The Shaman S Curse

Sometimes even shamans get cranky. That was baby Wolverine’s misfortune—to be cursed by an out-of-sorts shaman frustrated by his own babydaughter’s incessant crying. Not only has shaman Paaliaq forbidden the future marriage of Wolverine to Breath, Paaliaq’s beautiful but teary baby girl, he has cursed Wolverine, banishing him when he becomes a young man. And even when acontrite Paaliaq later revokes the curse, the shaman’s even crankier magicanimal will not. Now Wolverine finds himself stranded on a barren island, lockedin a life-or-death struggle to return to his home, his family and a very special young girl. Michael Kusugak, consummate storyteller and bestselling author, conjures up an Inuit tale of adventure, perseverance and first-time love shot through with humanity and humour. This is a story perfect for its pre-teen and ’tween audience, where even the strong and the mighty have bad days, the bully gets his due and a dream can come true.

Nightmares come to life when Conan falls victim to the insidious curse of a dying shaman. Conan realizes that something deeper is at work when his nights are filled with horrific dreams of bloodshed that threaten to drive him mad. Now, Conan will need all his might--wits as sharp as his sword--to break free from the Shaman's nefarious hex.

The focus of this book is on the phenomenon of cursing in shamanic practice and everyday life in Tuva, a former Soviet republic in Siberia. Based on extensive anthropological fieldwork where the author interacted with a wide range of people involved in cursing practices, the book examines Tuvans’ lived experience of cursing and shamanism, thereby providing deep insights into Tuvans’ intimate and social worlds. It highlights especially the centrality of sound: how interactions between humans and non-humans are brought about through an array of sonic phenomena, such as musical sounds, sounds within words and non-linguistic vocalisations, and how such sonic phenomena are a key part of dramatic cursing events and wider shamanic performance and ritual, involving humans and spirits alike. Overall, the book reveals a great deal about occult practices and about social change in post-Soviet Tuva.

Intentional acts of “assault sorcery”, involving operations of extracting the souls of unsuspecting victims or eliminating one’s antagonists, are central to the perceived proliferation of occult threats and shamanic assassins in Tuva, Siberia. Following the restoration of shamanism as an official religion in the region, indigenous spiritual practitioners have propagated a vindictive strand of rituals, associated with supernatural retaliation and political assassination. This book probes the unforeseen implications of state-sanctioned appropriations of religious revival, through an unsettling context of encounters with various agencies embodying “dark shamanism”. The invisible presence of this shamanic complex is manifested in the book’s presentation of a shaman’s thoughts about an epidemic of curses, his counter-cursing rituals for Russians and ethnic Tuvans, and his dialogues with dead shamanic ancestors and spectres experiencing ideological tensions.

The two kinds of magic have always been totally separate. Until now. Vatar risked his life to try to save his friend--and failed. Now he has an implacable enemy in the shaman, who blames Vatar for the death of his only son. He’s forced to flee his home, at least until the shaman’s thirst for revenge cools. Taking shelter with his mother’s people in one of the coastal cities, Vatar learns more than he bargained for. He agreed to learn to work iron and steel, but he never suspected to find a magical heritage as well. And that’s a problem. A huge problem. Because unlike their own Spirit magic, his people regard the city magic as the work of Evil Spirits. If the shaman ever found out about this, it could be the weapon he needs to destroy Vatar. And yet, finding a way to accept the other side of his heritage may be the only way Vatar can ultimately defeat his enemy and win more than his freedom. (Sword and Sorcery, Revenge, Coming of Age, Superstition)

Innovation-making is a classic theme in anthropology that reveals how people fine-tune their ontologies, live in the world and conceive of it as they do. This ethnographic study is an entrance into the world of Buryat Mongol divination, where a group of cursed shamans undertake the 'race against time' to produce innovative remedies that will improve their fallen fortunes at an unconventional pace. Drawing on parallels between social anthropology and chaos theory, the author gives an in-depth account of how Buryat shamans and their notion of fortune operate as 'strange attractors' who propagate the ongoing process of innovation-making. With its view into this long-term 'cursing war' between two shamanic factions in a rural Mongolian district, and the comparative findings on cursing in rural China, this book is a needed resource for anyone with an interest in the anthropology of religion, shamanism, witchcraft and genealogical change. Katherine Swancutt is a Research Fellow in Social Anthropology at the University of Oxford. She has carried out fieldwork on shamanic religion across Inner Asia, working among Buryats in northeast Mongolia and China since 1999, and among the Nuosu of Southwest China since 2007.

Vatar risked his life to try to save his friend--and failed. Now he has an implacable enemy in the vengeful shaman, who blames Vatar for the death of his only son. In his isolation, Vatar finds some comfort in daydreams. He knows the strange girl he sometimes imagines is just that--a dream. She'd better be. Because, if she's real things could get even worse for Vatar. The accepted magic of Vatar's plains tribe wouldn't allow him to see or communicate with a girl he doesn't even know--or know where to find. That would be more like the magic passed down in certain, closely-guarded bloodlines among the ruling class of the coastal cities. And that's bad. Very bad.Unlike their own, Vatar's people think the city magic is evil. If the shaman ever found out, it could be the weapon he needs to destroy Vatar. And yet, finding a way to accept the other side of his heritage may be the only way Vatar can ultimately defeat his enemy. The two kinds of magic have always been totally separate. Until now.

The first book written about Mongolian and Siberian shamanism by a shaman trained in that tradition. • A thorough introduction to Mongolian and Siberian shamanic beliefs and practices, which, until the collapse of the Soviet Union, were banned from being practiced. • Includes rituals for healing and divination techniques. In traditional Mongolian-Buryat culture, shamans play an important role maintaining the tegsh, the "balance" of the community. They counsel a path of moderation in one's actions and reverence for the natural world, which they view as mother to humanity. Mongolians believe that if natural resources are taken without thanking the spirits for what they have given, those resources will not be replaced. Unlike many other cultures whose shamanic traditions were undermined by modern civilization, shamans in the remote areas of southern Siberia and Mongolia are still the guardians of the environment, the community, and the natural order. Riding Windhorses is the first book written on Mongolian and Siberian shamanism by a shaman trained in that tradition. A thorough introduction to Mongolian/Siberian shamanic beliefs and practices, it includes working knowledge of the basic rituals and various healing and divination techniques. Many of the rituals and beliefs described here have never been published and are the direct teachings of the author's own shaman mentors.