The Rudiments Of Architectural Rendering Pen Ink Colours

The Rudiment of Architectural Rendering (Pen and Ink, Colours), is a practical Architectural rendering book edited by Prof. Prabhubhai K. Patel (Emeritus Professor of Architecture from Indian Institute of Technology, Roorkee – Oldest Technical Institution of Asia). It contains about 45 illustration pictures of buildings rendered with colours, pen and ink. It is a book for Architects, Illustrators, Artists and Interior Designers. This book intended to develop a student studying architecture to demonstrate artistic skills in the core course needed to become an architect (Architectural Graphics), most especially in the application of colours. As an experience teacher of all levels of education from primary to university, believed that the daily practice of a good architect relies more on hand created drawings before it is done with the use of software. Hand created drawings gives a person training to be an architect to make use of the simplest intuitive connection between the mind and the hand. It also allows a consolidation of ideas developing the process of creative thinking. AutoCAD was created to aid architectural design for professional practice not to be a tool to develop an architect. The power of creativity relies on what you can create with your hand. An architect hand created drawing should be his pride and a manifesto to fire the imagination of his client. Even in the age of computer application, the use of hand in architectural graphics has become more precious. Using digital tools certainly has improved the way in which building design is organized and documented, but the computer cannot become a complete replacement for the way in which architects conceptualize and communicate their designs. Hand drawing is a gift that can’t be ignored. We need to keep doing it. We are not machines but humans and to be an architect, one must be an artist, and to be an artist, you must be creative and to be creative you must be at one with the house. Hand drafting is an art according to Walter Gropius, says in one of his quotes, ‘Children should be introduced right from the start to the potentialities of their environment, to the physical and psychological laws that govern the visual world and to the supreme enjoyment that comes from participating in the creative process of giving form to one’s living space.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

A start-to-finish guide to architectural rendering in colour. Rather than limiting the book to a particular technique, it covers colour illustration in pen, pencil, marker, brush, and airbrush, explaining the qualities of each. The book begins with a thorough analysis of colour theory, then progresses through a discussion of the basic equipment, media and technique. To demonstrate the effective use of colour in illustration, the authors show first a black-and-white line drawing, then a full-size colour detail, and finally the finished colour drawing. By explaining colour choices, the authors teach how colour can be used to enhance drawings of both interiors and exteriors, which can help enormously in getting commissions.

A comprehensive guide to all major types of architectural drawings encompasses a wide range of drawing techniques, professional advice, examples, and information on media, styles, effects, and execution.

The Third Edition of Michael Doyle's classic Color Drawing remains the ultimate up-to-date resource for professionals and students who need to develop and communicate design ideas with clear, attractive, impressive color drawings. Update with over 100 pages, this Third Edition contains an entirely new section focused on state-of-the-art digital techniques to greatly enhance the sophistication of presentation drawings, and offers new and innovative ideas for the reproduction and distribution of finished drawings. Color Drawing, Third Edition Features: * A complete body of illustrated instructions demonstrating drawing development from initial concept through final presentation * Finely honed explanations of each technique and process * Faster and easier ways to create design drawings * Over 100 new pages demonstrating methods for combining hand-drawn and computer-generated drawing techniques Step-by-step, easy-to-follow images will lead you through digital techniques to quickly and easily enhance your presentation drawings.