The Shores Of Our Souls

Qasim, an Arab Muslim U.N. official fleeing family obligations in 1980s war-torn Lebanon meets Dianna, escaping her rural Southern roots to become a researcher at the Metropolitan Museum of Art. Will their love be enough in this war-torn, conflict-weary world? Ramsperger's debut novel gives an entirely new perspective on the controversial conflicts in our hearts and in our history.

A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

Product Dimensions: 21.5x14x0.7

Images of 'the beach' pervade Australian popular culture. However the deeper significance of the experience of 'the beach', and its influence on Australian culture generally, have not yet been seriously explored. How, why and when did the beach become part of the Australian way of life? In Sand in our Souls Leone Huntsman describes the forces and pressures that encouraged or impeded Australians' enjoyment of sand and surf, from early enjoyment of bathing, through nearly a century of repressive restrictions, to freedom won in the face of drawn-out opposition. The ways in which artists, writers, film-makers and the advertising industry have depicted the beach are examined for the light they throw on the beach's significance. She traces the development of a distinctively Australian way-of-being-at-the-beach, suggesting that the beach experience has been absorbed into our emerging culture and continues to shape it in subtle ways. Huntsman's provocative arguments will stimulate debate on the concept of 'national identity' appropriate for a new Australian century, and promote a deeper understanding of an aspect of life in Australia that is cherished by many of those who live here.

Night’s chill tickled her skin. Lonnie pressed her hands together and glanced up. He was even more handsome up close. Having grown up the shy, awkward daughter of Joel Sawyer, she’d hardly spoken to any boy, let alone the one who had mothers whispering warnings in their daughter’s ears and fathers loading shotguns. Pretty Lonnie Sawyer is shy and innocent, used to fading into the background within her family, and among the creeks and hollows of the Appalachian hills. Though her family is poor and her father abusive, she clings to a quiet faith. But when handsome ladies’ man and bluegrass musician Gideon O’Riley steals a kiss, that one action seals her fate. Her father forces her into a hasty marriage with Gideon—a man she barely knows and does not love. Equally frustrated and confused by his new responsibilities, Gideon yearns for a fresh start, forcing Lonnie on an arduous journey away from her home in Rocky Knob. Her distant groom can’t seem to surrender his rage at the injustice of the forced matrimony or give Lonnie any claim in his life. What will it take for Gideon to give up his past, embrace Lonnie’s God, and discover a hope that can heal their two fractured hearts? Gideon only ever cared about himself. Now that Lonnie is his wife, will he ever be worthy of her heart?

Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.

NATIONAL BESTSELLER • From the New York Times bestselling author of The Wind-Up Bird Chronicle and one of the world’s greatest storytellers comes "an insistently metaphysical mind-bender” (The New Yorker) about a teenager on the run and an aging simpleton. Now with a new introduction by the author. Here we meet 15-year-old runaway Kafka Tamura and the elderly Nakata, who is drawn to Kafka for reasons that he cannot fathom. As their paths converge, acclaimed author Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder, in what is a truly remarkable journey. “As powerful as The Wind-Up Bird Chronicle.... Reading Murakami ... is a striking experience in consciousness expansion.” —The Chicago Tribune