The Sea In The Literary Imagination

This collection explores nautical themes in a variety of literary contexts from multiple cultures. Including contributors from five continents, it emphasizes the universality of human experience with the sea, while focusing on literature that spans a millennium, stretching from medieval romance to the twenty-first-century reimagining of classic literary texts in film. These fresh essays engage in discussions of literature from the UK, the USA, India, Chile, Turkey, Spain, Japan, Colombia, and the Caribbean. Scholars of maritime literature will find the collection interesting for the unique insights it offers on individual literary texts, while general readers will be intrigued by the interconnectedness that it reveals in human experience with the sea.

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible: from multiple versions of biblical texts to 'revealed' books not found in our canon. But despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, 'Bible,' and a bibliographic one, 'book.' 'The Literary Imagination in Jewish Antiquity' suggests ways of thinking about how Jews understood their own literature before these categories had emerged.

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.

The essays collected in this book include two each on Dante and Chaucer that appear for the first time in print and three on Shakespeare that are based on Dr. Traversi's Approach to Shakespeare. Dante's Purgatorio, Chaucer's the Franklin's Tale, and Shakespeare's the Tempest are among the texts analyzed here.

This book explores the intersections between dreaming and the literary imagination, in light of the findings of recent neurocognitive and empirical research, with the aim to lay a groundwork for an empirically informed aesthetics of dreaming. Drawing on perspectives from literary theory, philosophy of mind and dream research, this study investigates dreaming in relation to creativity and waking states of imagination such as writing and reading stories. Exploring the similarities and differences between the 'language' of dreams and the language of literature, it analyses the strategies employed by writers to create a sense of dream in literary fiction as well as the genres most conducive to this endeavour. The book closes with three case studies focusing on texts by Kazuo Ishiguro, Clare Boylan and John Banville to illustrate the diverse ways in which writers achieve to 'translate' the experience and 'language' of the dream.

The German fascination with Italy, as seen in Goethe's Italian Journey and in a number of literary reactions to it. Italy has long exerted a particular fascination on the Germans, and this has been reflected in German literature, most prominently in Goethe's Italienische Reise but also by numerous other writers who have returned to the topic. This book is concerned with two inextricably linked images - those of the German traveler in Italy and of Italy in German literature in the first third of the 19th century. Goethe's publication of his account nearly three decades after his actual journey was in some measure a vehicle to resist the challenge of a new generation of writers, who in turn would confront what they found to be a questionable, if not altogether false, representation. Hachmeister emphasizes the consequences of the disparity between the reality of Goethe's journey and his depiction of it, taking into consideration also his occasional discomfort with Italy's classical past. She shows how the German predilection for Italy is unique in the larger European cultural context of the Grand Tour, before moving on to chapters that contain readings of Italienische Reise and Goethe's Römische Elegien. Individual chapters follow on Eichendorff's Aus dem Leben eines Taugenichts, Platen's Sonette aus Venedig, and Heine's three Italian Reisebilder, each of which is to some degree a reaction to Goethe's work. These chapters investigatehow the individual's reaction to Italy reflects his view of Germany and the author's role in early 19th-century German society. The conclusion offers a short glance at the continued evolution of the German fascination with Italyin the mid- and late nineteenth century. Gretchen Hachmeister received her Ph.D. in German literature from Yale University.

In a letter to Boccaccio, Petrarch extolled the virtue of poetry and letters for promoting an understanding of both human nature and morals. The letter was designed to console him after hearing a prediction that he was soon to die and that he ought to renounce poetry. The prophecy came from an elder renowned for his piety, but Petrarch admonished that too often dishonesty and fraud are couched in religious sentiments. Nothing, not even death, according to Petrarch, ought to divert us from literature. For Petrarch, Virgil was the source for understanding how literary studies not only promote eloquence, but enhance morals. If anything, literature dispels the fear of death. The claims of this volume is that it may be the case that the virtuous life can be achieved by those ignorant of letters but a more direct and certain route is guaranteed by a devotion to literature. The collected works in this new volume of the Transaction series Religion and Public Life heeds Petrarch's advice that literature not only orients us to life's developmental stages, it can provide us with a more complete understanding of the human character while artfully advancing morals. To this end, Michelle Darnell's opening chapter entitled "A New Age of Reason" explains how existentialism is an argument for how literature can take on philosophical form, not as formal argument, but as persuasive narrative. Over the objections of even those who study Sartre, Darnell uses Sartre's The Age of Reason as a model and shows how his literary output was a legitimate philosophical inquiry. In addition to the Darnell piece, the volume boasts a series of outstanding and innovative works by scholars in the field. Taken together as a whole, these authors not only illustrate the moral consequences of an original choice, but oblige the reader to explore the ramifications of such a choice in one's own life. Gabriel R. Ricci is professor of humanities and the chair of the Department of History at Elizabethtown College. He is the author of Time Consciousness: The Philosophical Uses of History and the editor of Transaction's much-admired Religion and Public Life series.