The Psycho Analysis Of The Nursery

Originally published in English in 1953, this title was first printed in Hungarian in 1931. Already translated into German, French and Spanish, Alice Balint (the first wife of Michael Balint) had intended to translate the title into English herself, but died suddenly at the beginning of the Second World War. Eventually their son, by this time a qualified doctor, was instrumental in bringing this edition about.

Originally published in English in 1953, this title was first printed in Hungarian in 1931. Already translated into German, French and Spanish, Alice Balint (the first wife of Michael Balint) had intended to translate the title into English herself, but died suddenly at the beginning of the Second World War. Eventually their son, by this time a qualified doctor, was instrumental in bringing this edition about.

From earliest childhood the nursery rhyme, one of the most captivating genres in our popular culture, has transmitted powerful messages to the child who hears it. These meanings may not be the ones adults perceive or intend, for such didactic precepts as the beneficial need of self-control, social order, and academic responsibility also can be weighted with the sadistic, angry connotations that lie deep in the human spirit. In Cradle and All nursery rhymes are shown to be both the instruments that tell children of the mortal hunger for the forces in the natural world that oppose them. Thus in bearing a double load of meanings, nursery rhymes remove the blinders and push children toward the life of contrasts that abound in their culture. This fascinating examination of the pervasive influence of nursery rhymes reveals patterns of psychological and cultural meaning in a broad range of rhymes, grouping them according to basic subject matter: animal rhymes, courtship and marriage rhymes, lullabies and amusements, and didactic rhymes. Combining the tools of psychoanalysis, literary criticism, folklore studies, cultural history, and cultural anthropology, Cradle and All explores meanings and motives that lie deep in many rhymes that are the fundamental literature of the nursery. This illuminating study also assesses attempts to sanitize rhymes by removing elements that some deem as needlessly violent, antisocial, and sexist. Cradle and Allis unique in its analytical treatment of a large number of rhymes grouped in broad subject areas. In its diverse and comprehensive approach it will appeal to all who enjoy the lore of childhood literature.

If you are disturbed by the idea that to grow up is to learn to live with disillusionment, if you are fascinated by the perplexity of child-rearing, or if you fear you were more creative as a child, The Beast in the Nursery offers an illuminating and possibly life-changing experience. In four interrelated essays, Adam Phillips arrives at startling new insights into issues that preoccupied Freud, showing in the process that far from having lost its relevance, psychoanalysis is still one of our most incisive tools for the exploration of the human psyche and its possibilities. Phillips transforms the genre of the essay into an instrument for intellectual investigation of the most absorbing kind.

Ghosts in the Consulting Room: Echoes of Trauma in Psychoanalysis is the first of two volumes that delves into the overwhelming, often unmetabolizable feelings related to mourning. The book uses clinical examples of people living in a state of liminality or ongoing melancholia. The authors reflect on the challenges of learning to move forward and embrace life over time, while acknowledging, witnessing and working through the emotional scars of the past. Bringing together a collection of clinical and theoretical papers, Ghosts in the Consulting Room features accounts of the unpredictable effects of trauma that emerge within clinical work, often unexpectedly, in ways that surprise both patient and therapist. In the book, distinguished psychoanalysts examine how to work with a variety of ‘ghosts’, as they manifest in transference and countertransference, in work with children and adults, in institutional settings and even in the very founders and foundations of the field of psychoanalysis itself. They explore the dilemma of how to process loss when it is unspeakable and unknowable, often manifesting in silence or gaps in knowledge, and living in strange relations to time and space. This book will be of interest to psychotherapists and psychoanalysts, as well as social workers, family therapists, psychologists, and psychiatrists. It will appeal to those specializing in bereavement and trauma and, on a broader level, to sociologists and historians interested in understanding means of coping with loss and grief on both an individual and larger scale basis.

This book explores the life, scholarly oeuvre and intellectual connections of the significant "first generation" Hungarian female psychoanalysts, situating their lives within the wider context of social history and the history of psychoanalysis. Budapest was one of the main centres of psychoanalysis in the early 20th century – in a period which was also central regarding women’s changing roles and possibilities. Favourable social circumstances met a new, freshly developing profession’s need for receptive followers regardless of their sex. This book shines a light on the social and professional factors on the life and work of these first women psychoanalysts, examining documentary evidence of their lives and drawing upon the literature of psychoanalysis, social history, and gender studies. Through their life stories, not only the history of psychoanalysis, but also the processes of 20th-century women’s history and social-political developments in Hungary and the region can be reconstructed. Key psychoanalysts explored include Lilly Hajdu, Edit Gyömrői, Alice Bálint, Vilma Kovács, Lillián Rotter and twelve further women analysts. This important book will be of interest to researchers in gender studies, the history of psychoanalysis, women’s and gender history, and Eastern European history.

With the growing emphasis on theory in literary studies, psychoanalytic criticism is making notable contributions to literary interpretation. Sixteen chapters in this work explore the psychological subtexts of such important children's books as Carlo Collodi's Pinocchio, Roald Dahl's James and the Giant Peach, Kenneth Grahame's The Wind in the Willows, Louise Fitzhugh's Harriet the Spy, Mark Twain's The Prince and the Pauper, and E.B. White's Charlotte's Web. Drawing on the ideas of such psychoanalytic theorists as Sigmund Freud, Alice Miller, D.W. Winnicott and Jacques Lacan, it analyzes the psychological development of characters, examines reader responses, and studies the lives of authors and illustrators such as Beatrix Potter and Jessie Willcox Smith.