The Quest For Sanity

"Mental Health Practice: a guide to compassionate care" examines the relationship between mental health professionals and people using services during the recovery process. The disabling distress experienced by many people with mental health problems is viewed from a holistic, person-centred perspective with the road to recovery being seen as the result of true collaboration between professionals and service users. The first in-depth exploration of the intentional use of self in mental health care and its significance in the recovery journey, extensively updated New content on action research, eco-psychology and organisational culture Story boxes illustrating key themes in compassionate care Self-enquiry boxes engaging readers in reflective practice A primer on humanistic psychology and its relevance to mental health care

This book will keep you spellbound as you read it. You wonat want to put it down. It is the fast-action story of a group of people who go from despair to glory. In this you will find romance, mystery, horror and degradation, faith and fulfillment, and religious information all wrapped up into one intriguing and informative title. This should be a hit for all age groups.

This edition is an introductory selection from the writings of Adrian Stokes (1902-1972), the Kleinian aesthete who created a unique vision of the relation between psychoanalysis, art, and aesthetic experience in general. His approach was founded initially on his travels in Italy which then acquired a more formal theoretical foundation during his analysis with Melanie Klein. Stokes was a close friend of leading figures in both psychoanalytic and artistic-literary circles, including Richard Wollheim who organised a previous edition of extracts, The Image in Form. The present edition concentrates specifically on the writing that demonstrates the parallels between art and psychoanalysis.

If there are two words that seem not to fit together they are "society" and "sanity." Spend twenty minutes on the freeway or ten minutes reading the newspaper, or ponder the religious and political conflicts in some regions of the world, and you will understand the point. Yet if people are to thrive--to live fully and together in peace-- we must have sanity when it comes to society. And that requires sanity when it comes to thinking about man. Sanity involves seeing things as they really are. Social sanity requires seeing man as he really is--to grasp who and what human beings are and what sort of social arrangements help or hinder human flourishing. In this classic work, Society and Sanity, Catholic thinker Frank Sheed brings his brilliant mind and lucid writing style to bear on the good human society. By explaining perennial truths about human nature based on the wisdom of Catholic social ethics, Sheed's book is as pertinent today with our controversies about love, the nature of marriage, the role of government, the relationship of law and morality and of Church and State, and the duties of the citizen, as when he penned the work over a half a century ago.

This is the story of one of the most far-reaching human endeavors in history: the quest for mental well-being. From its origins in the eighteenth century to its wide scope in the early twenty-first, this search for emotional health and welfare has cost billions. In the name of mental health, millions around the world have been tranquilized, institutionalized, psycho-analyzed, sterilized, lobotomized and even euthanized. Yet at the dawn of the new millennium, reported rates of depression and anxiety are unprecedentedly high. Drawing on years of field research, Ian Dowbiggin argues that if the quest for emotional well-being has reached a crisis point in the twenty-first century, it is because mass society is enveloped by cultures of therapism and consumerism, which increasingly advocate bureaucratic and managerial approaches to health and welfare.

A sprawling epic that encompasses many worlds, parallel and alternate timelines, and the echoes between these disconnects, Stephen King's Dark Tower series spans the entirety of King's career, from The Gunslinger (limited edition 1982; revised in 2003) to The Wind Through the Keyhole (2012). The series has two distinctive characteristics: its genre hybridity and its interconnection with the larger canon of King's work. The Dark Tower series engages with a number of distinct and at times dissonant genre traditions, including those of Arthurian legend, fairy tales, the fantasy epic, the Western, and horror. The Dark Tower series is also significant in its cross-references to King's other works, ranging from overt connections like characters or places to more subtle allusions, like the sigil of the Dark Tower's Crimson King appearing in the graffiti of other realities. This book examines these connections and genre influences to consider how King negotiates and transforms these elements, why they matter, and the impact they have on one another and on King's work as a whole.

Taking a novel approach to the contradictory impulses of violence and care, illness and healing, this book radically shifts the way we think of the interrelations of institutions and experiences in a globalizing world. Living and Dying in the Contemporary World is not just another reader in medical anthropology but a true tour de forceÑa deep exploration of all that makes life unbearable and yet livable through the labor of ordinary people. This book comprises forty-four chapters by scholars whose ethnographic and historical work is conducted around the globe, including South Asia, East Asia, Latin America, Africa, the Middle East, Europe, and the United States. Bringing together the work of established scholars with the vibrant voices of younger scholars, Living and Dying in the Contemporary World will appeal to anthropologists, sociologists, health scientists, scholars of religion, and all who are curious about how to relate to the rapidly changing institutions and experiences in an ever more connected world. Ê

As Alley shows, no other subject in Eliot branches out so largely, so as to embrace all her artistic concerns, including her vision of her own biography and her need to adopt her pen name. Alley also demonstrates that for Eliot, the transcendent capacity to be unidentified creates a flexibility of mind that allows not only women but also men to shed confining personae and to be, in narrative form, both man and woman at the same time, an ability that imbues only the greatest of artists.