The Roman Predicament

Modern America owes the Roman Empire for more than gladiator movies and the architecture of the nation's Capitol. It can also thank the ancient republic for some helpful lessons in globalization. So argues economic historian Harold James in this masterful work of intellectual history. The book addresses what James terms "the Roman dilemma"--the paradoxical notion that while global society depends on a system of rules for building peace and prosperity, this system inevitably leads to domestic clashes, international rivalry, and even wars. As it did in ancient Rome, James argues, a rule-based world order eventually subverts and destroys itself, creating the need for imperial action. The result is a continuous fluctuation between pacification and the breakdown of domestic order. James summons this argument, first put forth more than two centuries ago in Adam Smith's Wealth of Nations and Edward Gibbon's Decline and Fall of the Roman Empire, to put current events into perspective. The world now finds itself staggering between a set of internationally negotiated trading rules and exchange--rate regimes, and the enforcement practiced by a sometimes-imperial America. These two forces--liberal international order and empire--will one day feed on each other to create a shakeup in global relations, James predicts. To reinforce his point, he invokes the familiar bon mot once applied to the British Empire: "When Britain could not rule the waves, it waived the rules." ? Despite the pessimistic prognostications of Smith and Gibbon, who saw no way out of this dilemma, James ends his book on a less depressing note. He includes a chapter on one possible way in which the world could resolve the Roman Predicament--by opting for a global system based on values as opposed to rules.

In Rome, Global Dreams, and the International Origins of an Empire, Sarah Davies explores how the Roman Republic evolved, in ideological terms, into an “Empire without end.” This work stands out within imperialism studies by placing an emphasis on the role of international-level norms in shaping Roman imperium.

The essays collected in this book present the first comprehensive appreciation of The Fall of the Roman Empire from historical, historiographical, and cinematic perspectives. The book also provides the principal classical sources on the period. It is a companion to Gladiator: Film and History (Blackwell, 2004) and Spartacus: Film and History (Blackwell, 2007) and completes a triad of scholarly studies on Hollywood’s greatest films about Roman history. A critical re-evaluation of the 1964 epic film The Fall of the Roman Empire, directed by Anthony Mann, from historical, film-historical, and contemporary points of view Presents a collection of scholarly essays and classical sources on the period of Roman history that ancient and modern historians have considered to be the turning point toward the eventual fall of Rome Contains a short essay by director Anthony Mann Includes a map of the Roman Empire and film stills, as well as translations of the principal ancient sources, an extensive bibliography, and a chronology of events

Nonfiction. Politics. Literary Criticism THE MODERN PREDICAMENT is George Scialabba's second essay collection, following his acclaimed WHAT ARE INTELLECTUALS GOOD FOR? (Pressed Wafer, 2009). In 23 compact, lucid essays ranging across philosophy (Kierkegaard, Nietzsche), literature (D. H. Lawrence, T. S. Eliot), history (Michael Foucault, Christopher Lasch) and politics (Michael Harrington), Scialabba poses a number of searching questions, directly and eloquently, continually returning to one: Is moral progress possible, and at what price? In her introduction Barbara Ehrenreich writes, "As long as we exist as a species, we'll be debating what constitutes morality and virtue, and we could hardly have a better guide than George Scialabba." James Woods hails THE MODERN PREDICAMENT as a stimulating encounter with "one of America's best all-round intellects."

Rome Reborn on Western Shores examines the literature of the Revolutionary era to explore the ways in which American patriots employed the classics and to assess antiquity's importance to the early political culture of the United States. Where other writers have concentrated on political theory and ideology, Shalev demonstrates that classical discourse constituted a distinct mode of historical thought during the era, tracing the role of the classics from roughly 1760 to 1800 and beyond. His analysis shows how the classics provided a critical perspective on the management of the British Empire, a common fund of legitimizing images and organizing assumptions during the revolutionary conflict, a medium for political discourse in the process of state construction between 1776 and 1787, and a usable past once the Revolution was over. Rome Reborn examines the extent to which classical antiquity, especially Rome, molded understandings of history, politics, and time, even as the experience of the Revolution reshaped patriots' understanding of the classics. The book studies the historical sensibilities that enabled revolutionaries to imagine themselves continuing a historical process that originated with classical Greece and Rome. In particular, their attitudes toward, and understandings of, time provided revolutionaries with a distinct historical consciousness that connected the classical past to the revolutionary present and shaped their expectations about America's future.

For hundreds of years, the Roman people produced laws in popular assemblies attended by tens of thousands of voters to forge resolutions publicly to issues that might otherwise have been unmanageable. Callie Williamson's comprehensive study finds that the key to Rome's survival and growth during the most formative period of empire, roughly 350 to 44 B.C.E., lies in its hitherto enigmatic public law-making assemblies, which helped extend Roman influence and control. Williamson bases her rigorous and innovative work on the entire body of surviving laws preserved in ancient reports of proposed and enacted legislation from these public assemblies.

This book is an Augustinian interrogation of contemporary Christian accounts of empire, just war, and terrorism. Though Augustine's voice has guided much of the Christian discourse in these conjoined arenas, it has not shielded his work from being misappropriated to serve ends that are inimical to his own. The US "war on terror" is the most recent and egregious example of violence that many theologians have unjustly baptized as "Augustinian." By reading Augustine pastorally rather than merely polemically, this work offers a counter-narrative and an alternative praxis for the American Christian trying to reconcile her baptism with her citizenship.