in our daily lives. Everything in it is doable and practical. It is a road map to the future country we want to live in." In 2023, a young journalist, Rebecca Price, writes a series of articles describing an emergent cultural change that has been gathering force over the previous decade (even longer, some of her informants say). She draws on a range of examples unfolding in New York City where she lives. "The Wave," her name for the Zeitgeist-the rising spirit of the times-catches on, entering common usage. In 2033, she is asked by an editor to revisit her findings and report again. The text includes notes to her editor, excerpts from the 2023 series, and new material she writes in 2033. The Wave offers one answer to this question: If we are on the cusp of a paradigm shift, a radical change in worldview that will thrust art and culture onto center stage, how will the world be different?

A sophisticated argument about how the internet and communication networks impact on politics, democracy, and identity.

Many scholars, practitioners, and policy-makers in the cultural sector argue that Canadian cultural policy is at a crossroads: that the environment for cultural policy-making has evolved substantially and that traditional rationales for state intervention no longer apply. The concept of cultural citizenship is a relative newcomer to the cultural policy landscape, and offers a potentially compelling alternative rationale for government intervention in the cultural sector. Likewise, the articulation and use of cultural indicators and of governance concepts are also new arrivals, emerging as potentially powerful tools for policy and program development. Accounting for Culture is a unique collection of essays from leading Canadian and international scholars that critically examines cultural citizenship, cultural indicators, and governance in the context of evolving cultural practices and cultural policy-making. It will be of great interest to scholars of cultural policy, communications, cultural studies, and public administration alike.

A series of essays by internationally known artists, scholars, and critics in the growing field of cultural theory, Culture and Contestation in the New Century examines the conditions of cultural production in the first decade of the twenty-first century. With an emphasis on how current neoliberal policies have affected institutions of cultural production and dissemination, it emphasizes the ensuing changes to critical theory. The contributors here are among the most respected scholars in art, art criticism, and cultural studies, and this powerful analysis poses important questions about cultural democracy and social change.