The Renaissance In India

India's recent economic performance has attracted world attention but the country is re-awakening not just as an economy but as a civilization. After a thousand years of the decline, it now has a genuine opportunity to re-establish itself as a major global power.In ?The Indian Renaissance?, the author, Sanjeev Sanyal, looks at the processes that led to ten centuries of fossilization and then at the powerful economic and social forces that are now working together to transform India beyond recognition. These range from demographic shifts to rising literacy levels, but the most important revolution has been the opening of mind and the changed attitude towards innovation and risk.This book is about how India found itself at this historic juncture, the obstacles that it still needs to negotiate and the future that it may enjoy. The author tells the story from the perspective of the new generation of Indians who have emerged from this great period of change.Published and distributed worldwide by World Scientific Publishing Co. except India, UK and North America

A defence of Indian civilisation and culture, with essays on Indian spirituality, religion, art, literature, and polity. Sri Aurobindo began the 'Foundations' series as an appreciative review of Sir John Woodroffe's book, 'Is India Civilised?', continued it with a rebuttal of the hostile criticisms of William Archer in 'India and Its Future', and concluded it with his own estimation of India's civilisation and culture. In Sri Aurobindo's view India is one of the greatest of the world's civilisations because of its high spiritual aim and the effective manner in which it has impressed this aim on the forms and rhythms of its life. A spiritual aspiration was the governing force of this culture , he wrote, its core of thought, its ruling passion. Not only did it make spirituality the highest aim of life, but it even tried...to turn the whole of life towards spirituality. Sri Aurobindo held that an aggressive defence of India culture was necessary to counter the invasion of the predominantly materialistic modern Western culture. His Foundations is precisely such a defence. Contents: Part I: The Issue; Is India Civilised?; Part II: A Rationalistic Critic on Indian Culture; Part III: A Defence of Indian Culture; Indian Culture and External Influence; The Renaissance in India. Subjects: Indology, Philosophy, Religion, Political Thought, Art, Literature.

India in the Italian Renaissance provides a systematic, chronological survey of early Italian representations of India and Indians from the late medieval period to the end of the 16th century, and their resonance within the cultural context of Renaissance Italy. The study focuses in particular on Italian attitudes towards the inhabitants of the Indian subcontinent and questions how Renaissance Italians, schooled in the admiration of classical antiquity, responded to the challenge of this contemporary pagan world. Meera Juncu draws from a wide-ranging selection of contemporary travel literature to trace the development of Italian ideas about Indians both before and after Vasco Da Gama’s landing in Calicut. After an introduction to the key concepts and a survey of inherited notions about India, the works of a diverse range of writers and editors, including Marco Polo, Petrarch and Giovanni Battista Ramusio, are analysed in detail. Through its discussion of these texts, this book examines whether ‘India’ came in any way to represent a pagan civilization comparable to the classical antiquity celebrated in Italy during the Renaissance. India in the Italian Renaissance offers a new and exciting perspective on this fascinating period for students and scholars of the Italian Renaissance and the history of India.

Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.

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On English literature from Colonial India, chiefly by English authors, and on Indic painting.