The Public Life Of The Fetal Sonogram

In The Public Life of the Fetal Sonogram, medical anthropologist Janelle S. Taylor analyzes the full sociocultural context of ultrasound technology and imagery. This book offers much-needed critical awareness of the less easily recognized ways in which ultrasound technology is profoundly social and political in the United States today.

A decade ago, it was difficult to imagine parents-to-be jumping from planes or dyeing their hair to publicly declare the sex of their unborn children. Yet gender-reveal parties have rapidly grown in popularity, saturating the public imagination surrounding pregnancy and parenthood. As a highly visible trend, gender-reveals correlate with our increased digital capacity for sharing, competitive consumerism, ritualized communitas, and social media currency. At the roots of this trend, there may be motivations to reassert binary identities against a climate of acceptance and progression surrounding gender fluidity. To analyze the divisive discourse surrounding this phenomenon, this book explores issues including technologies of reproduction and media; community and competition; visibility and signifying the unborn; consumerist imperatives; and those uninvited from this trend. In the process of selecting costumes of gender before birth, Gieseler argues, parents-to-be appropriate the unborn body as a contested, discursive site.

The latest three- and four dimensional images produced by modern ultrasound technology offer strikingly realistic representations of the foetus - representations that have further transformed experiences of pregnancy, the public understanding of foetal existence and the rhetoric of the abortion debate. Presenting a timely feminist engagement with this new technology, The Visualised Foetus explores the widespread familiarity with and popularity of this new technology within the context of a longer history of foetal visualisations. The book offers an array of case studies that examine the diffusion of 3/4D ultrasound images beyond the clinic and the implications of this new technology for biopolitics in the European and American context. With attention to the non-diagnostic and commercial use of 3/4D images, the impact of 3/4D ultrasound within the abortion debate, and new claims that ultrasound aids maternal-foetal bonding, The Visualised Foetus demonstrates the tension between the social and medical significances of foetal ultrasound, the pleasures and dangers of foetal imagery for women, the contested status of ultrasonography as 'scientific' imagery, and struggles over the authority to define and interpret ultrasound imagery. As such, it will appeal to scholars of the sociology of medicine and the body, social theory and gender and cultural studies, as well as those with interest in science and technology studies.

New medical technologies, women’s willingness to talk online and off, and tighter judicial reins on state legislatures are shaking up the practice of abortion. As talk becomes more transparent, Carol Sanger writes, women’s decisions about whether to become mothers will be treated more like those of other adults making significant personal choices.

How engineers and clinicians developed the ultrasound diagnostic scanner and how its use in obstetrics became controversial. To its proponents, the ultrasound scanner is a safe, reliable, and indispensable aid to diagnosis. Its detractors, on the other hand, argue that its development and use are driven by the technological enthusiasms of doctors and engineers (and the commercial interests of manufacturers) and not by concern to improve the clinical care of women. In some U.S. states, an ultrasound scan is now required by legislation before a woman can obtain an abortion, adding a new dimension to an already controversial practice. Imaging and Imagining the Fetus engages both the development of a modern medical technology and the concerted critique of that technology. Malcolm Nicolson and John Fleming relate the technical and social history of ultrasound imaging—from early experiments in Glasgow in 1956 through wide deployment in the British hospital system by 1975 to its ubiquitous use in maternity clinics throughout the developed world by the end of the twentieth century. Obstetrician Ian Donald and engineer Tom Brown created ultrasound technology in Glasgow, where their prototypes were based on the industrial flaw detector, an instrument readily available to them in the shipbuilding city. As a physician, Donald supported the use of ultrasound for clinical purposes, and as a devout High Anglican he imbued the images with moral significance. He opposed abortion—decisions about which were increasingly guided by the ultrasound technology he pioneered—and he occasionally used ultrasound images to convince pregnant women not to abort the fetuses they could now see. Imaging and Imagining the Fetus explores why earlier innovators failed where Donald and Brown succeeded. It also shows how ultrasound developed into a "black box" technology whose users can fully appreciate the images they produce but do not, and have no need to, understand the technology, any more than do users of computers. These "images of the fetus may be produced by machines," the authors write, "but they live vividly in the human imagination."

In Disembodying Women, Barbara Duden takes a closer look at this contemporary transformation of women's experience of pregnancy. She suggests that advances in technology and parallel changes in public discourse have refrained pregnancy as a managed process, the mother as an ecosystem, and the fetus as an endangered species.

This timely volume provides scholars and reproductive rights activists a forum for dialogue about fetuses without conceding to a moral or political agenda that would sanctify them at women's expense.

Focuses on the practice of cross-racial gestational surrogacy, in which a woman--through in-vitro fertilization using the sperm and egg of intended parents or donors--carries a pregnancy for intended parents of a different race. Concentrating on the racial differences between parents and surrogates, Harrison is interested in how reproductive technologies intersect with race, particularly when brown bodies produce white babies. She provides an interdisciplinary analysis that includes legal cases of contested surrogacy, historical examples of surrogacy as a form of racialized reproductive labor, the role of genetics in the assisted reproduction industry, and the recent turn toward reproductive tourism. --From publisher description.