The Psalms Of Lament In Mark S Passion

Ahearne-Kroll examines the literary interaction between Mark's passion narrative and four Psalms of Individual Lament.

H. Daniel Zacharias presents a literary-critical analysis of the Gospel of Matthew and its interaction with Davidic tradition and use of Davidic typology. Throughout the narrative, the evangelist makes pervasive use of Davidic tradition from the Old Testament in his portrayal of Jesus. This begins from the first verse and the declaration that Jesus is the Son of David, and culminates in Jesus' usage of Psalm 22's Davidic lament on the cross. Davidic material is present throughout Matthew, in allusion, in specific citations, in thematic material. In addition, Matthew makes use of Davidic typology numerous times, with David as type and Jesus as anti-type. Zacharias shows how the use of Davidic material presents to the reader a scripturally-grounded redefinition of what it means for Jesus to be the Son of David: not as a violent militant leader, as some expected, but as a physical descendant of David, a healing shepherd, and a humble king. Within the Gospel, Matthew utilizes Davidic typology to show how the Son of David even has similar experiences as his royal predecessor. Even David's own words from the psalms are utilized as testimony to the legitimacy of Jesus as the Davidic Messiah.

Drawing on David texts, Matthew makes the narrative case for an unexpected messiah--one who does not kill but is instead killed by the Romans.

First English edition of an iconic work of German scholarship Since its original publication in German, Peter Stuhlmacher’s two-volume Biblische Theologie des Neuen Testaments has influenced an entire generation of biblical scholars and theologians. Now Daniel Bailey’s expert translation makes this important work of New Testament theology available in English for the first time. Following an extended discussion of the task of writing a New Testament theology, Stuhlmacher explores the development of the Christian message across the pages of the Gospels, the writings of Paul, and the other canonical books of the New Testament. The second part of the book examines the biblical canon and its historical significance. A concluding essay by Bailey applies Stuhlmacher’s approach to specific texts in Romans and 4 Maccabees.

This work examines the effect of the use of scripture on the interpretation of the Markan passion narrative, Mark 14:1-15:47. In the methodically focused section which begins the work, Kelli O'Brien first defines the term allusion and the criteria by which allusions are established and then. She then tests the allusions suggested by previous scholars. For the trial and crucifixion scenes, only eleven references have sufficient verbal and other correspondence to be considered probable or certain allusions, out of the roughly 150 references suggested. The numbers for allusions in Mark 14:1-52 are similar. Demonstrable allusions are relatively few, too few to support the theory favoured by many that the passion narrative was constructed by means of allusions to Scripture. The work assesses the interpretive impact of the allusions on the Markan passion narrative, considering how those passages are treated in Jewish and Christian traditions potentially available to the author. Allusions interpret the Markan Christology, but they also interpret other aspects of the drama, such as the opponents in the Jewish trial and the offer of vinegary wine. Most importantly, allusions in the passion narrative indicate in what sense the author understood Jesus' death to be redemptive and that the "ransom" the Son of Man gives (Mark 10:45) is eschatological.

In The Scriptural Tale in the Fourth Gospel, Ed Gerber argues that the story of Jesus has been told as a creative retelling of the story of Adam & Israel, first in the prologue, and then in the body of the Gospel as a whole.

A Synoptic Christology of Lament explores the Christological implications of the way the Evangelists portray Jesus as someone who both answered cries of distress and uttered them. They take up the language of lament from Israel's Scriptures to accomplish this biographical aim.