The Representation Of Famous Mountains

"Treating landscape painting as yet another framing systems, in both the symbolic and material sense, this book examines sixteenth-century paintings of famous mountains by three major artists in the light of a diachronic account of the evolution of famous mountains over time and a synchronic account of the vogue for the grand tour in late Ming society." --Book Jacket.

The stories we tell, published or otherwise, condition our mountain experiences in practice and reinforce cultural memory and representation. Yet, as this book and the authors within it set out to demonstrate, if we look beyond the boundaries of this ‘singular white history’ there is a rich diversity of stories to tell. This volume contributes to a growing body of scholarship that calls for a heterogeneity of voices in mountain memoir genres. For the first time, this diverse scholarship interrogates how mountaineering literary and media culture impact bodies, spaces, and places, in order to nuance how commodification intersects across social categories and is embodied in multi-dimensional ways. In this volume, we explore a burgeoning tradition of mountaineering literature, of cinema and of memoir to appreciate difference, beyond the habitual heroic, white male, adventurer that dominates screens and bookshelves. Through exploring multidimensional axes of social differentiation from gender, race, class, and age to dis/ability and sexuality, the book will demonstrate how commodification is embodied through representation in mountaineering literature, media, film and memoir in mountaineering spaces. Amongst our aims, this book intends to understand how multiple social dimensions overlap and work to produce independent systems of exclusion and inclusion that focus on untraditional ways to be a mountaineer.

The essays in this book, written by poets, novelists, mountain-climbers and academics from all over the world, evoke the representation of mountains in the English-speaking world as artists, writers, philosophers or mountain-climbers have represented them from the sixteenth to the twenty-first centuries. From the Alps to the Pyrenees, from Mount Fuji to Mount Shasta, from the Himalayas to the Scottish Highlands, from Ikere in Nigeria to Devil's Tower in the United States, from Uluru in Australia to the most northern mountain of the Arctic, the shapes of the world speak the same language and tell the world its own story. This interdisciplinary book, weaving together mountaineering, literature, philosophy, painting, cinema, ecology, history, palaeontology, geography, geopolitics, toponymy, law, religion and myth, invites people to an innovative reading of mountains: it reveals the close relationship existing between the shapes of the world and all forms of writing and, at the same time, it shows how the representations of the imagination may be instrumental in protecting the natural world. The story told by the landscape inscribes a broken line in the shapes of the world, tearing the landscape like a fragile page whenever historical and political events (wars, mining or deforestation) leave scars in the landscape; but writers' and artists' representations of mountains constitute a path to awareness as they are not only a painting of beauty, but an image of our link to nature and a warning as well. For centuries the image of the mountain has conveyed a symbolism telling the story of human thought, and this book shows to what extent literature and art play an essential part in our awareness of nature.

Mount Geumgang, also known as the Diamond Mountains, is perhaps the most famous and emotionally resonant site on the Korean Peninsula, a magnificent range of rocky peaks, waterfalls, and lagoons, dotted with pavilions and temples. Since ancient times, it has inspired cultural pride, spurred spiritual and artistic pilgrimages, and engendered an outpouring of creative expression. Yet since the partition of Korea in 1945 situated it in the North, Mount Geumgang has remained largely inaccessible to visitors, shrouded in legend, loss, and longing. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Diamond Mountains: Travel and Nostalgia in Korean Art is the first book in English to explore the pictorial representations of this grand and varied landscape. The special exhibition it accompanies, organized by Soyoung Lee, Curator in the Department of Asian Art, examines the evolution of Diamond Mountains imagery from the golden age of Korean true-view painting in the eighteenth century to the present day. Even today, when a profusion of Instagram photos can make the world’s most obscure sites and geographical oddities seem familiar, the Diamond Mountains portrayed here in album leaves, scrolls, and screens will be a revelation to many.

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