The Prologue

This is not another alternative energy study. Rather, The Prologue identifies and charts the security-related trajectory of a relatively new global phenomenon: the ascent of alternative energy as a 21st century megatrend. Why and how have contemporary alternative energy developments evolved into a 21st century global socio-political and techno-economic megatrend? What are the security implications of this megatrend? And what does the megatrend’s evolution reveal about upcoming geopolitical, energy, defense, environmental, and economic security challenges? This book endeavors to answer these questions by establishing the conceptual framework of a universally securitized world in which mutually interacting threats have expanded the needs and security considerations of today’s globalized and interdependent actors, including states, international organizations, multinational corporations, and political and social movements. “Alexander Mirtchev’s sweeping exploration of the changing energy landscape looks far into the future and outlines issues that will occupy scholars and policymakers for decades to come.”—The Hon. Henry Kissinger, Chairman, Kissinger Associates, Former Secretary of State and National Security Advisor “With the advancements in alternative energy technology at the beginning of the 21st century, energy security thinking and planning will never be the same—Alexander Mirtchev’s profoundly original book reveals these new dilemmas that will challenge policymakers in all major economies and provides for dealing with the new realities in a smart way.”—The Hon. Judge William H. Webster, Chairman, Homeland Security Advisory Council, Former Director of the CIA and FBI

Essay from the year 1999 in the subject German Studies - Older German Literature, Medieval Studies, grade: very good, University of Nottingham (German Department), 9 entries in the bibliography, language: English, abstract: Despite two centuries of intensive literary research on Gottfried′s `Tristan′, the poem has remained one of the most discussed and controversial works of medieval literature. The poem has seen many researchers struggle with interpretations and many of the questions researchers came up with in the past proved to be hardly answerable. Especially the prologue to Tristan has remained very difficult to decipher. What was Gottfried trying to convey, when he addressed his poem to the world of the `edelen herzen′ only? What was Gottfried′s idea of an ideal life? And finally, in what way does the conception of his poem coincide with Aristotle′s idea of catharsis? A closer look at the second part of the prologue (vv 45-244) and the literary discourse about it will hopefully throw some light on these questions, or, at least, provide the reader with some useful ideas about Gottfried′s famous love poem. Indeed, to split the prologue into two parts, which (unfortunately?) was to be the starting point of my essay, is a very delicate matter. Considering formal aspects of the text, it seems justifiable to split the prologue into two parts as follows: a part one which consists of the first 44 lines written in four-line rhyming stanzas, and a part two which introduces a new pattern of rhymed couplets, beginning line 45. This way of splitting up the prologue has been the preferred one in the past, though some critics now regard it as out-dated and not very helpful. Dietz1 believes that the prologue has to be seen as a whole and therefore tends to prefer Schöne′s2 suggestion to divide the prologue according to certain keywords, or, as he puts it `Hauptthemen′, which seem to represent the central idea of each of his suggested parts. The `Hauptthemen′ Schöne names are `guot′ (vv 1-40), `werlt′ (vv 41-76), `muoze′ (vv 77-96), `sene′ (vv 97-130), `liebe′ (vv 174-221) and `leben′ and `tot′ (vv 222-244). Schöne chooses these key words according to their frequency of occurrence in the text. In all cases the stated keyword is the word which appears most frequently in the respective part and therefore depicts the central idea of it. Schöne′s analysis of the prologue based on his suggested `Hauptthemen′ is an interesting approach to do justice to the complexity of the prologue. In some respect, however, his choice of the different `Hauptthemen′ may be questionable.

In 1914 Russia, Lara is being groomed by her father to be the next kennel steward for the Count's borzoi dogs unless her mother bears a son, but her visions, although suppressed by her father, seem to suggest she has a special bond with the dogs.

The third in 'The Kingkiller Chronicle' series of fantasy novels by Patrick Rothfuss.

A novel in which a successful art dealer confesses the story of his rise to a former classmate in an airport bar--a story that begins with his rescue and resuscitation of a drowning man with whom he becomes inextricably and disturbingly linked.

Challenges show we need to allow others to support us, personally and professionally, yet it isn't easy or natural for many. Sharing vulnerability with the right people, in the right way, allows us to enhance not just our sense of wellbeing but also our creativity, productivity, mental resilience and the likelihood of achieving our goals.