The Secret Treachery Of Words

With suffrage secured in 1920, feminists faced the challenge of how to keep their momentum going. As the center of the movement shrank, a small, self-appointed vanguard of “modern” women carried the cause forward in life and work. Feminism as Life’s Work profiles four of these women: the author Inez Haynes Irwin, the historian Mary Ritter Beard, the activist Doris Stevens, and Lorine Pruette, a psychologist. Their life-stories, told here in full for the first time, embody the changes of the first four decades of the twentieth century—and complicate what we know of the period. Through these women’s intertwined stories, Mary Trigg traces the changing nature of the women’s movement across turbulent decades rent by world war, revolution, global depression, and the rise of fascism. Criticizing the standard division of feminist activism as a series of historical waves, Trigg exposes how Irwin, Beard, Stevens, and Pruette helped push the U.S. feminist movement to victory and continued to propel it forward from the 1920s to the 1960s, decades not included in the “wave” model. At a time widely viewed as the “doldrums” of feminism, the women in this book were in fact taking the cause to new sites: the National Women’s Party; sexuality and relations with men; marriage; and work and financial independence. In their utopian efforts to reshape work, sexual relations, and marriage, modern feminists ran headlong into the harsh realities of male power, the sexual double standard, the demands of motherhood, and gendered social structures. In Feminism as Life’s Work, Irwin, Beard, Stevens, and Pruette emerge as the heirs of the suffrage movement, guardians of a long feminist tradition, and catalysts of the belief in equality and difference. Theirs is a story of courage, application, and perseverance—a story that revisits the “bleak and lonely years” of the U.S. women’s movement and emerges with a fresh perspective of the history of this pivotal era.

Africa in Europe goes beyond the still-dominant American and transatlantic focus of disapora studies, examining the experiences of black and white Africans, Afro-Caribbeans, and African Americans in Western Europe, Britain, and the former Soviet Union from the end of the nineteenth century to the beginning of the twenty-first. Exploring a huge range of border-crossing experiences across and within Africa and Europe, it examines topics such as ethnic and cultural boundaries, working across the color line, and the limits of solidarity. With contributions from scholars in social history, art history, anthropology, cultural studies, and literary studies, as well from a novelist and a filmmaker, it offers a broad look at the intersection of Africa and Europe at all levels, from family and community to culture and politics.

Between 1870 and 1910 male authors were actively engaged with imagining new possibilities for women, at the same time as the central female figure continued to function as a troubling and unreachable object of aesthetic desire. This book examines these inscrutable female characters who were the ground on which fiction reinvented itself as Art.

About the Contributor(s): G. Campbell Morgan (1863-1945) was a leading Bible expositor in England and the United States. Despite a lack of substantial formal training, Morgan was a prolific writer and teacher. Ordained into the Congregational ministry, he was the pastor of Westminster Chapel, London (1904-17 and 1933-45). Morgan also conducted two very successful teaching tours in the United States, including work with D.L. Moody's ministry.

1188 sermon suggestions -- One from every chapter in the Bible. Morgan's expositions sparkle as they enhance Bible texts from every chapter in the Bible. Concise and delightfully free of redundancy, these selections reveal the master expositor's keen, analytical insight into God's Word. To encourage preachers and Bible teachers to develop their own sermon and lesson themes creatively, the author mentions that these are sermon suggestions -- not sermons or sermon outlines. He intentionally left the notes untitled, "preferring to let the text of Scripture be their only caption." These penetrating truths, firmly anchored in Scripture, are best described by G. Campbell Morgan himself: On every page of...the "God-breathed Writings" there are many thoughts which stretch out like long, clear arms of light across the darkness, discovering things which otherwise were hidden, and often illuminating wider areas than those of the immediate context. They are searchlights. From the multitude of these, I have selected one in each chapter of the Bible. Perhaps the work will also serve to illustrate a method of showing how focal points of radiating light gather their radiance from the context.