The Sad Sad Monster El Triste Triste Monstruo

Bilingual Edition: The Sad, Sad Monster Monster is Sad. So Sad. A sad monster is sad at school. He is sad because he doesn’t have any friends. Is there someone who can make him happy? The Sad, Sad Monster is a cute book for monster-loving toddlers through beginning readers. Simple sentences make this a perfect first reader. In this Xist Kids English Spanish Bilingual Edition, the original English text is paired with the Spanish translation on each page.

Spanish Language Edition: The Sad, Sad Monster Monster is Sad. So Sad. A sad monster is sad at school. He is sad because he doesn’t have any friends. Is there someone who can make him happy? The Sad, Sad Monster is a cute book for monster-loving toddlers through beginning readers. Simple sentences make this a perfect first reader. In this Xist Kids Spanish Edition, Spanish text brings the story to new audiences. This book is in Spanish only. There is no English translation.

Monster is Sad. So Sad. A sad monster is sad at school. He is sad because he doesn't have any friends. Is there someone who can make him happy? The Sad, Sad Monster is a cute book for monster-loving toddlers through beginning readers. Simple sentences make this a perfect first reader.

The present work not only contributes to shedding light on the linguistic and socio-historical origins of Afro-Peruvian Spanish, it also helps clarify the controversial puzzle concerning the genesis of Spanish creoles in the Americas in a broader sense. In order to provide a more concrete answer to the questions raised by McWhorter’s book on The Missing Spanish Creoles, the current study has focused on an aspect of the European colonial enterprise in the Americas that has never been closely analyzed in relation to the evolution of Afro-European contact varieties, the legal regulations of black slavery. This book proposes the 'Legal Hypothesis of Creole Genesis', which ascribes a prime importance in the development of Afro-European languages in the Americas to the historical evolution of slavery, from the legal rules contained in the Roman Corpus Juris Civilis to the codes and regulations implemented in the different European colonies overseas. This research was carried out with the belief that creole studies will benefit greatly from a more interdisciplinary approach, capable of combining linguistic, socio-historical, legal, and anthropological insights. This study is meant to represent an eclectic step in such a direction.

Villegra's epic poem of the founding of New Mexico in 1598 is available againin this beautiful bilingual edition.

In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.

In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.