The Shamer S War

The final book in the thrilling fantasy adventure series, The Shamer Chronicles The Dragon Lord of Dunark is ruthlessly hunting down Shamers and burning them at the stake. He must be brought down, and so a rebellion is formed. Rebellions need leaders, and what better choice than the legitimate heir to Dunark, Dina's friend Nico? Nico is reluctant to kill even a rabbit. Still, Dina's considerable powers should help him triumph over the Dragon Lord. But Nico knows only too well that heroes have a nasty habit of ending up dead...

The first step into the thrilling middlegrade fantasy world of The Shamer Chronicles Dina has unwillingly inherited her mother's gift: the ability to elicit shamed confessions simply by looking into someone's eyes. To Dina, however, these powers are not a gift but a curse. Surrounded by fear and hostility, she longs for simple friendship. But when her mother is called to Dunark Castle to uncover the truth about a bloody triple murder, Dina must come to terms with her power - or let her mother fall prey to the vicious and revolting dragons of Dunark.

As a leader of the Southern Regional Council in the early 1960s, and later as executive director of the Field Foundation, Leslie Dunbar's advocacy and behind-the-scenes organizing made him one of the most significant (but least recognized) people in the civil rights movement. His essays and speeches often helped set the agenda. They also continue to offer a prophetic voice in our struggle to create a more humane and fully integrated America. The Shame of Southern Politics gathers for the first time fourteen of Dunbar's essays and speeches on the courage and values of the southern civil rights movement. Dunbar's selected writings, ranging from the classic 1961 essay "The Annealing of the South" to a post-September 11th meditation, give eloquent voice to the best of America's liberal tradition. A new essay entitled "1968" offers Dunbar's unique take on that transformational year.

The third book in the thrilling fantasy adventure series, The Shamer Chronicles A watching face in a market crowd, a mist-shrouded figure on the moor, a haunting presence seen only when he wants to be seen? Sezuan, possessor of the Serpent Gift for lie and illusion, is a chilling and ambiguous figure at the best of times. He is also Dina's father. And when he comes to claim the daughter he has never seen, the Shamer and her family are catapulted into reckless flight and danger. With nowhere else to turn, Dina must learn to see through her father's deceit and use her own powers to her advantage.

At the age of almost 47 years old I find myself travelling South on the M6 Motorway heading towards the village that I grew up in, almost 37 years have passed since I was wrenched overnight from everything I knew ... On May 16th this year my Parents would have celebrated their 50th Wedding Anniversary that is, if things had been different ... The journey is a strange one as I find my mind racing through my memory recalling so many different events both good and bad, I'm not scared, it's taken me all these years to conquer my fears but I have finally managed it. Firstly I stop at Corley Services on the motorway, the very same motorway that over three decades ago I was trying to rescue my cat Kitty from. I buy coffee and stand in the midday sun chatting with three of my closest friends as we eat our freshly prepared picnic, they are 100% behind me with the book and are all excited about reading the final draft. On we go and before long I am turning the car right into Shakespeare Avenue where I pull the car over to the side of the road so that I can take a photograph of the street name, I then coast the car slowly down the road with my eyes darting in every direction trying to absorb everything until they come to rest upon the house where my story began when I was only 2 years old. Further on down the road past Bonnie's old house, my Great Auntie Penny's and Great Uncle Edwin's old place and then Cleggy's old house until I reach the place where my little friend Maddie breathed her last breath ...

The Dutch, through the directors of the West India Company, purchased Manhattan Island in 1625. They had come to the New World as traders, not expecting to assume responsibility as the sovereign possessor of a conquered New Netherland. They did not intend to make war on the native peoples around Manhattan Island, but they did; they did not intend to help destroy native cultures, but they did; they intended to be overseas the tolerant, pluralistic, and antimilitaristic people they thought themselves to be—and in so many respects were—at home, but they were not. For the Dutch intruders, establishing a settled presence away from the homeland meant the destabilization of the adventurers' values and self-regard. They found that the initially peaceful encounters with the indigenous people soon took on the alarming overtones of an insurgency as the influx of the Dutch led to a complete upheaval and eventual disintegration of the social and political worlds of the natives. How are the Dutch to be judged? Donna Merwick, in The Shame and the Sorrow, asks this question. She points to a betrayal both of their own values and of the native peoples. She also directs us to the self-delusion of hegemonic control. Her work belongs alongside the best of today's postcolonial studies in the description of cross-cultural violence and subtle questioning of the nature of writing its history.

The Shame of Death presents a collection of unique and insightful essays sharing the common theme that shame is the central psychological and moral force in understanding death and mourning.

In this classic volume, written at the height of the Cold War, with a new preface of 2006, Peter Viereck, one of the foremost intellectual spokesmen of modern conservatism, examines the differing responses of American and European intellectuals to the twin threats of Nazism and Soviet communism. In so doing, he seeks to formulate a humanistic conservatism with which to counter the danger of totalitarian thought in the areas of politics, ethics, and art.The glory of the intellectuals was the firm moral stance they took against Nazism at a time when appeasement was the preferred path of many politicians; their shame lay in their failure to recognize the brutality of Stalinism to the extent of becoming apologists for or accomplices of its tyranny. In Viereck's view, this failure is rooted in an abandonment of humane values that he sees as a legacy of nineteenth-century romanticism and certain strands of modernist thought and aesthetics.Among his targets are literary obscurantism as personified by Ezra Pound, the academicization of literary culture, the rigidity of adversarial avant-gardism, and the failure of many writers and cultural institutions to conserve the very heritage their political freedom and security depend on. Viereck represents their attitude in a series of satirical dialogues with Gaylord Babbitt, son of Sinclair Lewis' embodiment of conservative philistinism. Babbitt Junior is as unreflective as his father, but the objects of his credulity are the received ideas of liberal progressivism and avant-garde mandarinism. Ultimately, Viereck's critique stands as a timely rebuke to the extremism of both left and right.