The Battle

The game begins again in this gripping follow-up to “exciting, clever” (Booklist) The Gauntlet that’s a futuristic Middle Eastern Zathura meets Ready Player One! Four years after the events of The Gauntlet, the evil game Architect is back with a new partner-in-crime—The MasterMind—and the pair aim to get revenge on the Mirza clan. Together, they’ve rebuilt Paheli into a slick, mind-bending world with floating skyscrapers, flying rickshaws run by robots, and a digital funicular rail that doesn’t always take you exactly where you want to go. Twelve-year-old Ahmad Mirza struggles to make friends at his new middle school, but when he’s paired with his classmate Winnie for a project, he is determined to impress her and make his very first friend. At home while they’re hard at work, a gift from big sister Farah—who is away at her first year in college—arrives. It’s a high-tech game called The Battle of Blood and Iron, a cross between a video game and board game, complete with virtual reality goggles. He thinks his sister has solved his friend problem—all kids love games. He convinces Winnie to play, but as soon as they unbox the game, time freezes all over New York City. With time standing still and people frozen, all of humankind is at stake as Ahmad and Winnie face off with the MasterMind and the Architect, hoping to beat them at their own game before the evil plotters expand Paheli and take over the entire world.

Joseph M. Levine provides a witty and erudite account of one of the most celebrated chapters in English cultural history, the acrimonious quarrel between the "ancients" and the "moderns" which Jonathan Swift dubbed "the Battle of the Books." The dispute that amused and excited the English world of letters from 1690 until the 1730s was, Levine shows, an installment in the long-standing debate about the relationship of classical learning to modern life. Levine argues that the debate was fundamentally a quarrel about the rival claims of history and literature concerning the proper way to understand the authors of the past. He skillfully examines how both sides wrote their own brands of history: The moderns, led by Richard Bentley, proposed that the "modern" inventions of classical scholarship and archaeology gave them a superior insight into the past; the ancients, marshaled by Jonathan Swift and Alexander Pope, held out for a more direct imitation of antiquity and opposed the new scholarship with all the force of their satire and invective. Levine demonstrates that the ancients and the moderns influenced each other in powerful ways, and had much more in common than they knew. Chronicling a critical episode in the development of modem scholarship, The Battle of the Books illuminates the roots of present-day controversies about the role of the classics in the curriculum and the place of the humanities in education.

This book presents the statistics, tactics, purpose and outcome of over 500 major land battles over 3000 years of warfare. Each entry follows a standard tabular lay out for easy usage. There are appendices on key commanders a nd first use of weapons. '

America faces a new culture war. It is not a war about guns, abortions, or gays -- rather it is a war against the creeping changes to our entrepreneurial culture, the true bedrock of who we are as a people. The new culture war is a battle between free enterprise and social democracy. Many Americans have forgotten the evils of socialism and the predations of the American Great Society's welfare state programs. But, as American Enterprise Institute's president Arthur C. Brooks reveals in The Battle, the forces for social democracy have returned with a vengeance, expanding the power of the state to a breathtaking degree. The Battle offers a plan of action for the defense of free enterprise; it is at once a call to arms and a crucial redefinition of the political and moral gulf that divides Right and Left in America today. The battle is on, and nothing less than the soul of America is at stake.

A trio of friends from New York City find themselves trapped inside a mechanical board game that they must dismantle in order to save themselves and generations of other children in this action-packed debut that’s a steampunk Jumanji with a Middle Eastern flair. Nothing can prepare you for The Gauntlet… It didn’t look dangerous, exactly. When twelve-year-old Farah first laid eyes on the old-fashioned board game, she thought it looked…elegant. It is made of wood, etched with exquisite images—a palace with domes and turrets, lattice-work windows that cast eerie shadows, a large spider—and at the very center of its cover, in broad letters, is written: The Gauntlet of Blood and Sand. The Gauntlet is more than a game, though. It is the most ancient, the most dangerous kind of magic. It holds worlds inside worlds. And it takes players as prisoners.

The War of 1812 comes to life through the eyes of a young Canadian boy. It's 1812. War has begun, and thirteen-year-old Alexander (Sandy) MacKay is jealous when his older brother Angus goes off with their father to fight the Americans attacking the Niagara region. Too young to know the darker side of battle, he resents being left to shoulder the work on his family's farm. Itching to get in on the action, he sneaks away from home and heads to Lundy's Lane to join up with the local militia. But battle is imminent, and now there's not much his father can do except try to shield him from the worst of the fighting. Sandy's idealized notions of what battle will be like are shattered when the man standing before him is killed by a musket ball and Sandy's own brother is severely wounded. At the battle of Lundy's Lane, the united Canadian/British forces turn the tide against the American troops, but Sandy comes to know how chilling war can be. Just in time for the bicentennial of the War of 1812, A Call to Battle is a sobering look at the realities of war. Author Gillian Chan skillfully depicts the transformation of an impetuous young boy, full of boyish enthusiasm, into a more realistic young man who emerges on the other side of war.

Updated for a new generation, a resource for overcoming sexual temptation shares the stories of men who have escaped sexual immorality and offers a practical plan for achieving sexual integrity.

#1 NATIONAL BESTSELLER Winner of the 2018 JW Dafoe Book Prize Longlisted for British Columbia's National Award for Canadian Non-Fiction 2018 Runner-up for the 2018 Templer Medal Book Prize Finalist for the 2018 Ottawa Book Awards A bold new telling of the defining battle of the Great War, and how it came to signify and solidify Canada’s national identity Why does Vimy matter? How did a four-day battle at the midpoint of the Great War, a clash that had little strategic impact on the larger Allied war effort, become elevated to a national symbol of Canadian identity? Tim Cook, Canada’s foremost military historian and a Charles Taylor Prize winner, examines the Battle of Vimy Ridge and the way the memory of it has evolved over 100 years. The operation that began April 9, 1917, was the first time the four divisions of the Canadian Corps fought together. More than 10,000 Canadian soldiers were killed or injured over four days—twice the casualty rate of the Dieppe Raid in August 1942. The Corps’ victory solidified its reputation among allies and opponents as an elite fighting force. In the wars’ aftermath, Vimy was chosen as the site for the country’s strikingly beautiful monument to mark Canadian sacrifice and service. Over time, the legend of Vimy took on new meaning, with some calling it the “birth of the nation.” The remarkable story of Vimy is a layered skein of facts, myths, wishful thinking, and conflicting narratives. Award-winning writer Tim Cook explores why the battle continues to resonate with Canadians a century later. He has uncovered fresh material and photographs from official archives and private collections across Canada and from around the world. On the 100th anniversary of the event, and as Canada celebrates 150 years as a country, Vimy is a fitting tribute to those who fought the country’s defining battle. It is also a stirring account of Canadian identity and memory, told by a masterful storyteller.