The Shape Of Battle

One of our most distinguished military historians tells the story of six defining battles . . . Every battle is different. Each takes place in a different context - the war, the campaign, the weapons. However, battles across the centuries, whether fought with sticks and stones or advanced technology, have much in common. Fighting is, after all, an intensely human affair; human nature doesn't change. So why were battles fought as they were? What gave them their shape? Why did they go as they did: victory for one side, defeat for the other? In exploring six significant feats of arms - the war and campaign in which they each occurred, and the factors that determined their precise form and course - The Shape of Battle answers these fundamental questions about the waging of war. Hastings (1066) - everyone knows the date, but not, perhaps, the remarkable strategic background. Towton (1461) - the bloodiest battle to be fought on English soil. Waterloo (1815) - more written about in English than any other but rarely in its true context as the culminating battle in the longest war in 'modern' times. D-Day (1944) - a battle within a larger operation ('Overlord'), and the longest-planned and most complex offensive battle in history. Imjin River (1951) - this little known battle of the Korean War was the British Army's last large-scale defensive battle. Operation Panther's Claw (2009) - a battle that has yet to receive the official distinction of being one: an offensive conducted over six weeks with all the trappings of 21st-century warfare yet whose shape and face at times resembled the Middle Ages. The Shape of Battle is not a polemic, it doesn't try to argue a case. It lets the narratives - the battles - speak for themselves.

A distinguished military historian tells the dramatic story of six defining battles in world history. Every battle is different. Each takes place in a different context—the war, the campaign, the weapons. However, battles across the centuries, whether fought with spears and swords or advanced technology, have much in common. Fighting is, after all, an intensely human affair; human nature doesn't change. So why were certain battles fought as they were? What gave them their shape? Why did they go as they did: victory for one side, defeat for the other? In exploring six significant feats of arms—the war and campaign in which they each occurred, and the factors that determined their precise form and course—The Shape of Battle answers these fundamental questions about the waging of war. Eschewing polemics, The Shape of Battle doesn't try to argue a case. It lets the narratives—the battles—speak for themselves.

America faces a new culture war. It is not a war about guns, abortions, or gays -- rather it is a war against the creeping changes to our entrepreneurial culture, the true bedrock of who we are as a people. The new culture war is a battle between free enterprise and social democracy. Many Americans have forgotten the evils of socialism and the predations of the American Great Society's welfare state programs. But, as American Enterprise Institute's president Arthur C. Brooks reveals in The Battle, the forces for social democracy have returned with a vengeance, expanding the power of the state to a breathtaking degree. The Battle offers a plan of action for the defense of free enterprise; it is at once a call to arms and a crucial redefinition of the political and moral gulf that divides Right and Left in America today. The battle is on, and nothing less than the soul of America is at stake.

Battle: A History of Combat and Culture spans the globe and the centuries to explore the way ideas shape the conduct of warfare. Drawing its examples from Europe, the Middle East, South Asia, East Asia, and America, John A. Lynn challenges the belief that technology has been the dominant influence on combat from ancient times to the present day. In battle, ideas can be more far more important than bullets or bombs. Clausewitz proclaimed that war is politics, but even more basically, war is culture. The hard reality of armed conflict is formed by -- and, in turn, forms -- a culture's values, assumptions, and expectations about fighting. The author examines the relationship between the real and the ideal, arguing that feedback between the two follows certain discernable paths. Battle rejects the currently fashionable notion of a "Western way of warfare" and replaces it with more nuanced concepts of varied and evolving cultural patterns of combat. After considering history, Lynn finally asks how the knowledge gained might illuminate our understanding of the war on terrorism.

The classic account of the final offensive against Hitler’s Third Reich. The Battle for Berlin was the culminating struggle of World War II in the European theater, the last offensive against Hitler’s Third Reich, which devastated one of Europe’s historic capitals and marked the final defeat of Nazi Germany. It was also one of the war’s bloodiest and most pivotal battles, whose outcome would shape international politics for decades to come. The Last Battle is Cornelius Ryan’s compelling account of this final battle, a story of brutal extremes, of stunning military triumph alongside the stark conditions that the civilians of Berlin experienced in the face of the Allied assault. As always, Ryan delves beneath the military and political forces that were dictating events to explore the more immediate imperatives of survival, where, as the author describes it, “to eat had become more important than to love, to burrow more dignified than to fight, to exist more militarily correct than to win.” The Last Battle is the story of ordinary people, both soldiers and civilians, caught up in the despair, frustration, and terror of defeat. It is history at its best, a masterful illumination of the effects of war on the lives of individuals, and one of the enduring works on World War II.

The Will to Battle—the third book of 2017 John W. Campbell Award winner Ada Palmer's Terra Ignota series—a political science fiction epic of extraordinary audacity “A cornucopia of dazzling, sharp ideas set in rich, wry prose that rewards rumination with layers of delight. Provocative, erudite, inventive, resplendent.” —Ken Liu, author of The Grace of Kings The long years of near-utopia have come to an abrupt end. Peace and order are now figments of the past. Corruption, deception, and insurgency hum within the once steadfast leadership of the Hives, nations without fixed location. The heartbreaking truth is that for decades, even centuries, the leaders of the great Hives bought the world’s stability with a trickle of secret murders, mathematically planned. So that no faction could ever dominate. So that the balance held. The Hives’ façade of solidity is the only hope they have for maintaining a semblance of order, for preventing the public from succumbing to the savagery and bloodlust of wars past. But as the great secret becomes more and more widely known, that façade is slipping away. Just days earlier, the world was a pinnacle of human civilization. Now everyone—Hives and hiveless, Utopians and sensayers, emperors and the downtrodden, warriors and saints—scrambles to prepare for the seemingly inevitable war. “Seven Surrenders veers expertly between love, murder, mayhem, parenthood, theology, and high politics. I haven't had this much fun with a book in a long time.” —Max Gladstone, author of Three Parts Dead Terra Ignota Series 1. Too Like the Lightning 2. Seven Surrenders 3. The Will to Battle At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Terrain has a profound effect upon the strategy and tactics of any military engagement and has consequently played an important role in determining history. In addition, the landscapes of battle, and the geology which underlies them, has helped shape the cultural iconography of battle certainly within the 20th century. In the last few years this has become a fertile topic of scientific and historical exploration and has given rise to a number of conferences and books. The current volume stems from the international Terrain in Military History conference held in association with the Imperial War Museum, London and the Royal Engineers Museum, Chatham, at the University of Greenwich in January 2000. This conference brought together historians, geologists, military enthusiasts and terrain analysts from military, academic and amateur backgrounds with the aim of exploring the application of modem tools of landscape visualisation to understanding historical battlefields. This theme was the subject of a Leverhulme Trust grant (F/345/E) awarded to the University of Greenwich and administered by us in 1998, which aimed to use the tools of modem landscape visualisation in understanding the influence of terrain in the First World War. This volume forms part of the output from this grant and is part of our wider exploration of the role of terrain in military history. Many individuals contributed to the organisation of the original conference and to the production of this volume.

At a memorial service meant to honor the dead and mark the beginning of a truce between Skirfall and Morcia, Ackley spies a figure who does not belong—a mage interrogator whose presence will only cause harm should the Morcians realize who he is and all the people he has tortured. But the problem rapidly grows much worse than that when Ackley realizes his true purpose is assassination of the Morcian crown prince—an assassination Ackley prevents, but at great cost. Banished from his own country, bound magically to the crown prince of his enemies, Ackley is certain of just one thing: whether he can figure out how to break the spell or not, his death is assured.