The Post Apocalyptic Primer

While no one looks forward to what comes after Doomsday, author K. Scott Bradbury prompts readers to consider what will happen and how to mentally and physically prepare. In his debut work of nonfiction, The Post-Apocalyptic Primer, he examines what life might look like after the end of the world and it's not as abysmal as some might fear. In ten chapters including: Assessing Your Existing Survival Skills, Civilization After the Fall of Civilization, and Eat, Drink, and Be Wary, Bradbury offers commonsense strategies that exponentially boost one's chances of a bright future. Among other Apocalyptic scenarios, he describes what one might expect after a seismic catastrophe, an ice age event, nuclear war, and alien invasion as well as the stages of disorder, which he breaks down into Instant, Coming Soon, and Slow-Burn events. Where someone lives makes a big difference, but besides new threats, there are also new careers, new hobbies, and a whole new adventure, the only trick is to be ready for it.

As the Apocalypse descends on mankind, only one man has walked with God and knows the Creator's hidden agenda: Wild Bill Righteousness. Then, as the deadly demonic attacks grow in fury, a kindly aquapithecine from a parallel universe extends a flipper of friendship.

This book is an introduction to blacksmithing with an emphasis on how I envision it to be practiced in the event of an apocalyptic event. It contains references to other works, useful information about junkyard steels, description of techniques used in iron working, charcoal-making, other kinds of metalworking and a chapter on the selection of weapons in addition to other information that might prove useful in the event of a wide-spread disaster scenario.

"A critical study of the demonic imagery that has been persistently embedded and codified in America's war culture. The authors examine "the devil myth" in both its past and present iterations and also highlight the counter-myth of the "trickster figure"whose democratic impulses have occasionally succeeded in countering the impulse towards demonization. To unveil the devil myth, the authors identify outward projections of evil onto the faces of America's enemies. They begin by scrutinizing the image of evildoers used to justify the global war on terror. It is difficult, they observe, to recognize this literalized image as a rhetorical construction subject to critical reflection without revisiting earlier manifestations of the devil myth in American history. Mythical projection is a cyclical process of political culture, they argue. Traces of earlier iterations of the devil myth carry into the present, but enemies are demonized anew in distinctive ways at each historical juncture of national crisis. To illustrate this process, the book includes chapters on demonized figures preceding the war on terror: witches, Indians, dictators, and reds. Each chapter shows how these emotionally loaded symbols have functioned as apparitions of dark foes that must be destroyed to redeem the nation's innocence. In this way, the book reveals how the subliminal figure of the devil haunts U.S. political culture so that war symbolically wards off evil in defense of, but at the cost of curtailing, its democratic soul. One of the study's underlying questions is how the nation can make peace with diversity instead of condemning it as a dark foe carrying the mark of evil. The book works toward an answer by discussing the creative and critical role of the democratic trickster"--

When your base camp is overrun by zombies, whom do you save if you cannot save everyone? Is it permissible to sacrifice one survivor to an undead horde in order to save a greater number of the living? Do you have obligations to loved ones who have turned? These are some of the troubling ethical questions you might face in a zombie apocalypse. Bryan Hall uses situations like these to creatively introduce the foundational theories of moral philosophy. Covering major thinkers such as Aristotle, Immanuel Kant, and John Stuart Mill, this is an introduction to Ethics like no other: a practical guidebook for surviving a zombie outbreak with your humanity intact. It shows you why moral reasoning matters as long as you still walk among the living. The book is written entirely from the perspective of someone struggling to survive in a world overrun by the undead. Each chapter begins with graphic art and a “field exercise” that uses a story from this world to illustrate an ethical problem. By considering moral controversies through the unfamiliar context of a zombie apocalypse, the morally irrelevant factors that get in the way of resolving these controversies are removed and you can better answer questions such as: · Do we have a moral obligation to help those less fortunate than ourselves? · Is it ever morally permissible to intentionally kill an innocent person? · Are non-rational but sentient beings morally considerable? Equipped with further reading sections and overviews of the theories that you would usually cover in an introductory Ethics course, this one-of-a-kind primer critically evaluates different procedures for moral action that you can use not only to survive but flourish in an undead world.

Exploring postapocalypticism in the Black literary and cultural tradition, this book extends the scholarly conversation on Afro-futurist canon formation through an examination of futuristic imaginaries in representative twentieth and twenty-first century works of literature and expressive culture by Black women in an African diasporic setting. The author demonstrates the implications of Afro-futurist literary criticism for Black Atlantic literary and critical theory, investigating issues of hybridity, transcending boundaries, temporality and historical recuperation. Covering writers including Octavia Butler, Edwidge Danticat, Nalo Hopkinson, Toni Morrison, Jesmyn Ward and Beyoncé, this book examines the ways Black women artists attempt to recover a raced and gendered heritage, and how they explore an evolving social order that is both connected to and distinct from the past.

From Tolkien to Star Trek and from Game of Thrones to The Walking Dead, imaginary worlds in fantastic genres offer us complex and immersive environments beyond capitalism. This book examines the ways in which these popular storyworlds offer valuable tools for anticapitalist theory and practice. Building on Hardt and Negri’s concept of Empire as a way of understanding globalization, Science Fiction, Fantasy, and Politics shows how popular fantastic fiction has the potential of offering more than a momentary escape from capitalist realism in the age of media convergence and participatory culture. The book approaches fantastic world-building as an ideologically ambiguous way of imagining alternatives to global capitalism. By approaching transmedia world-building both as a narrative form and as a growing industry derived from fan culture, it shows on the one hand the limitations inherent in the political economy of popular genre fiction. But at the same time, it also explores the productive ways in which fantastic storyworlds contain a radical energy that can give us new ways of thinking about politics, popular culture, and anticapitalism.

Global warming, energy shortages, overpopulation — it's no wonder that as a society, we're in an apocalyptic mood. Out of an endless stream of gloomy prognoses for humanity's future, we have emerged with little inspiration and few concrete ideas for change. Our Way Out is the first time that our most urgent global challenges have been treated as aspects of a single, larger crisis — and the first to acknowledge that while crises reinforce each other, solutions enable each other. The transformation to sustainability is already happening, in many small ways, in many parts of the world. Our Way Out shows us how we can scale up these efforts to create meaningful and lasting change. This is not a book on climate change, energy, or any other single issue — it is the story of how within the solutions to the global crises we face, lie the seeds of something greater. It is a handbook for immense and exciting worldwide change. And, not least of all, it offers us robust hope that we can make things better.