The Routledge Companion To Ecstatic Experience In The Ancient World

For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.

For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.

Robert Koehl has long considered processions to have played an integral role in Aegean Bronze Age societies. Papers concentrate mainly on evidence from Crete, the Cyclades and the Greek mainland, with additional perspectives from abroad, these geographic divisions forming the basic outline of this volume.

Explores the many ways in which ancient Greek religious beliefs and practices operated in their various local contexts.

A landmark study of ancient Greek and Roman cults, from the nocturnal mysteries at Eleusis to the cults of Dionysus and Mithras. Mystery cults are one of the most intriguing areas of Greek and Roman religion. In the nocturnal mysteries at Eleusis, participants dramatically reenacted the story of Demeter’s loss and recovery of her daughter Persephone; in the Bacchic cult, bands of women ran wild in the Greek countryside to honor Dionysus; in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important part of life in the ancient Mediterranean world, but their actual practices were shrouded in secrecy. Mystery Cults in the Ancient World makes plentiful use of artistic and archaeological evidence, as well as ancient literature and epigraphy, to reconstruct the sacred rituals and explore their origins. Greek painted pottery, Roman frescoes, inscribed gold tablets from Greek and Southern Italian tombs, and the excavated sites of religious sanctuaries all contribute to our understanding of ancient mystery cults. Not only is this clearly written book a significant contribution to the study of these cults, it is also accessible to a general readership. More than any other book on ancient religion, it allows the reader to understand what it was like to participate in these life-altering religious events.

Dress is at the core of dance. It adorns dancers, defines various roles and forms symbolic expressions that, for example, either bind people together or opposes them. It is a communicative tool that gives crucial information for understanding the dance as well as the culture and the sociological effects of a group of people. As such, dress transcends how it is seen visually to address what is being communicated. Nonetheless, studies in ancient dance have rarely taken clothing into consideration. Therefore, this publication gathers articles that give new perspectives and insights on ancient dances and their ancient textiles. Comprehension of ancient dance benefits from investigations undertaken through the lens of dress. And research on ancient dress is understood through its relation to body movement and performative rituals, thus reinforcing the progressive integration of an anthropological and sociological dimension into historical analysis of ancient textiles. For the first time, the two-way transfer of knowledge between dance studies and costume studies is connected via an innovative approach. Among the issues that are specifically addressed are the movement design of dress for dance, its sensory experience, gender and identity, reenactment and reception. The chronological range of the publication is limited to the ancient world (3rd millennium BC to 5th century AD), and the geographical definition is meant to be broad in order to promote a comparative approach and cross-cultural dialogue, as well as discourse between fields and disciplines.

This book introduces students to the anthropology of magic and witchcraft, terms widely used but without widely accepted definitions. It takes a new approach to this area within the anthropology of religion, demonstrating that the bases for these beliefs and alleged practices are inherent in human cognition and psychology, even instinctual, and likely rooted in our evolutionary biology. It shows how magic and magical thinking are regular elements in people’s daily lives, and that understanding the components of the witchcraft complex offers surprisingly important insights into patterns of thinking and social behavior. The book reviews the many meanings of “magic” and “witchcraft,” and introduces the best anthropological meanings of the terms. The components of these beliefs are timeless and universal; this fact, and recent advances in the brain sciences, suggest that the principles of magic are derived from basic processes of human thinking, and the attributes of the witch derive from neurobiologically based fears and fantasies. The propensity for such beliefs probably had adaptive significance in the evolutionary development of the human species; they are inherently human. This book is intended to focus anew on the core concepts of magic, witchcraft, and the supernatural, while also serving as an introduction to the anthropology of religion for undergraduate and graduate-level courses.

The final text of the Book of Micah provokes a series of questions: - Can the Book be read as a coherent composition or is it the result of a complex redaction history? - Was Micah a prophet of doom whose literary heritage was later softened by the inclusion of oracles of salvation? The essays in this book center around these questions. Some of them are of a more general character, while others analyze specific passages. Some articles discuss the Book of Micah by looking at specific themes (prophecy; religious polemics; metaphors). The others are concerned with the proclamation of a peaceful future (Micah 4:1-5); the famous moral incentive in Micah 6:8 and the question of prophetic and divine gender in Micah 7:8-13. They have two features in common: - A thorough reading of the Hebrew text informed by grammar and syntax. - A comparative approach: the Book of Micah is seen as part of the ancient Near Eastern culture. All in all, the author defends the view that the Book of Micah contains three independent literary elements: Micah 1: a prophecy of doom; Micah 2-5 a two-sided futurology, and 6-8 a later appropriation of Micah’s message.