The She Devil In The Mirror

Salvadorean society is shocked by the gruesome murder of a young upper-class woman, and no one more so than her best friend Laura. In her first-person solo narration, Laura rattles on and on about her disbelief and horror at the evils all around her—but who’s that in the mirror? Laura Rivera can’t believe what has happened. Her best friend has been killed in cold blood in the living room of her home, in front of her two young daughters! Nobody knows who pulled the trigger, but Laura will not rest easy until she finds out. Her dizzying, delirious, hilarious, and blood-curdling one-sided dialogue carries the reader on a rough and tumble ride through the social, political, economic, and sexual chaos of post-civil war San Salvador. A detective story of pulse-quickening suspense, The She-Devil in the Mirror is also a sober reminder that justice and truth are more often than not illusive. Castellanos Moya’s relentless, obsessive narrator—female, rich, paranoid, wonderfully perceptive, and, in the end, fabulously unreliable—paints with frivolous profundity a society in a state of collapse. Castellanos Moya’s Senselessness was acclaimed “an innovative and invigoratingly twisted piece of art” (Village Voice) and “a brilliantly crafted moral fable, as if Kafka had gone to Latin America for his source materials” (Russell Banks).

The essays of Roberto Bolano in English at last. Between Parentheses collects most of the newspaper columns and articles Bolano wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues. “Taken together,” as the editor Ignacio Echevarría remarks in his introduction, they provide “a personal cartography of the writer: the closest thing, among all his writings, to a kind of fragmented ‘autobiography.’” Bolano’s career as a nonfiction writer began in 1998, the year he became famous overnight for The Savage Detectives; he was suddenly in demand for articles and speeches, and he took to this new vocation like a duck to water. Cantankerous, irreverent, and insufferably opinionated, Bolano also could be tender (about his family and favorite places) as well as a fierce advocate for his heroes (Borges, Cortázar, Parra) and his favorite contemporaries, whose books he read assiduously and promoted generously. A demanding critic, he declares that in his “ideal literary kitchen there lives a warrior”: he argues for courage, and especially for bravery in the face of failure. Between Parentheses fully lives up to his own demands: “I ask for creativity from literary criticism, creativity at all levels.”

After cutting short a vacation with difficult relatives, Paul and Cindy Jason take the scenic route home to Chicago. On impulse, they stop at a farm auction where they meet the owners, Melvin and Minnie Link. Cindy admires an old, hand-carved mirror that comes with an eerie history. For a mere ten dollars, Cindy is the new owner of this unusual mirror that Melvin claims is at least 120 years old. But the Jasons quickly discover that the mirror is no bargain. From the moment the mirror is hung in the apartment, a certain pall hangs over themand soon its making them both a little crazy. With the help of Cindys sister and brother-in-law, the four are unwittingly drawn into a frightening and macabre doorway into another worldthe world of the dead, commonly referred to as purgatory. Three decades earlier, a greedy and treacherous character invaded the lives of Minnie and Melvin Link. Unexpectedly granted a supernatural power over the Jasons minds, Minnie attempts to communicate her desperate plight to them with terrifying and unforeseen consequences, and the four find themselves embroiled in an attempt to find justice for the victims of an unsolved thirty-year-old murder.

Her hippie mother convinced Baez to birth her baby in the neighbor's swimming pool. After that bad advice, the reader must decide if her life went uphill or down. Enticed away from a topless bar, wrestling provided opportunities and adventures never before imagined. Her wrestling partner, the Vietnamese Ninja, and others provided a reckless ride through the comical world of wrestling and beyond. Her little girl, Shiloh, ruled her life as well as her desire to encourage other young women to study science and technology, but her personal decisions often interfered. Before wrestling, she struggled to pay tuition at MIT. The biggest challenge came when her daughter is kidnapped and she then spent many years searching for her. You will fall in love with Baez and others; despise the rest. Happy ending? You decide!

The true-crime story of a cheating husband, the other woman, and her plot to kill the wife, by the bestselling author of Murder, New England. When librarian Martha Gail Fulton was gunned down in a Michigan parking lot on a quiet evening, there were two obvious suspects—Gail's husband George, a former military officer . . . and George's mistress, the flashy businesswoman Donna Kay Trapani. Police were baffled to find that both had ironclad alibis. Yet evidence showed the shooter, a male, had an accomplice—a mystery woman. Now, M. William Phelps recounts the compelling real-life drama of a twisted love triangle that ended in bloody murder, and the riveting investigation that brought to light a master manipulator's trail of deadly deceit. Praise for New York Times bestselling author M. William Phelps “One of our most engaging crime journalists.” —Katherine Ramsland, New York Times – bestselling author of Confession of a Serial Killer: The Untold Story of Dennis Rader, the BTK Killer “Phelps creates a vivid portrait.” —Publishers Weekly “One of America's finest true-crime writers.” —Vincent Bugliosi, New York Times bestselling author of Helter Skelter Includes sixteen pages of dramatic photos

This study raises several issues of general relevance to contemporary writing and criticism. The role of the media in presenting both author and oeuvre, the position of the woman writer vis-a-vis feminism, the confrontation of feminism and postmodernism, the question of popular versus high art forms, and the emergence of the author as public oracle are considered in relation to Weldon's considerable literary output.

In Fay Weldon's 1983 classic, The Life and Loves of a She Devil, women fought men for power and won. But in 2018, the fight continues on a new front... Ruth Patchett, the original She Devil, is eighty-four and keen to retire. She has worked hard to make the world as she wants it: women triumphant, men submissive. Now she is tired. Her business is done. The mantle of power and influence is up for grabs. Who can take up the role? Valerie Valeria, hot-shot millennial and Ruth's PA, is ready and eager to inherit...

Changing Women, Changing Nation explores the literary representations of women in Salvadoran and US-Salvadoran narratives during the span of the last thirty years. This exploration covers Salvadoran texts produced during El Salvador's civil war (1980–1992) and the current postwar period, as well as US-Salvadoran works of the last two decades that engage the topic of migration and second-generation ethnic incorporation into the United States. Rather than think of these two sets of texts as constituting separate literatures, Yajaira M. Padilla conceives of them as part of the same corpus, what she calls "trans-Salvadoran narratives"—works that dialogue with each other and draw attention to El Salvador's burgeoning transnational reality. Through depictions of women in trans-Salvadoran narratives, Padilla elucidates a "story" of female agency and nationhood that extends beyond El Salvador's national borders and imaginings.