The Road To Ithaca

Wehmacht officer Bora is sent to recently occupied Crete and must investigate the brutal murder of a Red Cross representative befriended by Himmler. All the clues lead to a platoon of trigger-happy German paratroopers but is this the truth? Bora takes to the mountains of Crete to solve the case, navigating his way between local bandits and foreign resistance fighters.

An extraordinary literary event: Daniel Mendelsohn’s acclaimed two-volume translation of the complete poems of C. P. Cavafy—including the first English translation of the poet’s final Unfinished Poems—now published in one handsome edition and featuring the fullest literary commentaries available in English, by the renowned critic, scholar, and international best-selling author of The Lost. No modern poet so vividly brought to life the history and culture of Mediterranean antiquity; no writer dared break, with such taut energy, the early-twentieth-century taboos surrounding homoerotic desire; no poet before or since has so gracefully melded elegy and irony as the Alexandrian Greek poet Constantine Cavafy (1863–1933). Whether advising Odysseus on his return to Ithaca or confronting the poet with the ghosts of his youth, these verses brilliantly make the historical personal—and vice versa. To his profound exploration of longing and loneliness, fate and loss, memory and identity, Cavafy brings the historian’s assessing eye along with the poet’s compassionate heart. After more than a decade of work and study, Mendelsohn—a classicist who alone among Cavafy’s translators shares the poet’s deep intimacy with the ancient world—gives readers full access to the genius of Cavafy’s verse: the sensuous rhymes, rich assonances, and strong rhythms of the original Greek that have eluded previous translators. Complete with the Unfinished Poems that Cavafy left in drafts when he died—a remarkable, hitherto unknown discovery that remained in the Cavafy Archive in Athens for decades—and with an in-depth introduction and a helpful commentary that situates each work in a rich historical, literary, and biographical context, this revelatory translation is a cause for celebration: the definitive presentation of Cavafy in English.

If you've ever thought, "There must be more to life than this," The Art of Non-Conformity is for you. Based on Chris Guillebeau's popular online manifesto "A Brief Guide to World Domination," The Art of Non-Conformity defies common assumptions about life and work while arming you with the tools to live differently. You'll discover how to live on your own terms by exploring creative self-employment, radical goal-setting, contrarian travel, and embracing life as a constant adventure. Inspired and guided by Chris's own story and those of others who have pursued unconventional lives, you can devise your own plan for world domination-and make the world a better place at the same time.

Sophie and Matteo are young and in love, sharing a dissatisfaction with their bourgeois Italian upbringing. Naturally, like so many other young Westerners in the sixties and seventies, they go to India. But the realities of life in an ashram ignite their differences; Sophie wants to be a tourist and go to Goa and eat shrimp, which Matteo scorns, seeking the ‘real’ India. Pragmatic Sophie is disillusioned by the hardships they encounter, while her husband, who yearns for spiritual fulfillment, sees only the purity of ascetic life, leading him to Mother, a charismatic guru. Trying to reclaim an ailing Matteo, Sophie embarks on a new journey in search for a different truth; that of Mother’s mysterious past. Soon, she finds that the immortal has a history of her own; born in Cairo, she was once Laila, a dancer who toured the world before coming to Bombay to search for ‘divine love’. What each of the three people discover, on their individual quests, is at its heart that ancient truth: that wisdom is found in the journey itself. A stirring, profound exploration of emotional exile, of sacred and profane loves, Journey to Ithaca is a masterful novel.

Praise for Ben Pastor's Lumen: “Pastor’s plot is well crafted, her prose sharp. . . . A disturbing mix of detection and reflection.”—Publishers Weekly "Rivets the reader with its twist of historical realities. A historical piece, it faithfully reproduces the grim canvas of war. A character study, it captures the thoughts and actions of real people, not stereotypes.”—The Free Lance-Star “And don’t miss Lumen by Ben Pastor. . . . An interesting, original, and melancholy tale.”—Literary Review Italy, September 1943. The Italian government switches sides and declares war on Germany. The north of Italy is controlled by the fascist puppets of Germany; the south liberated by Allied forces fighting their way up the peninsula. Having survived hell on the Russian front, Wehrmacht major and aristocrat Baron Martin von Bora is sent to Verona. He is ordered to investigate the murder of a prominent local fascist: a bizarre death threatening to discredit the regime’s public image. The prime suspect is the victim’s twenty-eight-year-old widow Clara. Haunted by his record of opposition to SS policies in Russia, Bora must watch his step. Against the backdrop of relentless anti-partisan warfare and the tragedy of the Holocaust, a breathless chase begins. Ben Pastor, born and now back in Italy, lived for thirty years in the United States, working as a university professor in Vermont. The first in the Martin Bora series, Lumen, was published by Bitter Lemon Press in May 2011.

