The Serpent S Tale

“We travel the world,” writes Gregory McNamee, “and wherever we go there are snake stories to entertain us.” Here are some fifty diverse and unusual accounts of serpents from cultures across time and around the globe: snakes that talk, jump, and dance; snakes that transform into other creatures; snakes that just . . . watch. Many selections are drawn from the rich oral traditions of peoples in every clime that supports reptiles, from the Akimel O’odham of North America to the Mensa Bet-Abrahe of Africa to the Mungkjan of Australia. Included as well are such writings as prayers from the Egyptian Book of the Dead, fairy tales collected by the Brothers Grimm, a poem by Emily Dickinson, and a journal entry by Charles Darwin. What we read about snakes in The Serpent’s Tale is just as fascinating for what it says about us, for there always will be something primordial about our connection to them. That bond is evident in these stories: in how we associate snakes with nature’s elemental forces, how we attribute special qualities to their eyes and skin, and how they preside over all phases of our existence, from creation to death to resurrection.

The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.

Set in medieval England, this chilling novel combines the best of modern forensic thrillers with the drama of historical fiction, as a mistress of the art of death--an early version of a medical examiner--arrives in Cambridge from Italy to investigate the suspicious deaths of four children.

The follow-up to Mistress of the Art of Death- in the national bestselling series hailed as "the medieval answer to Kay Scarpetta and the CSI detectives." When King Henry II's mistress is found poisoned, suspicion falls on his estranged queen, Eleanor of Aquitaine. The king orders Adelia Aguilar, expert in the science of death, to investigate-and hopefully stave off civil war. A reluctant Adelia finds herself once again in the company of Rowley Picot, the new Bishop of St. Albans...and her baby's father. Their discoveries into the crime are shocking- and omens of greater danger to come.

Published in 2001, The Serpent’s Egg became an instant hit among Canadian middle readers and ’tweens, selling thousands by word-of-mouth alone. Ottawa is under siege. Parliament Hill has fallen to the Demon. The fate of the entire world rests in the hands of Miranda and her Ottawa school friends. Searching through the labyrinth of tunnels under the Library of Parliament, they must find a portal into a parallel world, where the only way to save the two worlds from the Demon and her crazed minions is to capture the Serpent’s egg. In the classic tradition of epic fantasy, The Serpent’s Egg has all the magic ingredients for a captivating tale: good versus evil, an unlikely heroine, awesome battles, evil-doers extraordinaire, and a story that puts courage and friendship to the test.

Unbeknownst to ten-year-old Wil Wychwood, he comes from a long line of mages. But with the death of his grandmother and his world upended, Wil moves to live with “the Aunts” and finds himself in MiddleGate – where buses drive through brick walls and leaning houses dot streets named Wog’s Hollow and Half Moon Lane. The four-hundred-and-ninety-four-year-old school, Gruffud’s Academy, is out of this world too. With classes in numeristics, botanicals, cartology and verbology, and textbooks like "Magykal Spelling, Grammar and Palaver," this is no ordinary school. Yet something dark brews beneath the veneer of this idyllic hidden city. When Wil and his cousin Sophie rescue the sacred snakes of Narcisse, they find themselves swept up in a dangerous plot. The secret society known as the Serpent’s Chain is on the loose, and Wil is carrying the very thing they’ve been searching for. "Beware the Serpent’s Chain," they were told, but what does that mean? What dangers await Wil and Sophie as they unravel this wicked mystery?

Heir to the wise Daniel, Hâsib is a young woodcutter promised to a great future. When his greedy companions abandon him in the middle of the forest, he meets the Queen of Serpents. She then tells her story, a fabulous adventure filled with gods and demons, princes and prophets. From Kabul to Cairo, journeys intertwine with intrigues and spiritual quests while the fabulous nights follow one another. An enchanting and intricately designed interpretation of the story of Hâsib Karîm ad-Dîm, through which David B. opens for us the gates of the Thousand and One Nights. For mature readers.

NOW AN APPLE TV+ SERIES A Washington Post Notable Work of Fiction * Winner of the British Book Awards Fiction Book of the Year and overall Book of the Year *A Kirkus Reviews Best Book of The Year * Waterstones Book of the Year * Costa Book Award Finalist “A novel of almost insolent ambition—lush and fantastical, a wild Eden behind a garden gate...it’s part ghost story and part natural history lesson, part romance and part feminist parable. I found it so transporting that 48 hours after completing it, I was still resentful to be back home.” —New York Times London, 1893. When Cora Seaborne’s brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was an unhappy one, and she never suited the role of society wife. Seeking refuge in fresh air and open space, she leaves the metropolis for coastal Essex, accompanied by her inquisitive and obsessive eleven-year-old son, Francis, and the boy’s nanny, Martha, her fiercely protective friend. Once there, they hear rumors that after nearly three hundred years, the mythical Essex Serpent, a fearsome creature that once roamed the marshes, has returned. When a young man is mysteriously killed on New Year’s Eve, the community’s dread transforms to terror. Cora, a keen amateur naturalist with no patience for religion or superstition, is immediately enthralled, certain that what locals think is a magical sea beast may be a previously undiscovered species. Eager to investigate, she is introduced to parish vicar William Ransome, who is equally suspicious of the rumors but for different reasons: a man of faith, he is convinced the alarming reports are caused by moral panic, a flight from the correct and righteous path. As Cora and William attempt to discover the truth about the Essex Serpent’s existence, these seeming opposites find themselves inexorably drawn together in an intense relationship that will change both of them in ways entirely unexpected. And as they search for answers, Cora’s London past follows her to the coast, with striking consequences. Told with exquisite grace and intelligence, The Essex Serpent masterfully explores questions of science and religion, skepticism and faith, but it is most of all a celebration of love, and the many different—and surprising—guises it can take.