In Praise Of Shadows

"In Praise of Shadows" (陰翳礼讃, "In'ei Raisan" in Japanese) is an essay written by the renowned Japanese author Jun'ichirō Tanizaki. It was first published in 1933. The essay explores Tanizaki's aesthetic philosophy, particularly his appreciation for traditional Japanese culture and the beauty of shadows, darkness, and subtlety. Tanizaki reflects on the contrast between Western and Japanese aesthetics, emphasizing the preference for darkness and shadows in traditional Japanese architecture, interior design, and cultural practices. He celebrates the aesthetic qualities of dimly lit spaces, muted colors, and natural materials, arguing that they evoke a sense of mystery, depth, and tranquility that is lacking in the bright, artificial illumination favored in the West. Throughout the essay, Tanizaki discusses various aspects of Japanese culture, such as the tea ceremony, lacquerware, architecture, and literature, to illustrate his points about the beauty of shadows and the importance of preserving traditional craftsmanship and sensibilities in the face of modernization. "In Praise of Shadows" is not only a meditation on aesthetics but also a reflection on the cultural identity and values of Japan. It has been widely praised for its eloquent prose, thought-provoking ideas, and insightful observations about the interplay between light and shadow in shaping human perception and experience. The essay continues to be studied and admired for its enduring relevance and its exploration of the timeless qualities of beauty and elegance.

Jun’ichirō Tanizaki is one of the most eminent Japanese writers of the twentieth century, renowned for his investigations of family dynamics, eroticism, and cultural identity. Most acclaimed for his postwar novels such as The Makioka Sisters and The Key, Tanizaki made his literary debut in 1910. This book presents three powerful stories of family life from the first decade of Tanizaki’s career that foreshadow the themes the great writer would go on to explore. “Longing” recounts the fantastic journey of a precocious young boy through an eerie nighttime landscape. Replete with striking natural images and uncanny human encounters, it ends with a striking revelation. “Sorrows of a Heretic” follows a university student and aspiring novelist who lives in degrading poverty in a Tokyo tenement. Ambitious and tormented, the young man rebels against his family against a backdrop of sickness and death. “The Story of an Unhappy Mother” describes a vivacious but self-centered woman’s drastic transformation after a freak accident involving her son and daughter-in-law. Written in different genres, the three stories are united by a focus on mothers and sons and a concern for Japan’s traditional culture in the face of Westernization. The longtime Tanizaki translators Anthony H. Chambers and Paul McCarthy masterfully bring these important works to an Anglophone audience.

One morning, Takahashi, a writer who has just stayed up all night working, is interrupted by a phone call from his old friend Sonomura: barely able to contain his excitement, Sonomura claims that he has cracked a secret cryptographic code based on Edgar Allan Poe’s The Gold-Bug and now knows exactly when and where a murder will take place—and they must hurry if they want to witness the murder, because it’s later that very night! Sonomura has a history of lunacy and playing the amateur detective, so Takahashi is of course reluctant to believe him. Nevertheless, they stake out the secret location, and through tiny peepholes in the knotted wood, become voyeurs at the scene of a shocking crime… Atmospheric, erotic, and tense, Devils in Daylight is an early work by the master storyteller who “created a lifelong series of ingenious variations on a dominant theme: the power of love to energize and destroy” (Chicago Tribune).

Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.” Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.

This new, expanded collection of Antonio Tabucchi's stories collects the best short fiction from the Italian author recognized as one of the masters of the form. Message From the Shadows is a new collection featuring Antonio Tabucchi's finest short stories, spanning the breadth of his career. These playful tales explore Tabucchi's signature themes, from his inventive, lyrical meditations on language, art, and philosophy, to his fascination with the passage of time, and the mystery of storytelling.

“Arguably the greatest living travel writer” (Outside magazine), Pico Iyer has called Japan home for more than three decades. But, as he is the first to admit, the country remains an enigma even to its long-term residents. In A Beginner’s Guide to Japan, Iyer draws on his years of experience—his travels, conversations, readings, and reflections—to craft a playful and profound book of surprising, brief, incisive glimpses into Japanese culture. He recounts his adventures and observations as he travels from a meditation hall to a love hotel, from West Point to Kyoto Station, and from dinner with Meryl Streep to an ill-fated call to the Apple service center in a series of provocations guaranteed to pique the interest and curiosity of those who don’t know Japan—and to remind those who do of its myriad fascinations.

America’s most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition—and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut—and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers—and continues to create generations of new ones.

Walter is a young child when his parents decide to leave their home in Germany and start a new life in the Netherlands. As Jews, they know they are not safe under the Nazi regime. Walter is at first too young to appreciate the danger that he is in, and everything seems like a great adventure. But as his family is forced to move again and again, from city to countryside to, eventually, a hidden village deep in the Dutch woods, Walter’s eyes are opened to the threat that surrounds them every day and to the network of people who are risking their lives to help them stay hidden. Based on a true story, the novel shines a light on a little-known part of WWII history and the heroes of the Dutch resistance—particularly those involved in the hidden village—without whose protection, Walter, his family, and hundreds of others would not have survived.