'Though home is a name, a word, it is a strong one', said Charles Dickens, 'stronger than magician ever spoke, or spirit answered to, in strongest conjuration.' The ancient Greek word nostos, meaning homecoming or return, has a commensurate power and mystique. Irish philosopher-poet John Moriarty described it as 'a teeming word... a haunted word... a word to conjure with'. The most celebrated and culturally enduring nostos is that of Homer's Odysseus who spent ten years returning home after the fall of Troy. His journey back involved many obstacles, temptations, and fantastical adventures and even a katabasis, a rare descent by the living into the realm of the dead. All the while he was sustained and propelled by his memories of Ithaca ('His native home deep imag'd in his soul', as Pope's translation has it). From Virgil's Aeneid to James Joyce's Ulysses, from MGM's The Wizard of Oz to the Coen Brothers' O Brother, Where Art Thou?, and from Derek Walcott's Omeros to Margaret Atwood's Penelopiad, the Odyssean paradigm of nostos and nostalgia has been continually summoned and reimagined by writers and filmmakers. At the same time, 'Ithaca' has proved to be an evocative and versatile abstraction. It is as much about possibility as it is about the past; it is a vision of Arcadia or a haunting, an object of longing, a repository of memory, 'a sleep and a forgetting'. In essence it is about seeking what is absent. Imagining Ithaca explores the idea of nostos, and its attendant pain (algos), in an excitingly eclectic range of sources: from Rebecca West's The Return of the Soldier and Remarque's All Quiet on the Western Front, through the exilic memoirs of Nabokov and the time-travelling fantasies of Woody Allen, to Seamus Heaney's Virgilian descent into the London Underground and Michael Portillo's Telemachan railway journey to Salamanca. This kaleidoscopic exploration spans the end of the Great War, when the world at large was experiencing the complexities of homecoming, to the era of Brexit and COVID-19 which has put the notion of nostalgia firmly under the microscope.

Eleni Gage, a young journalist living in New York, leaves her Manhattan flat to return to the remote but beautiful Greek village of Lia in northern Greece and rebuild her ruined ancestral home. But this is not just another tale of quaint rustic DIY - the house was the scene of imprisonment and torture, and its ruins are stalked by the ghosts of the Greek Civil War. The story is played out in the stunning mountainous landscape of Epiros, one of the least-visited regions of Europe. As Eleni becomes part of the village, her neighbours and the house come vividly to life while her own disasters, triumphs and self-discoveries are alternately poignant and hilarious. The cast of characters includes Eleni's formidable yet miniscule aunts - the thitsas, who fear that she will be eaten by wolves; her immigrant Albanian builders; and the residents of modern-day Lia, whose feelings about the rebuilding of a house where such terrible events took place are ambivalent at best. Informed by her knowledge of Greece's folklore, literature, language and history, Eleni's story is unfailingly witty and wise. But beneath it all lie the indelible stains of a real-life Greek tragedy.

FOURTH IN THE MARTIN BORA SERIES. SPELLBINDING MULTI-LAYERED CRIME NOVEL SET IN UKRAINE AS THE GERMANS REGROUP AFTER THE DISASTER OF STALINGRAD. FOR FANS OF PHILLIP KERR (BERNIE GUNTHER SERIES), ALAN FURST (SPIES OF THE BALKANS). THE HERO, MAJOR MARTIN BORA, IS AN ARISTOCRATIC GERMAN OFFICER OF THE ILK OF CLAUS VON STAUFFENBERG, TORN BETWEEN HIS DUTY AS AN OFFICER AND HIS INTEGRITY AS A HUMAN BEING. Ukraine, 1943. Having barely escaped the inferno of Stalingrad, Major Martin Bora is serving on the Russian front as a German counterintelligence officer. Weariness, disillusionment, and battle fatigue are a soldier’s daily fare, yet Bora seems to be one of the few whose sanity is not marred by the horrors of war. As the Wehrmacht prepare for the Kursk counter-offensive, a Russian general defects aboard a T-34, the most advanced tank of the war. Soon he and another general, this one previously captured, are found dead in their cells. Everything appears to exclude the likelihood of foul play, but Bora begins an investigation, in a stubborn attempt to solve a mystery that will come much too close to home.