The Real Romero

The Secret Billionaire Billionaire Lucas Romero is many things—brooding, talented and a consummate womanizer. The one thing he's not? The "ski instructor" beautiful, innocent Milly Mayfield thought she was giving herself to in a sumptuous, secluded French ski chalet! And now she's livid! Arrogant playboy Lucas is bewildered by Milly's decidedly unusual reaction to the revelation of his substantial wealth—he's never had complaints before! But even Milly cannot ignore the sexual chemistry between them. So when a family emergency means he needs a willing woman by his side, Milly suddenly finds herself whisked away to Spain…and engaged!

This volume brings together the annual Romero Lectures presented in Camden, New Jersey, one of America's poorest cities. The book not only remembers Romero but evokes his model of ministry and leadership to give direction to some of the thorny social justice issues confronting American Catholics.The essays are by Robert McDermott, John Hogan, Thomas Gumbleton, Gustavo Gutierrez, Helen Prejean, Diana Hayes and Daniel Groody. They address urban problems, liturgy and justice, poverty and war, the preferential option, capital punishment, race and economics, and immigration.

This book results from my teenage fixation on monsters and mutations. If beauty is the trademark of oppression and order, deformity is the aesthetical precognition of revolution (monstrum means 'wonder', no less than 'horrible shape'). Monstrosity is a logic of disgregation, a way of naming the new; that's why revolution can find appropriate expression only in its open shape: Zappa's mutations, Romero's zombies, Nagai's robots. Contrary to Pomo populism, though, the author knows the difference between Art and Revolution, and investigates the possibilities of revolutionary art under capitalism, in an on-going confrontation with the perverse and polymorphous joys of his teenage heroes. Zappa, Romero and Nagai not only provide us with the central insight that phantasy is a way of seeing the world AS IT IS; they reveal the impotence of every Critical Theorist unable to take part in the event criticised.

In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics of the 1950s, and the novels of Stephen King, revealing the interdisciplinary depth of his seminal films Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), and The Dark Half (1992). For this second edition, Williams reads Romero's Bruiser (2000) against his more recent Land of the Dead (2005) and takes a fresh look at Diary of the Dead (2007) and Survival of the Dead (2009), two overlooked films that feature Romero's greatest achievements yet.

Archbishop Romero and Spiritual Leadership in the Modern World presents a contemporary and integrated understanding of one of the most remarkable pastoral leaders of our time. This bishop, Oscar Romero of El Salvador, experienced deeply the overwhelming sufferings of the Salvadoran people, as well as those within himself. He cried out in vain to Presidents Carter and Reagan, “no more arms to El Salvador,” but his pleas were not heard at that time. Knowing that he would soon be murdered, Romero promised that he would rise again in the Salvadoran people. This book illustrates how this is happening and conclusively demonstrates that by respecting transparency and with dogged perseverance, a nonviolent public leader can become an influential leader, even in times of the most savage repression and marginalization. Archbishop Romero accomplished precisely that through determination, courage, and honing his public skills, while simultaneously conducting himself in deeply spiritual ways.

“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

With the Beatification of Monseñor Oscar Romero, our current Pope Francis has asked theologians to consider how we might allow for an expanded definition for martyrdom in the 21st century. Remembering Oscar Romero and the Martyrs of El Salvador responds to that challenge. How do we name Oscar Romero, Rutilio Grande, the U.S. churchwomen, and the Jesuits and two laywomen killed at the UCA as martyrs? Is it a new category with a new definition? Or is it simply an amplification of what we have long considered Christian witness? While there is a long history of martyrdom in Latin America, this book elaborates on four case studies for martyrdom focusing on the reality in El Salvador: Rutilio Grande, S.J. killed in 1977, Archbishop Oscar Romero killed in 1980, the U.S. churchwomen killed in 1980, and the six members of the UCA Jesuit community and their two female collaborators killed in 1989. Insights from the work of Jon Sobrino illuminate these case studies. First, his Christological insights from Jesus the Liberator and Christ the Liberator are used to analyze the reality of martyrdom, particularly in reference to the terms martyr, crucified people, and martyred people. Second, his more recent articles challenge a strict interpretation of the traditional definition of martyrdom, especially focusing on his terms Jesuanic martyr, a martyr for justice, and even a more polemic suggestion of an anonymous Christian martyr. Finally, the book concludes by combining Sobrino's insights and the reality of martyrdom today, updated with the recent scholarship in Romero's beatification process which attempts to show Romero as a martyr. In the end, the book hopes to offer some suggestions for an expanded definition of martyrdom in the 21st century. By responding to the call of Pope Francis for an expanded definition, the reality of martyrdom in Latin America might be better understood and applied to the universal church.