The Shape Of Design

Does going green change the face of design or only its content? The first book to outline principles for the aesthetics of sustainable design, The Shape of Green argues that beauty is inherent to sustainability, for how things look and feel is as important as how they’re made. In addition to examining what makes something attractive or emotionally pleasing, Hosey connects these questions with practical design challenges. Can the shape of a car make it more aerodynamic and more attractive at the same time? Could buildings be constructed of porous materials that simultaneously clean the air and soothe the skin? Can cities become verdant, productive landscapes instead of wastelands of concrete? Drawing from a wealth of scientific research, Hosey demonstrates that form and image can enhance conservation, comfort, and community at every scale of design, from products to buildings to cities. Fully embracing the principles of ecology could revolutionize every aspect of design, in substance and in style. Aesthetic attraction isn’t a superficial concern — it’s an environmental imperative. Beauty could save the planet.

Today when we hear the word “craft,” a whole host of things come immediately to mind: microbreweries, artisanal cheeses, and an array of handmade objects. Craft has become so overused, that it can grate on our ears as pretentious and strain our credulity. But its overuse also reveals just how compelling craft has become in modern life. In The Shape of Craft, Ezra Shales explores some of the key questions of craft: who makes it, what do we mean when we think about a crafted object, where and when crafted objects are made, and what this all means to our understanding of craft. He argues that, beyond the clichés, craft still adds texture to sterile modern homes and it provides many people with a livelihood, not just a hobby. Along the way, Shales upends our definition of what is handcrafted or authentic, revealing the contradictions in our expectations of craft. Craft is—and isn’t—what we think.

This book presents for the first time in English an array of essays on design by the seminal media critic and philosopher Vilém Flusser. It puts forward the view that our future depends on design. In a series of insightful essays on such ordinary "things" as wheels, carpets, pots, umbrellas and tents, Flusser emphasizes the interrelationships between art and science, theology and technology, and archaeology and architecture. Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represents both a threat and an opportunity for designers of the future.

“A joyful, wildly imaginative book” —The New York Times It’s Rashin’s first day of school in America! Everything is a different shape than what she’s used to: from the foods on her breakfast plate to the letters in the books! And the kids' families are from all over! The new teacher asks each child to imagine the shape of home on a map. Rashin knows right away what she’ll say: Iran looks like a cat! What will the other kids say? What about the country YOUR family is originally from? Is it shaped like an apple? A boot? A torch? Open this book to join Rashin in discovering the true things that shape a place called home. P R A I S E ★ “A creative, child-centered picture book about finding a new home after immigration. Ebulliently illustrated.” —Kirkus (starred) ★ “It’s hard to find a more joyful take on the first day of school in a new country than that found in Kheiriyeh’s new work.” —School Library Journal (starred) ★ “Exuberant...A warm and welcoming story about a group of children who may have come from other places but have found a classroom that is ‘shaped like a home.’” —Booklist (starred)

Text and photographs explore the art elements of shape and form through observing the qualities of design in and beauty of various shapes found in our environment and studying the effects of light on these shapes.

Architectural practices worldwide have to deal with increasingly complex design requirements. How do practices acquire the ability to do so? The Changing Shape of Practice provides a handbook of examples for practices that wish to integrate more research into their work and a reference book for students that seek to prepare themselves for the changing shape of practice in architecture. It addresses the increasing integration of research undertaken in architectural practices of different sizes ranging from small to very large practices from the UK, USA, Europe and Asia. The book is organized according to the size of the practices which is significant in that it addresses the different structures and resourcing requirements that are enabled by specific practice sizes, as this determines and constrains the type, scope and modes of research available to a given practice. The practices covered include: Woods Bagot Perkins + Will White AECOM UN Studio Shop Architects PLP Architecture Kieran Timberlake 3XN ONL AZPML Thomas Herzog + Partners Herreros Arquitectos Spacescape OCEAN Design Research Association By taking stock of the current shape of practice, the book provides essential information for professional architects who are integrating research into their practice.

The Shape Of The Beast Is Our World Laid Bare, With Great Courage, Passion And Eloquence, By A Mind That Has Engaged Unhesitatingly With Its Changing Realities, Often Anticipating The Way Things Have Moved In The Last Decade. In The Fourteen Interviews Collected Here, Conducted Between January 2001 And March 2008, Arundhati Roy Examines The Nature Of State And Corporate Power As It Has Emerged During This Period, And The Shape That Resistance Movements Are Taking. As She Speaks, Among Other Things, About People Displaced By Dams And Industry, The Genocide In Gujarat, Maoist Rebels, The War In Kashmir And The Global War On Terror, She Raises Fundamental Questions About Democracy, Justice And Non-Violent Protest. Unabashedly Political, This Is Also A Deeply Personal Collection. Through The Conversations, Arundhati Talks About The Necessity Of Taking A Stand, As Also The Dilemma Of Guarding The Private Space Necessary For Writing In A World That Demands Urgent, Unequivocal Intervention. And In The Final Interview, She Discusses With Uncommon Candour Her Ambiguous Feelings About Success And Both The Pressures And The Freedom That Come With It.