The Shaman S Mirror

Huichol Indian yarn paintings are one of the world's great indigenous arts, sold around the world and advertised as authentic records of dreams and visions of the shamans. Using glowing colored yarns, the Huichol Indians of Mexico paint the mystical symbols of their culture—the hallucinogenic peyote cactus, the blue deer-spirit who appears to the shamans as they croon their songs around the fire in all-night ceremonies deep in the Sierra Madre mountains, and the pilgrimages to sacred sites, high in the central Mexican desert of Wirikuta. Hope MacLean provides the first comprehensive study of Huichol yarn paintings, from their origins as sacred offerings to their transformation into commercial art. Drawing on twenty years of ethnographic fieldwork, she interviews Huichol artists who have innovated important themes and styles. She compares the artists' views with those of art dealers and government officials to show how yarn painters respond to market influences while still keeping their religious beliefs. Most innovative is her exploration of what it means to say a tourist art is based on dreams and visions of the shamans. She explains what visionary experience means in Huichol culture and discusses the influence of the hallucinogenic peyote cactus on the Huichol's remarkable use of color. She uncovers a deep structure of visionary experience, rooted in Huichol concepts of soul-energy, and shows how this remarkable conception may be linked to visionary experiences as described by other Uto-Aztecan and Meso-American cultures.

Unravelling the history, ideologies and rites of shamanism, Margaret Stutley provides an authoritative guide to one of the world's most ancient, notorious and frequently misrepresented spiritual traditions.

Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.

Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development.

A fresh assessment of the workings of animal symbolism in diverse cultures. Reconsiders the concept of totemism and exposes common fallacies in symbolic interpretation.

Provides a clear and accessible guide to the many different North Asian shamanic traditions, past and present. What is shamanism? Where is it from? How does one become a shaman? What are the requirements to become one? Anthropologists tell us that the word shaman derives from the Tungus language and traditions, but few people understand the full scope of what that means. In his groundbreaking book, Spirit Voices, David Shi answers all these questions and more. Drawing upon his own ancestral traditions, Shi explores the history and practice of shamanism. He guides readers through what may be the unfamiliar landscapes of North Asia—the place where shamanism was born—as well as the largely hidden and unfamiliar traditions of Turkic, Mongolic, and Tungus shamanism, exploring the subtle and unique aspects of each tradition. Shi provides a clear and accessible guide that explores the many different North Asian shamanic traditions. So, what exactly is shamanism? David Shi suggests that the most accurate definition derives from shamanologist Nicholas Breeze Wood, who writes, “A shaman is someone chosen by the spirits [typically at or before birth] and who can go into a controlled and repeatable deliberate trance state, during which they A) experience ‘spirit flight,’ where they go to the spirit worlds and meet spirits, who they either fight with, negotiate with, or trick, in order to create change in this physical world, or B) are often taken over/possessed by the spirits (normally ancestral shaman spirits, or local land spirits) while in this physical world—the spirits using the shaman’s voice and body to heal, or give advice to members of the shaman’s community. Without the spirits and their blessing, a shaman cannot exist or function. Without the trance state, it is not shamanism.” Featuring history, firsthand experiential reports, mythology, and folklore, Spirit Voices explores the spirits, spirituality, tools, and practices of true shamanism, past and present. Shi also provides practical information for those readers seeking to implement shamanic practices, including those that are appropriate to noninitiates and outsiders to the culture. As the author points out, “the purpose of shamanism can be summed up in two words: coexistence and balance—coexistence with our spirits and our communities, and the balance that must be preserved between all of us and within ourselves.”

Part travelogue, part experiential spiritual memoir, Kevin Turner takes us to visit with authentic shamans in the steppes and urban centers of modern-day Mongolia. Along the way, the author, a practicing shaman himself, tells of spontaneous medical diagnoses, all-night shamanic ceremonies, and miraculous healings, all welling from a rich culture in which divination, soul-retrieval, and spirit depossession are a part of everyday life. Shamanism, described in the 1950s by Mircea Eliade as "archaic techniques of ecstasy," is alive and well in Mongolia as a means of accessing "nonordinary realities" and the spirit world. After centuries of suppression by Buddhist and then Communist political powers, it is exploding in popularity in Mongolia. Turner gives compelling accounts of healings and rituals he witnesses among Darkhad, Buryat, and Khalkh shamans, and goes on to provide us with his insights into a universal shamanism, principles that lie at the heart of shamanic traditions worldwide. This astounding, inspiring book will appeal to shamans and shamanic therapists, students of Mongolian culture and comparative religion, and fans of off-grid travel memoirs. From the Trade Paperback edition.