The Scale Of Perfection

"Thinking and working at different scales is at the core of the architecture. But how much of that design decision must be made? At what time it is useful to change the scale? What can, what should be displayed in a scaled architectural drawings? And how it is possible that this drawing is clear, legible, yet an aesthetic desire? The architectural drawing is not least a means of communication. It contains information that is relevant to different addressees. Choosing the right scale determines whether the client or the craftsman understands what is meant. Given the numerous possibilities of CAD gets the goal, to transport their own ideas clearly and unambiguously, sometimes out of sight. Ansgar and Benedikt Schulz provide guidance and lead the architectural drawing exemplarily back to its original purpose: to provide excellent buildings" -- Publicaciones Arquitectura y Arte.

THE SCALE (OR LADDER) OF PERFECTION is a guide to the contemplative life in which the soul is reformed to the image and likeness of God. Book One provides an overview of contemplation and its prerequisites, a discussion of prayer and meditation, and a path for dealing with sins, both obvious and hidden, through self-awareness, humility, and the love of God. By these means one passes through the darkness known to another English mystic as "the cloud of unknowing." Book Two distinguishes between the reform of the soul that is in faith only and the reform that is in both faith and feeling. Loving Jesus is the way through the initial darkness that one sees after withdrawal from the world of the senses, and God gives light to those who persevere in this work. The spiritual eye is opened in a way that cannot be arrived at by mere intellectual study, nor by individual effort. Contemplation is given by God. After further progress, the soul knows itself as it is, and Jesus speaks directly to her.

"This is science writing as wonder and as inspiration." —The Wall Street Journal Wall Street Journal From one of the most influential scientists of our time, a dazzling exploration of the hidden laws that govern the life cycle of everything from plants and animals to the cities we live in. Visionary physicist Geoffrey West is a pioneer in the field of complexity science, the science of emergent systems and networks. The term “complexity” can be misleading, however, because what makes West’s discoveries so beautiful is that he has found an underlying simplicity that unites the seemingly complex and diverse phenomena of living systems, including our bodies, our cities and our businesses. Fascinated by aging and mortality, West applied the rigor of a physicist to the biological question of why we live as long as we do and no longer. The result was astonishing, and changed science: West found that despite the riotous diversity in mammals, they are all, to a large degree, scaled versions of each other. If you know the size of a mammal, you can use scaling laws to learn everything from how much food it eats per day, what its heart-rate is, how long it will take to mature, its lifespan, and so on. Furthermore, the efficiency of the mammal’s circulatory systems scales up precisely based on weight: if you compare a mouse, a human and an elephant on a logarithmic graph, you find with every doubling of average weight, a species gets 25% more efficient—and lives 25% longer. Fundamentally, he has proven, the issue has to do with the fractal geometry of the networks that supply energy and remove waste from the organism’s body. West’s work has been game-changing for biologists, but then he made the even bolder move of exploring his work’s applicability. Cities, too, are constellations of networks and laws of scalability relate with eerie precision to them. Recently, West has applied his revolutionary work to the business world. This investigation has led to powerful insights into why some companies thrive while others fail. The implications of these discoveries are far-reaching, and are just beginning to be explored. Scale is a thrilling scientific adventure story about the elemental natural laws that bind us together in simple but profound ways. Through the brilliant mind of Geoffrey West, we can envision how cities, companies and biological life alike are dancing to the same simple, powerful tune.

Walter Hilton's The Scale of Perfection maintains a secure place among the major religious treatises composed in fourteenth-century England. This guide to the contemplative life, written in two books of more than 40,000 words each, is notable for its careful explorations of its religious themes and also as a monument of Middle English prose. Its popularity is attested by the fact that some forty-two manuscripts containing one or both of the books survive, with a relatively large number of manuscipts with Book I alone, which suggests it may have been the more popular of the two. Hilton (born c. 1343) was a member of the religious order known as the Augustinian Canons. There is reason to believe that be was trained in canon law and studied at the University of Cambridge. He was the author of a number of works in English and Latin, all much shorter than The Scale. He died at the Augustinian Priory of Thurgarton in Nottinghamshire in 1396. On the basis of the content of certain of his works it can be safely inferred that he was actively involved in some of the religious controversies current in England in the 1380s and 1390s, and his principal concern, evident in The Scale , is to defend orthodox belief, especially in the conduct of the contemplative life.