The Reception Of The Virgin In Byzantium

Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.

The Virgin Mary assumed a position of central importance in Byzantium. This major and authoritative study examines her portrayal in liturgical texts during the first six centuries of Byzantine history. Focusing on three main literary genres that celebrated this holy figure, it highlights the ways in which writers adapted their messages for different audiences. Mary is portrayed variously as defender of the imperial city, Constantinople, virginal Mother of God, and ascetic disciple of Christ. Preachers, hymnographers, and hagiographers used rhetoric to enhance Mary's powerful status in Eastern Christian society, depicting her as virgin and mother, warrior and ascetic, human and semi-divine being. Their paradoxical statements were based on the fundamental mystery that Mary embodied: she was the mother of Christ, the Word of God, who provided him with the human nature that he assumed in his incarnation. This title is also available as Open Access on Cambridge Core.

This volume, on the cult of the Theotokos (Virgin Mary) in Byzantium, focuses on textual and historical aspects of the subject, thus complementing previous work which has centered more on the cult of images of the Mother of God. This international cast of scholars, consider the development and transformation of the cult from approximately the fourth through the twelfth centuries. The aim of this volume is to build on recent work on the cult of the Virgin Mary in Byzantium and to explore new areas of study. The rationale is critical and historical, using literary, artistic, and archaeological sources to evaluate her role in the development of the Byzantine understanding of the ways in which God interacts with creation by means of icons, relics and the Theotokos.

Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.

Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.

The first comprehensive introduction in English to books, readers and reading in Byzantium and the wider medieval world surrounding it.

This volume provides the first authoritative study of the creative appropriation of Greek ethics by late antique and Byzantine authors.

The present book is dedicated to one main aspect of the Marian cult: it investigates the historical process that made Mary, mother of Jesus, the most prominent intercessor across the Byzantine Empire at the end of Iconoclasm (843). The study touches religious and social issues, it refers only to contemporary ideas and sources and distinguishes itself consciously from later mariological concepts.