The Royal Court Theatre And The Modern Stage

An account of the leading forum of the modern stage; includes Foreword by former Director of the Royal Court, Max Stafford-Clark.

Illustrated throughout with photographs from the plays, and with reproduced documents and rehearsal notes from the original productions, The Royal Court Theatre Inside Out considers the most notable productions from the tenure of each successive artistic director since the Royal Court Theatre opened, and includes interviews with actors, writers, designers, technicians, and directors themselves.

People find me. When it's dark. 1863. An asylum. A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there. When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate. But as the woman's past begins to reveal itself, so do new powers neither are prepared for. Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre. This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.

Ta Ta Ta Ta Ta Ta BBBBBBBBBB Face Faces Smile Smiling Yes Yes Yes Yes Yes Bbbbbbbbb A short play for one performer about all of it. This edition was published to coincide with the world premiere at the Royal Court in February 2020, performed by Kate O'Flynn.

“In this country, you go as far as they let you.” Friday night and someone's having a party. It seems like a laugh, but not everyone's having fun. Nicky and Anjum want their kids to get into the best schools, and Gary is feeling the pressure after applying for a promotion. What happens when not everyone will get what they want? Gurpreet Kaur Bhatti's new play about a group of working-class friends dreaming of a better life for their children questions the dream of class mobility, and what happens when the odds are stacked against you.

This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary British theatre.

The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts's account, which was first published in 1986, covers the period 1965-1972 in the Company's life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court's work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.