The Role Of Jack Kerouac S Identity In The Development Of His Poetics

This work revolves round the analysis of Jack Kerouac's complex identity and his main artistic inspirations. Even though the writer was born in Lowell, MA, he was raised in a Franco-American family with strong bonds with the Quebec region. The resultant split identity led to deep existential doubts that Kerouac was never able to overcome. However, the awareness of his cultural dichotomy proved extremely important for his own work. Indeed, the Beat author was able to reach an original poetics which was inspired by both American and French writers. Despite Kerouac's innovative style and writing method, an analysis of the artists who influenced his work could help contextualize and better understand his literary and linguistic genius.

A reassessment of Jack Kerouac's poetic theory and practice from the perspective of their central yet most overlooked component: the fact that he thought and worked in two languages, his native French and his adopted English

From the iconic New York Times–bestselling author of On the Road: Three revolutionary collections of poetry in one volume. Rebelling against the dry rules and literary pretentiousness he perceived in early twentieth-century poetry, Jack Kerouac pioneered a poetic style informed by oral tradition and driven by concrete language with neither embellishment nor abstraction. In these three groundbreaking collections, the legendary Beat writer offers a spontaneous, uncensored perspective on everything from religion to the structure of language itself. Scattered Poems: Bringing together selections from literary journals and his private notebooks, Scattered Poems exemplifies Kerouac’s innovative approach to language. Populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, the poems evoke the primal and the sublime, the everyday and the metaphysical. The Scripture of the Golden Eternity: During an unexplained fainting spell, Kerouac experienced a flash of enlightenment. A student of Buddhist philosophy, he recognized the experience as “satori,” a moment of life-changing epiphany. The knowledge he gained in that instant is expressed in this volume of sixty-six prose poems with language that is both precise and cryptic, mystical and plain. His vision proclaims, “There are not two of us here, reader and writer, but one golden eternity.” Old Angel Midnight: A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Kerouac’s most boldly experimental works. Collected from five notebooks dating from 1956 to 1959—a time in which Kerouac was immersed in Buddhist theory—Old Angel Midnight captures the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity.

This book offers a radical new reading of the 1950s and 60s American literary counterculture. Associated nostalgically with freedom of expression, romanticism, humanist ideals and progressive politics, the period was steeped too in opposite ideas – ideas that doubted human perfectibility, spurned the majority for a spiritually elect few, and had their roots in earlier politically reactionary avant-gardes. Through case studies of icons in the counterculture – the controversial sexual revolutionary Henry Miller, Beat Generation writers Jack Kerouac, Allen Ginsberg and William S. Burroughs and self-proclaimed ‘philosopher of hip’, Norman Mailer – Guy Stevenson explores a set of paradoxes at its centre: between romantic optimism and modernist pessimism; between brutal rhetoric and emancipatory desires; and between social egalitarianism and spiritual elitism. Such paradoxes, Stevenson argues, help explain the cultural and political worlds these writers shaped – in their time and beyond.

Tim Hunt’s The Textuality of Soulwork: Jack Kerouac’s Quest for Spontaneous Proseexamines Kerouac’s work from a new critical perspective with a focus on the author’s unique methods of creating and working with text. Additionally, The Textuality of Soulwork delineates Kerouac’s development of “Spontaneous Prose” to differentiate the preliminary experiment of On the Road from the more radical experiment of Visions of Cody, and to demonstrate Kerouac’s transition from working within the textual paradigm of modern print to the textual paradigm of secondary orality. From these perspectives, Tim Hunt crafts a new critical approach to Beat poetics and textual theory, marking an important contribution to the current revival of Kerouac and Beat studies underway at universities in the U.S. and abroad, as reflected by a growing number of conferences, courses, and a renewal in scholarship.

In the post-World War II era, authors of the beat generation produced some of the most enduring literature of the day. More than six decades since, work of the Beat Poets conjures images of unconventionality, defiance, and a changing consciousness that permeated the 1950s and 60s. In recent years, the key texts of Beat authors such as Allen Ginsberg, William S. Burroughs, and Jack Kerouac have been appropriated for a new generation in feature-length films, graphic novels, and other media. In Adapting the Beat Poets: Burroughs, Ginsberg, and Kerouc on Screen, Michael J.Prince examines how works by these authors have been translated to film. Looking primarily at three key works—Burroughs’ Naked Lunch, Ginsberg’s Howl, and Kerouac’s On the Road—Prince considers how Beat literature has been significantly altered by the unintended intrusion of irony or other inflections. Prince also explores how these screen adaptations offer evidence of a growing cultural thirst for authenticity, even as mediated in postmodern works. Additional works discussed in this volume include The Subterraneans, Towers Open Fire, The Junky's Christmas,and Big Sur. By examining the screen versions of the Beat triumvirate’s creations, this volume questions the ways in which their original works serve as artistic anchors and whether these films honor the authentic intent of the authors. Adapting the Beat Poets is a valuable resource for anyone studying the beat generation, including scholars of literature, film, and American history.

Edited by one of the leading scholars of urban studies, this encyclopedia offers an accurate and authoritative historical approach to the dramatic urban growth experienced in the United States during the 20th century.