The Rhetorical Design Of Isaiah 40 48 55

This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned.

"In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems"--

The academic disciplines of Biblical Studies and Systematic Theology were long closely linked to one another. However, in the modern period they became gradually separated which led to increasing subject specialization, but also to a lamentable lacuna within the various branches of Divinity. As the lack of dialogue between Biblical Studies and the various theological disciplines increased, a minority-group of scholars in the past few decades reacted and sought to re-establish the time-honoured bonds between the disciplines. The present volume is part of this intellectual response, with contributions from scholars of various professional and denominational backgrounds. Together, the book's 25 chapters seek to reinvigorate the crucial cross-disciplinary dialogue, involving biblical, narrative, historical, systematic-theological and philosophic-theological perspectives. The book opens the horizon to contemporary research, and fills a lamentable research gap with a number of fresh contributions from scholars in the respective sub-disciplines

This dissertation presents the basic philosophical concepts of speech act theory in order to accurately implement them alongside other interpretive tools.

This monograph explores the structure and rhetoric of the book of Isaiah. Its thesis is twofold. First, the book of Isaiah best manifests its structural unity, thematic choherence and rhetorical emphasis when read as an exemplar of prophetic covenant disputation. Second, the principal arrangement of the book comprises seven asymmetrical concentric sections, each made up of complex (triadic and quadratic) framing patterns. They are: an exordium (1.1, 2-5), two threats of judgment (2.6-21; 3.1-4.1), two programmes for the punishment and restoration of Zion and the nations (4.2-11.16; 13.1-39.8), an exoneration of Yahweh (40.1-54.17), and an appeal for covenant reconciliation (55.1-66.24).

In The Present State of Old Testament Studies in the Low Countries fifteen leading scholars from Belgium and the Netherlands give an overview of their multifaceted and innovative research.

Isaiah's servant songs reveal a true and better Adam In Charged with the Glory of God, Caroline Batchelder provides a synchronic, theological, and canonical reading of the four Servant Songs in Isaiah (42:1–9; 49:1–13; 50:3–11; 52:13–53:12), showing how they relate to one another and the message of the prophetic book. Reading Isaiah as a compositional unity in conversation with other texts such as Genesis results in a coherent presentation of the mysterious servant. The polemic against idolatry reveals rebellious Israel to be false imagers of God. In contrast, Isaiah's servant is an ideal embodiment of Yahweh's image and likeness. Thus, the servant is a paradigm for those who wish to recapture and realize God's good creation purposes for all humanity. The servant poems are not only a call to reorient oneself as a servant towards God and his creation, but also a map and means for doing so. In this study, Batchelder offers fresh insights from Isaiah for understanding God's true image and its idolatrous counterfeits.