The Shadow Of Beauty

Art is a spiritual ministry that must be studied, nurtured, and influenced by the church. Christian artists need to understand the weighty responsibilities of their calling, and the church must understand the importance of art as a divinely appointed ministry. In The Shadow of Beauty, S. Talmond Brown urges artists and church leaders to realize the need for a mission to reestablish the church's cultural authority and recognize art as a God-honored career. Brown includes works by such renowned artists as Leonardo da Vinci and William Blake, presenting biblical proof that all art forms—including paintings, sculptures, music, and literature—are an important means by which artists and non-artists alike can spread God's Word and should be developed to the fullest. Covering such subjects as biblical enigmas, the potential benefits and dangers of art, and the role of art in redeeming our culture, Brown poignantly recounts the church's aesthetic history, revealing the keys to discovering the truth hiding behind The Shadow of Beauty. Stephen Talmond Brown has published the most systematic approach to a truly Reformed Christian theory and practice of art attempted in decades. Equal parts devotional, aesthetic theory, church history, and reformed apologetics, The Shadow of Beauty rolls along with a spiritual rigor and elegance rare for our age. —Tony Norman, Columnist/Associate Editor, Pittsburgh Post-Gazette

Ruth Ware meets Shari Lapena in this internationally bestselling psychological thriller about the inescapable pull of destiny and revenge. Norah Richter has recently moved from Berlin to Vienna, hoping to put her old life behind her. While walking to her new office one morning, Norah is approached by an elderly woman who utters these chilling words: On the eleventh of February, you will kill a man called Arthur Grimm ...With good reason. And of your own free will. Norah is unnerved — many years earlier, something terrible happened to her on February 11 — but she chooses to shrug off the encounter as mere coincidence, until a few days later when she meets a man named Arthur Grimm. Soon Norah begins to have a dreadful suspicion: Does she have a good reason to hate this man she’s never met? Could he be responsible for the tragic event in her past? And can Norah make sure that justice is done without committing murder?

Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. "discriminating, inspired interrogation ... dazzling analysis"—Marina Warner, Tate Magazine "Ambitious and a pleasure to read ... a thoroughly worthwhile book."—Times Higher Education Supplement

"In Praise of Shadows" (陰翳礼讃, "In'ei Raisan" in Japanese) is an essay written by the renowned Japanese author Jun'ichirō Tanizaki. It was first published in 1933. The essay explores Tanizaki's aesthetic philosophy, particularly his appreciation for traditional Japanese culture and the beauty of shadows, darkness, and subtlety. Tanizaki reflects on the contrast between Western and Japanese aesthetics, emphasizing the preference for darkness and shadows in traditional Japanese architecture, interior design, and cultural practices. He celebrates the aesthetic qualities of dimly lit spaces, muted colors, and natural materials, arguing that they evoke a sense of mystery, depth, and tranquility that is lacking in the bright, artificial illumination favored in the West. Throughout the essay, Tanizaki discusses various aspects of Japanese culture, such as the tea ceremony, lacquerware, architecture, and literature, to illustrate his points about the beauty of shadows and the importance of preserving traditional craftsmanship and sensibilities in the face of modernization. "In Praise of Shadows" is not only a meditation on aesthetics but also a reflection on the cultural identity and values of Japan. It has been widely praised for its eloquent prose, thought-provoking ideas, and insightful observations about the interplay between light and shadow in shaping human perception and experience. The essay continues to be studied and admired for its enduring relevance and its exploration of the timeless qualities of beauty and elegance.

From the #1 bestselling author of The Historian comes a mesmerizing novel that spans the past and the present—and unearths the troubled history of a gorgeous but haunted country. A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi—and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by political oppression—and she will find out all too quickly that this knowledge is fraught with its own danger. Elizabeth Kostova’s new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss. Praise for The Shadow Land “A compelling and complex mystery, strong storytelling, and lyrical writing combine for an engrossing read.”—Publishers Weekly “In The Shadow Land, Elizabeth Kostova, a master storyteller, brings vividly to life an unfamiliar country—Bulgaria—and a painful history that feels particularly relevant now. You won’t want to put down this remarkable book.”—Claire Messud, author of The Woman Upstairs “In this brilliant work, what appears at first a minor mystery quickly becomes emblematic of a whole country’s hidden history. Lyrical and compelling, The Shadow Land proves a profound meditation on how evil is inflicted, endured, and, through courage and compassion, defeated. Elizabeth Kostova’s third novel clearly establishes her as one of America’s finest writers.”—Ron Rash, author of The Risen

A series of whimsical essays by the New York Times "Social Q's" columnist provides modern advice on navigating today's murky moral waters, sharing recommendations for such everyday situations as texting on the bus to splitting a dinner check.

Maia Wojciechowska's 1965 Newbery Medal winner about a young boy struggling with his father's legacy. Manolo was only three when his father, the great bullfighter Juan Olivar, died. But Juan is never far from Manolo's consciousness--how could he be, with the entire town of Arcangel waiting for the day Manolo will fulfill his father's legacy? But Manolo has a secret he dares to share with no one--he is a coward, without afición, the love of the sport that enables a bullfighter to rise above his fear and face a raging bull. As the day when he must enter the ring approaches, Manolo finds himself questioning which requires more courage: to follow in his father's legendary footsteps or to pursue his own destiny?