The Saintly Politics Of Catherine Of Siena

Saint Catherine of Siena (1347–1380) has become a defining figure in the history of medieval religion and one of the main exemplars of the "feminine turn" in late medieval religious culture. Despite a hagiographical tradition and historiography that has placed Catherine at a mystic remove from the politics of her day, Catherine's public authority was shaped by politics, both locally in Siena and broadly within late-fourteenth-century contests between the papacy and the Republic of Florence for hegemony in central Italy. In The Saintly Politics of Catherine of Siena, F. Thomas Luongo combines literary-critical readings of Catherine's letters—she was the author of one of the largest collections of medieval letters—with political and social analysis. Drawing on a wide range of archival sources, Luongo investigates how Catherine's spiritual authority and sanctity were linked with contemporary political and cultural developments. He shows how the political situation of the church in Italy and a culture that privileged female spirituality and prophetic speech facilitated Catherine's emergence into a public role. The Catherine who emerges from Luongo's well-written pages is a splendid example of what can result when a historian asks fresh questions about a familiar figure's life and brings new materials and methods to bear in formulating answers. The Saintly Politics of Catherine of Siena offers a woman more complex and interesting than the figure portrayed in most contemporary scholarship.

This volume, written by experts on Catherine of Siena, considers her as a church reformer, peacemaker, preacher, author, holy woman, stigmatic, saint and politically astute person. The manuscript tradition of works by and about her are also studied.

In 1343 a seventeen-year-old girl named Johanna (1326–1382) ascended the Neapolitan throne, becoming the ruling monarch of one of medieval Europe’s most important polities. For nearly forty years, she held her throne and the avid attention of her contemporaries. Their varied responses to her reign created a reputation that made Johanna the most notorious woman in Europe during her lifetime. In From She-Wolf to Martyr, Elizabeth Casteen examines Johanna’s evolving, problematic reputation and uses it as a lens through which to analyze often-contradictory late-medieval conceptions of rulership, authority, and femininity. When Johanna inherited the Neapolitan throne from her grandfather, many questioned both her right to and her suitability for her throne. After the murder of her first husband, Johanna quickly became infamous as a she-wolf—a violent, predatory, sexually licentious woman. Yet, she also eventually gained fame as a wise, pious, and able queen. Contemporaries—including Francesco Petrarch, Giovanni Boccaccio, Birgitta of Sweden, and Catherine of Siena—were fascinated by Johanna. Drawing on a wide range of textual and visual sources, Casteen reconstructs the fourteenth-century conversation about Johanna and tracks the role she played in her time’s cultural imaginary. She argues that despite Johanna’s modern reputation for indolence and incompetence, she crafted a new model of female sovereignty that many of her contemporaries accepted and even lauded.

Jean Gerson and Gender examines the deployment of gendered rhetoric by the influential late medieval politically active theologian, Jean Gerson (1363-1429), as a means of understanding his reputation for political neutrality, the role played by royal women in the French royal court, and the rise of the European witch hunts.

Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.

Saint Catherine of Siena is one of the greatest saints in Church history. Declared a Doctor of the Church in 1970, she is the modern-day role model for saintly, out-spoken femininity. This refreshed biography places St. Catherine firmly in her time, showing how she greatly impacted the Church and society of her day. Her influence was felt by all those who came into contact with her— including the Pope—whom she famously persuaded to return to Rome during the “Great Western Schism.” This biography offers both a detailed account of St. Catherine’s remarkable life and a history of the tumultuous times in which she lived. In this inspiring, comprehensive historical biography you will: Discover how St. Catherine guided the Church—and nations!—during a time of political and ecclesial tumult Understand the external difficulties she had to overcome that ultimately revealed her greatness, including learning to read and write as an adult Experience her deep interior struggles made more vivid in the light of her difficulties Uncover St. Catherine’s fiery disposition that she put to use for the greater glory of God. St Catherine of Siena was consumed with “holy fire” for the love of souls and the welfare of Christ’s Church, and she continues to be an example for all of us. This popular TAN biography is a faithful reproduction of the original content, refreshed with new typesetting and a beautiful new cover. Rediscover this incredible saint today!

The Observant reform of the religious orders remains one of the most important yet understudied religious movements of the later Middle Ages. This volume provides scholars with a current, synthetic introduction to the field, and suggests new avenues for future scholarship.

The Avignon papacy (1309–1377) represented the zenith of papal power in Europe. The Roman curia’s move to southern France enlarged its bureaucracy, centralized its authority, and initiated closer contact with secular institutions. The pope’s presence also attracted leading minds to Avignon, transforming a modest city into a cosmopolitan center of learning. But a crisis of legitimacy was brewing among leading thinkers of the day. The Avignon Papacy Contested considers the work of six fourteenth-century writers who waged literary war against the Catholic Church’s increasing claims of supremacy over secular rulers—a conflict that engaged contemporary critics from every corner of Europe. Unn Falkeid uncovers the dispute’s origins in Dante’s Paradiso and Monarchia, where she identifies a sophisticated argument for the separation of church and state. In Petrarch’s writings she traces growing concern about papal authority, precipitated by the curia’s exile from Rome. Marsilius of Padua’s theory of citizen agency indicates a resistance to the pope’s encroaching power, which finds richer expression in William of Ockham’s philosophy of individual liberty. Both men were branded as heretics. The mystical writings of Birgitta of Sweden and Catherine of Siena, in Falkeid’s reading, contain cloaked confrontations over papal ethics and church governance even though these women were later canonized. While each of the six writers responded creatively to the implications of the Avignon papacy, they shared a concern for the breakdown of secular order implied by the expansion of papal power and a willingness to speak their minds.