The Repair Restoration Of Pottery Porcelain

Pottery and Porcelain Restoration is a practical guide for amateurs to the craft of the professional restorer. With over 360 photographs, it explains the simplest, safest and ethical techniques that are recommended today and - essentially - do not further damage your pieces. Written with clear practical detail, it explains the full process and gives unique insight into the delicate job of the ceramic restorer. This new book introduces the history of pottery and porcelain, and gives an account of the methods and ethics of ceramic restoration; it gives a complete list and details of materials and equipment, and particularly advises on the best choice of glues; it describes the full restoration process, from preparation and cleaning to gluing and modelling, and finally to painting and gilding and provides step-by-step instructions for gluing multiple breaks, filling chips and large missing areas, as well as making lids, teapot spouts, hands, leaves, fingers and handles. Restoration examples are illustrated such as making Beswick horse legs, replacing missing handles on a Chinese jug and painting a Clarice Cliff jug and, finally, vital tricks of the trade are shared throughout and useful tips to setting up a workshop are given.

A practical step-by-step guide for students, amateurs, and professional restorers.

"The ultimate way to repair pottery and porcelain is to use the original materials, clay or kaolin. In some cases, to achieve the correct texture, it is even necessary to use clay from the original location, and to fire at the same temperature in a kiln as near as possible to the one used by the original potter. In many cases, records of firings and temperatures have been lost, or did not exist anyway. Potteries have closed down and other things have occurred to make the ultimate repair sometimes impossible, and at all times very expensive. For this reason, there are very few people who undertake this type of repair, and those that do are very highly skilled, using equipment into hundreds of dollars, and restoring only those pieces of a value that warrants the cost. Fortunately, modern technology has come to our rescue, bringing with it materials that are cheap, easy to use and readily available, so this fascinating and rewarding pastime is now within reach of anyone who cares to have a try, whether they have artistic skills or not. A famous memory man once said that there is no such thing as a bad memory, only an untrained one. The same thing applies to almost anything you undertake. Taken stage by stage, the repairs covered in this book come well within the scope of the average person, especially those who have often felt the urge to do something creative, but never thought themselves capable. The restoring of pottery and porcelain is quickly gathering impetus as both a business and a hobby, and this trend will increase as it gets more and more difficult to find pieces in perfect condition. Large manufacturing companies of resins and plastics are now taking a great interest in the subject, obviously realizing the future potential. The antique trade imports vast quantities of pottery and porcelain each year, and this is having the effect of raising values of both perfect and restored pieces. Although it can not be said that restoring a piece also restores its full value, it certainly increases it. There is, of course, a school of thought that restoring takes away originality. Well, to a certain extent this is true, but if the original potter were alive to choose whether a piece he made was restored or thrown away, or a plate in two halves stuck together with crude rivets or invisibly repaired, I doubt if his choice would be difficult."--Preface.

Using words, photographs and diagrams, this handbook explains methods of repairing pottery, porcelain and cloisonne enamels, from simple glueing jobs to complex remodelling and replacements. Both oven-baked and cold repairs are covered, with tips on materials, tools and short cuts.

A broken pot is made whole again, and within its golden repair we see a world of meaning. Kintsugi is the art of embracing imperfection. In Western cultures, the aim of repair has been to make the broken item 'as good as new'. Kintsugi on the other hand, is a Japanese art that leaves an obvious repair – one that may appear fragile, but which actually makes the restored ceramic piece stronger, more beautiful, and more valuable than before. Leaving clear, bold, visible lines with the appearance of solid gold, it never hides the story of the object's damage. Kintsugi traces memory, bringing together the moment of destruction and the gold seams of repair through finely-honed skills and painstaking, time-consuming labour in the creation of a new pot from the old. There is a story to be told with every crack, every chip. This story inevitably leads to kintsugi's greatest strength. an intimate metaphoric narrative of loss and recovery, breakage and restoration, tragedy and the ability to overcome it. A kintsugi repair speaks of individuality and uniqueness, fortitude and resilience, and the beauty to be found in survival. Kintsugi leads us to a respectful and appreciative acceptance of hardship and ageing. Author Bonnie Kemske explores kintsugi's metaphorical power as well as exploring the technical and practical aspects of the art, meeting with artists and ceramists in Japan and the US to discuss their personal connection to this intricate technique. With the inclusion of diary entries, personal stories, and in-depth exploration of its origin and symbolism, this book shows kintsugi's metaphoric strength as well as its striking aesthetic, making it a unique and powerful art form that can touch our lives.