The Relevance Of The Beautiful And Other Essays

These essays explore Hans-Georg Gadamer's writings on art and literature in English.

This collection of speeches and essays clarifies Gadamer's thoughts on the power of language, the social role and influence of science, and the idea of reason. He argues that the theoretical pursuit of truth is valuable for its own sake, and devalued when pursued explicitly for practical purposes.

Philosopher Hans-Georg Gadamer has made major contributions to aesthetic theory, Plato and Hegel studies, humanistic studies, and the philosophy of history. A student of Martin Heidegger, Gadamer took up and developed a number of central Heideggerian insights. He also had productive public debates with contemporaries such as Emilio Betti and Jürgen Habermas. The shape of contemporary hermeneutics is due almost entirely to Gadamer's influence, and his magnum opus, Truth and Method, is considered one of the great philosophical works of the twentieth century.This book is dedicated to Gadamer in honor of his hundredth birthday, in 2000. The essays provide a measure of the classical character of Gadamer's work by showing the breadth of engagement his ideas have provoked. As in Gadamer's own life and work, dialogue and conversation figure as important themes in all of the essays. While they encompass a diversity of philosophical perspectives, interests, and styles, the essays also suggest the ever-present possibility of dialogue across language and tradition and of the formation of new modes of discourse and philosophizing.

The Gadamer Dictionary is a comprehensive and accessible guide to the world of Hans-Georg Gadamer. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences and provides a firm grounding in the central themes of Gadamer's thought. Students will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Gadamer's writings and detailed synopses of his key works, including his magnum opus, Truth and Method. The Dictionary also includes entries on Gadamer's major philosophical influences, from Plato to Heidegger, and his contemporaries, including Derrida and Habermas. It covers everything that is essential to a sound understanding of Gadamer's 'philosophical hermeneutics', offering clear and accessible explanations of often complex terminology. The Gadamer Dictionary is the ideal resource for anyone reading or studying Gadamer or Modern European Philosophy more generally.

This volume begins with an autobiographical sketch and culminates in a conversation with Jean Grondin that looks back over a lifetime of productive philosophical work.

This book offers a sustained scholarly analysis of Gadamer’s reflections on art and our experience of art. It examines fundamental themes in Gadamer’s hermeneutical aesthetics such as play, festival, symbol, contemporaneity, enactment, art’s performative ontology, and hermeneutical identity. The first two chapters focus on Gadamer’s critical appropriation and movement beyond Kantian and Hegelian aesthetics. (Chapter 2 also includes a coda on Heidegger’s influence.) The final three chapters argue for the continued relevance of Gadamer’s hermeneutical aesthetics by bringing his claims into conversation with contemporary art and music, as well as the ethical and sociopolitical dimensions of the Artworld and art praxis. The ethical and sociopolitical aspects of art- and music-making are given particular attention in chapters devoted to 20th-century African American artist Romare Bearden, Banksy’s street art, and a range of jazz expressions, from traditional jazz to the complex practice of free jazz. Gadamer’s Hermeneutical Aesthetics will appeal to researchers and advanced students working on Gadamer, philosophical hermeneutics, continental philosophy, aesthetics, and the philosophy of contemporary art and music.

This volume analyses Virginia Woolf’s novels through a philosophical lens, providing an interpretive overview of her works through Hans-Georg Gadamer’s hermeneutic ontology. The text argues that interpretation itself is the central subject matter of Woolf’s novels: in order to understand these novels in all of their complexity and depth, it is both useful and helpful to comprehend the interpretive pillars that inform these narratives. Indeed, interpretation became a central theme during the Modernist movement, and Woolf’s novels took part in this conversation. For his part, Gadamer was in important voice in these discussions, dedicating his life’s work to the concept of interpretation. Gadamer focused on the universality of interpretation, arguing that it is inescapable and irrevocably bound up with existence. In many ways, Woolf’s novels represent an enactment of Gadamer’s philosophy, as they emphasize the radical questionability of the world—what this interpretive imperative requires of its participants and the potential yield that may result. On the other end, Gadamer’s philosophy acquires a concrete praxis when applied to Woolf’s novels. His philosophy hinges on the universality of interpretation as it manifests itself in daily existence; the literary text and its interpretation participate in this universality and is shaped by it.

This major collection of essays examines issues surrounding aesthetics and ethics.