The Real Rosebud

Her great-grandfather was a famed Lakota warrior, her father a buffalo hunter, and Rosebud Yellow Robe hosted a CBS radio show in New York City. From buffalo hunting to the hub of twentieth-century urban life, this book chronicles the momentous changes in the life of a prominent Plains Indian family over three generations. At the center of the story is Rosebud (1907?92), whose personal recollections, family memoirs, letters, and stories form the basis of this book. Rosebud?s father, Chauncey Yellow Robe, was the son of a Lakota chief and had a traditional childhood until he was sent to the Carlisle Indian School, where he became an advocate for Indian education and citizenship. He was instrumental in planning the 1927 ceremony that brought his daughter into national prominence?an induction of Calvin Coolidge into the Lakota tribe, capped by Rosebud placing a feathered war bonnet on the president?s head. Marjorie Weinberg follows the young woman from Rapid City, South Dakota, to New York City, where she became a noted lecturer and teller of Indian tales (and where her broadcasting career brought her name to the attention of Orson Welles, who may indeed have used her name for his famous sled in Citizen Kane). Reflecting a lifelong interest and a friendship that provided Weinberg access to family archives and a rich reservoir of family oral tradition, The Real Rosebud offers an intimate picture of a century and a half of a remarkable Lakota family.

In 1883, 12-year old Canowicakte boarded a train on the Rosebud Indian Reservation, beginning a journey his friends said would end at the edge of the world. Raised as a traditional Lakota, he found Carlisle Indian School, with its well-documented horrors, was the end of the world as he knew it. Renamed Chauncey Yellow Robe, he flourished at Carlisle, developed a lifelong friendship with founder Richard Pratt, and went on to work at Indian boarding schools for most of his professional life. Despite his acceptance of Indian assimilation, he was adamant that Indians should maintain their identity and was an outspoken critic of their demeaning portrayal in popular Wild West shows. He was the star and technical director of The Silent Enemy (1930), one of the first accurate depictions of Indians on film. His life embodied a cultural conflict that still persists in American society.

“An elegant, elegiac examination of identity, fictionality, God and humanity itself”—Tamsyn Muir A multilayered, locked-room science fiction novella from Paul Cornell in which five digital beings unravel their existences to discover the truth of their humanity. “The crew of the Rosebud are, currently, and by force of law, a balloon, a goth with a swagger stick, some sort of science aristocrat possibly, a ball of hands, and a swarm of insects.” When five sentient digital beings—condemned for over three hundred years to crew the small survey ship by the all-powerful Company—encounter a mysterious black sphere, their course of action is clear: obtain the object, inform the Company, earn lots of praise. But the ship malfunctions, and the crew has no choice but to approach the sphere and survey it themselves. They have no idea that this object—and the transcendent truth hidden within—will change the fate of all existence, the Company, and themselves. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The bestselling memoir of a Native American woman’s struggles and the life she found in activism: “courageous, impassioned, poetic and inspirational” (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure “half-breed” status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this—as well as a punishing Catholic missionary school—she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM’s chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century’s leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.

The horrors of September 11, 2001, continue to haunt America. Even so, from the ashes of that tragedy came biblical signs from God that carry a message intended for the entire world to see. Good News, Babylon takes an in-depth look at prophesies of 9/11 to reveal God's warning to mankind. Using scriptural evidence, Dr. David Randolph studies the two most common signs of 9/11 the Cross of Jesus Christ found in the rubble of the World Trade Center and the image of the devil in the plumes of smoke after the attack to prove the existence of God. Dr. Randolph also draws parallels between 9/11 and ancient Babylon, comparing and contrasting the warning signs given to Babylon with those from 9/11. He then examines the prophesies of Isaiah and Joel, delves into the Mother of Christ Crusade, the Fatima Apparitions, the Mother Cabrini Shrine, and other modern-day phenomena that included the hidden signs of 9/11. With in-depth research and commentary, Good News, Babylon offers a detailed study of 9/11.

Dorothy’s ruby slippers. Michael Myers’s mask. Marilyn Monroe’s billowy white dress. Indiana Jones’s trusty hat. These objects are icons of popular culture synonymous with the films they appear in, and, at long last, a book has come along that sorts and chronicles fifty of them. Rosebud Sleds and Horses’ Heads presents incisive discussion of fifty of the most significant objects in cinema history and explores their importance within their films and within the popular imagination. With original full color illustrations, this book surveys objects from a range of genres, from the birth of cinema to the present day. Curated and written by a prominent film critic who routinely writes for some of the leading publications in the English language, as well as broadcasts for the BBC, Rosebud Sleds and Horses’ Heads is the only book of its kind. With a fascinating, original, and instantly understandable concept, it will find grateful audiences in film buffs around the world.

A lifetime of cinematic writing culminates in this breathtaking statement on film’s unique ability to move us Cinema is commonly hailed as “the universal language,” but how does it communicate so effortlessly across cultural and linguistic borders? In The Eloquent Screen, influential film critic Gilberto Perez makes a capstone statement on the powerful ways in which film acts on our minds and senses. Drawing on a lifetime’s worth of viewing and re-viewing, Perez invokes a dizzying array of masters past and present—including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard—to explore the transaction between filmmaker and audience. He begins by explaining how film fits into the rhetorical tradition of persuasion and argumentation. Next, Perez explores how film embodies the central tropes of rhetoric––metaphor, metonymy, allegory, and synecdoche––and concludes with a thrilling account of cinema’s spectacular capacity to create relationships of identification with its audiences. Although there have been several attempts to develop a poetics of film, there has been no sustained attempt to set forth a rhetoric of film—one that bridges aesthetics and audience. Grasping that challenge, The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus.