The Second Horseman

To save the world, Brandon Vale's going to steal $250 million Brandon Vale is a career thief---the best there is. Or at least he was before he was thrown in prison for a jewel heist gone bad. And even more embarrassing, he had nothing to do with it. His time inside is going fairly quietly until the night he's broken out against his will by Richard Scanlon, the now-retired FBI agent who framed him in the first place. Scanlon, who still has ties to the United States intelligence community, has discovered that a Ukrainian crime organization is auctioning twelve nuclear warheads to the highest bidder, but he can't convince the government that the sale isn't a hoax. The only way he can get his hands on the $200 million necessary to take the warheads off the market is to do something that goes against everything he stands for: steal it. The choice Brandon is given is simple: help Scanlon and hope to live through it, or turn himself in and face the repercussions of his "escape." Suddenly, Brandon finds himself with only weeks to plan a Las Vegas heist that that he's been dreaming about for years, but has always thought was probably impossible. And to make matters worse, Scanlon insists on choosing his team personally. Led by the relentlessly intelligent and undeniably beautiful Catherine Juarez, not a single one of the former government operatives he picks has so much as shoplifted a pack of gum in their lives. As the day of the heist approaches, Brandon's carefully constructed plans begin to break down and he suspects that the elaborate double-cross he's devised to save himself could cost millions of lives. He finally has to ask himself just how far he's willing to be dragged into a game that he can only lose. With The Second Horseman, the heart-stopping, all-too-real novel, Kyle Mills proves once again that he is one of the freshest and most original thriller writers working today.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

In times of underpopulation, slaves weretaken to provide labor. O'Connell explores the histories of the civilizations of ancient Sumeria, Egypt, Assyria, China, and the New World, showing how war came to each and how it adapted to varying circumstances. On the other hand, societies based on trade employed war much more selectively andpragmatically. Thus, Minoan Crete, long protected from marauding pastoralists, developed a wealthy mercantile society marked by unmilitaristic attitudes, equality between men and women, and a relative absence of class distinctions. In Assyria, by contrast, war came to be an end in itself, in aculture dominated by male warriors. Despite the violence in the world today, O'Connell finds reason for hope. The industrial revolution broke the old patterns of subsistence: war no longer serves the demographic purpose it once did.

A circus-performer-turned-PI and his ex-cop brother rescue a girl from a doomsday cult in this novel of “terrific suspense” and “unlimited imagination” (Publishers Weekly). With a genius IQ, a past career as a circus acrobat, and a black belt in karate, criminology professor Dr. Robert Frederickson—better known as “Mongo the Magnificent”—has a decidedly unusual background for a private investigator. He also just so happens to be a dwarf. Mongo and his brother, Garth, have left their day jobs as a professor and a cop, respectively, and formed their own PI firm, Frederickson & Frederickson. It’s a great reason to celebrate this holiday season, but when their annual tradition of picking up a few letters to Santa from the post office to fulfill the Christmas wishes of needy children reveals a sinister secret, their cheer is replaced with a yearning for justice. As the brothers race to save a little girl from a religious doomsday cult, they’ll get up close and personal with a murderous zealot bent on the eradication of all mankind—preferably before the New Year . . . Second Horseman Out of Eden is the 7th book in the Mongo Mysteries, but you may enjoy reading the series in any order.

The Second Horseman of the Apocalypse has come to take peace from the earth and make men slay each other: A resurgent Russian Federation is about to begin a quest for world domination. Europe is in chaos. Long-standing alliances are shattering, and betrayal is the new paradigm. The United States is on the brink of civil war because of the actions of Zoe Wilson. Zoe, once a Marine Corps sniper, works as a mercenary for a secret organization bent upon fundamentally changing the country. Her mission: murder innocent black Muslims. Caught up in the turmoil are Bret Manley, the new lieutenant governor of Connecticut; EJ, his wife; and Mai Faca, Bret’s former wife and tong assassin. They’ve formed an alliance to end the murders and bring the perpetrators to justice. What they discover astounds them. Bret gets another surprise when he learns of Mai’s love for EJ and of EJ’s acceptance of her advances. The women ask Bret to be a part of their lovemaking. He visualizes several negative outcomes if he agrees to their proposal. Yet . . . Anticipating the unraveling of American society and the anarchy that will follow, the three musketeers, as the trio calls themselves, develop a doomsday plan, one that will allow them to survive until a better America emerges from its rubble.

"Accurst be he that first invented war," wrote Christopher Marlowe--a declaration that most of us would take as a literary, not literal, construction. But in this sweeping overview of the rise of civilization, Robert O'Connell finds that war is indeed an invention--an institution that arose due to very specific historical circumstances, an institution that now verges on extinction. In Ride of the Second Horseman, O'Connell probes the distant human past to show how and why war arose. He begins with a definition that distinguishes between war and mere feuding: war involves group rather than individual issues, political or economic goals, and direction by some governmental structure, carried out with the intention of lasting results. With this definition, he finds that ants are the only other creatures that conduct it--battling other colonies for territory and slaves. But ants, unlike humans, are driven by their genes; in humans, changes in our culture and subsistence patterns, not our genetic hardware, brought the rise of organized warfare. O'Connell draws on anthropology and archeology to locate the rise of war sometime after the human transition from nomadic hunting and gathering to agriculture, when society split between farmers and pastoralists. Around 5500 BC, these pastoralists initiated the birth of war with raids on Middle Eastern agricultural settlements. The farmers responded by ringing their villages with walls, setting off a process of further social development, intensified combat, and ultimately the rise of complex urban societies dependent upon warfare to help stabilize what amounted to highly volatile population structures, beset by frequent bouts of famine and epidemic disease. In times of overpopulation, the armies either conquered new lands or self-destructed, leaving fewer mouths to feed. In times of underpopulation, slaves were taken to provide labor. O'Connell explores the histories of the civilizations of ancient Sumeria, Egypt, Assyria, China, and the New World, showing how war came to each and how it adapted to varying circumstances. On the other hand, societies based on trade employed war much more selectively and pragmatically. Thus, Minoan Crete, long protected from marauding pastoralists, developed a wealthy mercantile society marked by unmilitaristic attitudes, equality between men and women, and a relative absence of class distinctions. In Assyria, by contrast, war came to be an end in itself, in a culture dominated by male warriors. Despite the violence in the world today, O'Connell finds reason for hope. The industrial revolution broke the old patterns of subsistence: war no longer serves the demographic purpose it once did. Fascinating and provocative, Ride of the Second Horseman offers a far-reaching tour of human history that suggests the age-old cycle of war may now be near its end.

As the second horsemen brings war and destruction, he meets a young woman who he believes is destined to be his wife, but unfortunately for him she does everything she can to sabotage his plans.

They came to earth--Pestilence, War, Famine, Death--four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all. Ana da Silva always assumed she'd die young, but she never expected it to be at the hands of the haunting immortal who spared her life years ago. Famine. But if the horseman remembers her, he must not care, for when she comes face to face with him for the second time in her life, she's stabbed and left for dead. Only, she doesn't quite die. If there's one thing Famine is good at, it's cruelty. He can't forget the pain humanity has brought him, and he's ready to bring it back to them tenfold. But when Ana, a ghost from his past, corners him for what he did to her, she and her empty threats captivate him, and he decides to keep her around. In spite of themselves, Ana and Famine are drawn to each other. But at the end of the day, the two are enemies. Nothing changes that. Not one kind act, not two. And definitely not a few steamy nights. But enemies or reluctant lovers, if they don't stop themselves soon, heaven will.