The Selborne Pioneer

Gilbert White's name is known universally but, as Ted Dadswell insists in this book, important aspects of his work have frequently been overlooked even by scholarly editors. The Selborne naturalist (1720-1793) has been described as 'a prince of personal observers'; but a shrewd analytical questioning and comparing was also typical of his 'natural knowledge'. Exceptional even in his general aims, White studied the behaviour, the 'manners' and 'conversation', of his animals and plants. He saw, moreover, that an animal or plant and indeed a parish such as his own, was unitary in operation; again and again, a cause had numerous effects and an effect numerous causes. Observation could go forward in circumstances such as these, if one was both sharp-eyed and patient, but how could true investigation be managed? How could a particular cause or effect be isolated or tested? Here what Dadswell calls White's 'comparative habit' was put to good use. Gilbert White was a careful keeper of records, and using these comparatively he 'appealed to controls' while examining his living creatures. Questioning and testing even the 'entirely usual', White was brought back repeatedly to the notion of adaptability. His zoological findings often concerned 'changed or changing' animals (or birds) and their social and inter-personal relationships. Today, we can seem particularly well placed to appreciate his methods and factual claims; our 'ethologists' and ecologists have - seemingly - corroborated much of what he did. And yet just this corroboration renders him the more mysterious. To properly assess White as naturalist, we must be able to approach him not only scientifically but also historically. He hoped for the emergence of teams of behavioural workers but did not try to pre-empt what would be achieved only by such teams, and while he 'saw with his own eyes', as his friend John Mulso says, he was substantially affected by certain of his contemporaries and predecessors. His journals and notebooks show us the naturalist at work. When a perhaps unexpected combination of influences is allowed for, his 'unique' activities can be at least partially explained.

"The natural history of Selborne, in a series of letters addressed to Thomas Pennant, Esq., and the Hon. Daines Barrington"--Original title page.

This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.

In the seventeeth century antiquarianism was a well-respected profession and antiquarian works were in demand, particularly amongst the gentry, we were especially interested in establishing lineage and the descent of land tenure. Although intended primarily as a source of information about who owned what and where, they often contained fascinating descriptions of the English landscape. Charles Lancaster has examined the town and county surveys of this period and selected the most interesting examples to illustrate the variety and richness of these descriptions. Organised by region, he has provided detailed introductions to each excerpt. Including such writers as John Stow, William Dugdale, Elias Ashmole, Daniel Defoe, Gilbert White and Celie Fiennes, this is a book that will appeal to anyone with an interest in both national and local history and to lovers of English scenery.

This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White. ignwogwog[p

The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities

This witty and perceptive account of the early years of submarine development contains much new material and the lives of the forgotten pioneers of submarines. It includes many wonderful inventions and even more colourful inventors, but focuses primarily on John Philip Holland, the Irish-American genius who took submarine development out of the hands of lunatics and visionaries and turned it into a deadly weapon of war.