The Silver Fork Novel

Fashion and celebrity may be twenty-first century obsessions, but they were also key concepts in Regency culture. Both celebrated and condemned for their popularity, silver fork novels were extremely prolific during this period. This study looks at the social and literary impact of this significant genre.

This first modern study of silver-fork novels investigates their role in the alliance of middle class and aristocratic political principles.

For readers who loved The Glass Castle comes a stunning, heartbreaking novel about an intrepid girl who challenges the injustice of the adult world. It is 1970. 'Bean' Holladay is twelve and her sister Liz fifteen when their mother, a woman who 'flees every place she's ever lived at the first sign of trouble', takes off to find herself. She leaves the girls enough money for food to last a month or two, but it's not long before Bean and Liz board a bus from California to Virginia, where their widowed Uncle Tinsley lives in the decaying mansion that has been in the family for generations. Once they've arrived, money is tight, so Liz and Bean start working for Jerry Madox, foreman of the mill in town, a big man who bullies workers, tenants and his wife. Bean adores her whip-smart older sister, inventor of wordgames, reader of Edgar Allan Poe, non-conformist. But when school starts in the autumn, it is Bean who easily adjusts and makes friends, and Liz who becomes increasingly withdrawn. And then something happens between Liz and Maddox... 'Tragic and comic at the same time... an outrageous story, one that will break your heart' Sunday Independent 'There isn't a shred of self-pity in this deeply compassionate book' Marie Claire 'Has immense power and readibility... What it does with aplomb is to track the birth of a nation: the conjuring of modern America from a scorched, dusty wasteland' The Times on Half Broke Horses

The Agency of Objects in English Prose, 1789–1832: Conspicuous Things engages with new materialist methodologies to examine shifting perceptions of nonhuman agency in English prose at the turn of the nineteenth century. Examining texts as diverse as it-narratives, the juvenile writings and novels of Jane Austen, De Quincey’s autobiographical writings, and silver fork novels, Nikolina Hatton demonstrates how object agency is viewed in this period as constitutive—not just in regard to human subjectivity but also in aesthetic creation. Objects appear in these novels and short prose works as aids, intermediaries, adversaries, and obstructions, as well as both intimately connected to humans and strangely alien. Through close readings, the book traces how object agency, while sometimes perceived as a threat by authors and characters, also continues to be understood as a source of the delightfully unexpected—in everyday life as well as in narrative.

In this gutsy debut novel, flawed but unsinkable Claudia Silver cuts a wide comic swath in her misguided attempts to find love and security in 1990s New York City.

From one of the bestselling memoirists of all time comes a stunning and heartbreaking novel about an intrepid girl who challenges the injustice of the adult world in a triumph of imagination and storytelling.