The Saracen S Mark

Medieval Christian writers distorted the teachings of Islam and caricatured its believers in a variety of ways. This book provides a comprehensive study of Christian polemical responses to Islam in the Middle Ages.

Jacobus De Voragine was an Italian archbishop who lived between 1230 and 1298 A.D. His The Golden Legend is a compilation of hagiographies of many saints.

1593: five years on from the Armada and England is taking its first faltering steps towards a future as a global power. On an undercover mission to find out the fate of one of the queen's informers, physician and reluctant spy, Nicholas Shelby, travels from the dark alleys of London to the dazzling Moor city of Marrakech. Meanwhile in London, Shelby's companion, Bianca Merton, must fight against the ravaging plague that is stalking the city. Can their budding relationship weather the threats of pestilence and conspiracy? And will Nicholas survive his mission and the unpredictability of Marrakesh to return home? A brilliantly realized, utterly compelling historical mystery that will take you to far-flung destinations and into the very heart of a deadly conspiracy.

Saracens and Franks in 12th - 15th Century European and Near Eastern Literature examines the tension between two competing discourses in the medieval Muslim Mediterranean and medieval Christian Europe: one rooted in the desire to understand the world and one's place in it, and another promoting an ethnocentric narrative. To this end, it examines the construction of an image of the Other for Muslims in the Eastern Mediterranean and for Christians in Western Europe in works of literature, particularly in the works produced in the centuries preceding the Crusades; and it explores the ways in which both Muslim and Christian writers depicted the Enemy in historical accounts of the Crusades. The author focuses on medieval works of ethnography and geography, travel literature, Muslim and Christian accounts of the Crusades, and the romances of Western Europe to trace the evolution of the image of the Eastern Mediterranean Muslim in medieval Western Europe and the Western European Christian in the medieval Muslim world, first to understand the construct in the respective scholarly communities, and then to analyze the ways in which this conception informs subsequent works of non-fiction and fiction (in the Western European context) in which this Muslim or Christian Other plays a prominent role. In its analysis of the medieval Mediterranean Muslim and European Christian approaches to difference, this book interrogates the premises underlying the concept of the Other, challenging formulations of binary opposition such as the West versus Islam/Muslims.