The Roll In England And France In The Late Middle Ages

In the Middle Ages, rolls were ubiquitous as a writing support. While scholars have long examined the texts and images on rolls, they have rarely taken the manuscripts themselves into account. This volume readdresses this imbalance by focusing on the materiality and various usages of rolls in late medieval England and France. Researchers from England, France, Germany and Singapore demonstrate in 11 contributions how this approach can increase our understanding of the rolls and their contents, as well as the contexts in which they were produced and used.

The selection of topics covers many aspects of London's history and culture from the twelfth to the early sixteenth centuries, beginning with a discussionof the representation of London in the famous description by William FitzStephen and including a comparative survey of the documentary sources available for the study of medieval London and Paris. The volume is of relevance to historians, literary scholars and all those with an interest in medieval urban culture.

This book is the first comprehensive account of the wool trade through the whole of the medieval period. Within England it is concerned with the production and marketing of wool and with the ways in which the wool trade influenced the economic and political fortunes of different sectors of society. It describes and analyses in detail each of the periods of growth and decline in the export market. As well as explaining changes in the volume of trade it offers the first attempt to portray the distribution of the trade among individual merchants. As the scene widens Mr. Lloyd explains how England's relations with other European powers were influenced by mutual interest in the state of the wool trade. Another major theme is the influence which the export of wool exerted on England's economy as a whole.

In medieval England, women in labor wrapped birth girdles around their abdomens to protect themselves and their unborn children. These parchment or paper rolls replicated the "girdle relics" of the Virgin Mary and other saints loaned to queens and noblewomen, extending childbirth protection to women of all classes. This book examines the texts and images of nine English birth girdles produced between the reigns of Richard II and Henry VIII. Cultural artifacts of lay devotion within the birthing chamber, the birth girdles offered the solace and promise of faith to the parturient woman and her attendants amid religious dissent, political upheaval, recurring epidemics, and the onset of print.

A cross-cultural, comparative view on the transition from a predominant 'culture of handwriting' to a predominant 'culture of print' in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor. While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?

It is well known that political, economic, and social power in the British Isles in the Middle Ages lay in the hands of a small group of domini-lords. In his final book, the late Sir Rees Davies explores the personalities of these magnates, the nature of their lordship, and the ways in which it was expressed in a diverse and divided region in the period 1272-1422. Although their right to rule was rarely questioned, the lords flaunted their identity and superiority through the promotion of heraldic lore, the use of elevated forms of address, and by the extravagant display of their wealth and power. Their domestic routine, furnishings, dress, diet, artistic preferences, and pastimes all spoke of a lifestyle of privilege and authority. Warfare was a constant element in their lives, affording access to riches and reputation, but also carrying the danger of capture, ruin and even death, while their enthusiasm for crusades and tournaments testified to their energy and bellicose inclinations. Above all, underpinning the lords' control of land was their control of men-a complex system of dependence and reward that Davies restores to central significance by studying the British Isles as a whole. The exercise and experience of lordship was far more varied than the English model alone would suggest.

Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume's three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors' respective fields.