The Real Oliver Twist

From a parish workhouse to the heart of the industrial revolution, from debtors' jail to Cambridge University and a prestigious London church, Robert Blincoe's political, personal and turbulent story illuminates the Dickensian age like never before. In 1792 as revolution, riot and sedition spread across Europe, Robert Blincoe was born in the calm of rural St Pancras parish. At four he was abandoned to a workhouse, never to see his family again. At seven, he was sent 200 miles north to work in one of the cotton mills of the dawning industrial age. He suffered years of unrelenting abuse, a life dictated by the inhuman rhythm of machines. Like Dickens' most famous character, Blincoe rebelled after years of servitude. He fought back against the mill owners, earning beatings but gaining self-respect. He joined the campaign to protect children, gave evidence to a Royal Commission into factory conditions and worked with extraordinary tenacity to keep his own children from the factories. His life was immortalised in one of the most remarkable biographies ever written, A Memoir of Robert Blincoe. Renowned popular historian John Waller tells the true story of a parish boy's progress with passion and in enthralling detail.

From a parish workhouse to the heart of the industrial revolution, from debtors' jail to Cambridge University and a prestigious London church, Robert Blincoe's political, personal and turbulent story illuminates the Dickensian age like never before.

In 19th century London, the trusting orphan Oliver escapes factory work, only to fall in with a gang of nefarious thieves.

Charles Dickens’ Oliver Twist exposed a brutal but commonplace system of child exploitation to Victorian readers. Conditions in workhouses, factories, and child criminal gangs posed lethal and daily hazards to children born to poverty. Several much-needed reforms took place in the aftermath of Oliver Twist’s publication. But what were the circumstances of childhood poverty in Victorian London and other English cities? And who were the real Oliver Twists? This book explores how nineteenth century laws and social institutions entirely failed to protect children born to poor and unstable families. Despite a horrible labyrinth of ten-hour workdays, illegal indentures, and forced emigration, however, many children overcame terrible prospects and thrived. Some of these remarkable stories of childhood resilience, innovation, and enterprise have been lost to the general reader. This book brings those stories back to light.

Robert Blincoe (c. 1792-1860) became famous during the 1830s for his popular "autobiography" detailing the horrific account of his childhood spent as a labourer in English cotton mills. This work, however, is not technically an autobiography as his story was told to journalist John Brown, who wrote the manuscript but died before publishing it. The manuscript was given to a friend who published the resulting book, A Memoir of Robert Blincoe, in five episodes in the magazine The Lion in 1832. Historian John Waller has asserted that Charles Dickens based his character Oliver Twist on Blincoe, but no firm documentary or anecdotal evidence exists that this is true. Still, the publication of Blincoe's "memoir" had an impact on bringing the horrors of child labour to a wider audience, which in turn led to legislation to limit working hours and improve working conditions for child labourers.

"Oliver Twist; or, the Parish Boy's Progress is Charles Dickens's second novel, and was first published as a serial 1837-39.[1] The story centres on orphan Oliver Twist, born in a workhouse and sold into apprenticeship with an undertaker. After escaping, Oliver travels to London, where he meets ""The Artful Dodger"", a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin.Oliver Twist is notable for its unromantic portrayal by Dickens of criminals and their sordid lives, as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century.[2] The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress.[3]In this early example of the social novel, Dickens satirises the hypocrisies of his time, including child labour, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own youthful experiences contributed as well.Oliver Twist has been the subject of numerous adaptations for various media, including a highly successful musical play, Oliver!, and the multiple Academy Award-winning 1968 motion picture. Disney also put its spin on the novel with the animated film called Oliver & Company in 1988"

Charles Dickens’ Oliver Twist exposed a brutal but commonplace system of child exploitation to Victorian readers. Conditions in workhouses, factories, and child criminal gangs posed lethal and daily hazards to children born to poverty. Several much-needed reforms took place in the aftermath of Oliver Twist’s publication. But what were the circumstances of childhood poverty in Victorian London and other English cities? And who were the real Oliver Twists? This book explores how nineteenth century laws and social institutions entirely failed to protect children born to poor and unstable families. Despite a horrible labyrinth of ten-hour workdays, illegal indentures, and forced emigration, however, many children overcame terrible prospects and thrived. Some of these remarkable stories of childhood resilience, innovation, and enterprise have been lost to the general reader. This book brings those stories back to light.

As chief parliamentary correspondent for CTV News, Craig Oliver is one of Canada’s most recognized and respected journalists, a newsman who has reported on the major political figures and news stories of our times with passion, insight, and bracing candour. He brings those same qualities to this many-layered memoir of an extraordinary professional and personal life. The only child of two alcoholics, he spent his childhood and adolescence in the homes of strangers. A chance summer job with the local CBC station launched his broadcasting career, taking Oliver from Prince Rupert, B.C. to Ottawa, Washington, and Central America. He witnessed up close the follies, foibles and occasional brilliance of the men and women who shaped our history over four decades. At the same time, Oliver pursued a personal passion for Canada’s wilderness rivers. For 30 years, he and a close company of companions—all political and media figures, from Tim Kotcheff and John Macfarlane to Eddie Goldenberg and Pierre Trudeau—paddled some of the remotest waters in western and northern Canada. Most surprising is the revelation that this comfortable television performer has been legally blind for a decade.