The Singing Springing Lark

A father was going to head out on a long journey and he asked his three daughters what they wanted him to bring them back. His two older daughters wanted beautiful and shiny things while the youngest wanted a singing lark. Little did the father know how difficult it would be to get the bird because it belonged to a lion. And the lion wanted something in return. Actually not only something, but the first thing the father meets when he gets home. And you may already have guessed it, but yes. The first thing the father saw was his pure-hearted youngest daughter. What is her future with the lion? Will he hurt her? Kill her? Or she will lead a happy and carefree life? Find out in "The Singing, Springing Lark". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.

“I shall eat anyone who tries to steal my singing, springing lark!” Rather than a rose and a beast, the Brothers Grimm version of the Beauty and the Beast fairytale begins with a request for a singing, springing lark and a prince cursed as a lion. The youngest daughter keeps her father’s promise and returns to the lion’s castle, where her adventure is only just beginning. For soon, with the assistance of the Sun, the Moon, and the Four Winds, she is forced to search for her lost love and save him from the grasp of an enchanted princess. Alongside another variant, From the Summer and Winter Garden, also from the first edition of the Brothers Grimm’s Children's and Household Tales, the original version of The Singing, Springing Lark is brought to life for an English readership in this new translation. [Folklore Type: ATU-425C (Beauty and the Beast)]

"I shall eat anyone who tries to steal my singing, springing lark!" Rather than a rose and a beast, the Brothers Grimm version of the Beauty and the Beast fairytale begins with a request for a singing, springing lark and a prince cursed as a lion. The youngest daughter keeps her father's promise and returns to the lion's castle, where her adventure is only just beginning. For soon, with the assistance of the Sun, the Moon, and the Four Winds, she is forced to search for her lost love and save him from the grasp of an enchanted princess. Alongside another variant, From the Summer and Winter Garden, also from the first edition of the Brothers Grimm's Children and Household Tales, the original version of The Singing, Springing Lark is brought to life for an English readership in this new translation. [Folklore Type: ATU-425C (Beauty and the Beast)]

Using Beaumont’s classic story as a touchstone, this work shows how “Beauty and the Beast” takes on different meanings as it is analyzed by psychologists, illustrated in picture books, adapted to the screen, and rewritten by contemporary writers. The Meanings of “Beauty and the Beast” provides expert commentary on the tale and on representative critical approaches and contemporary adaptations. This book also includes a variety of original source materials and twenty-three colour illustrations. The Meanings of “Beauty and the Beast” is for any reader who wishes to explore this classic, endlessly rich fairy tale.

In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures. In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types. Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information. Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography. Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful—and sometimes astonishing—21st-century artistic interpretations of them.

Ten different versions of Beauty and the Beast in one volume: Cupid and Psyche by Lucius Apuleius, Beauty and the Beast by Joseph Jacobs, Beauty and the Beast by Jeanne-Marie LePrince de Beaumont, The Singing, Springing Lark by Brothers Grimm, East of the Sun and West of the Moon by Peter Christen Asbjørnsen and Jørgen Moe, The Small-Tooth Dog by Sidney Oldall Addy, The Enchanted Tsarévich by Leonard Magnus, Beauty and the Beast by Andrew Lang, Beauty and the Beast by Charles Lamb and The Prince Who Was Changed into a Snake by Lucy Mary Jane Garnett.

Postmodern Fairy Tales seeks to understand the fairy tale not as children's literature but within the broader context of folklore and literary studies. It focuses on the narrative strategies through which women are portrayed in four classic stories: "Snow White," "Little Red Riding Hood," "Beauty and the Beast," and "Bluebeard." Bacchilega traces the oral sources of each tale, offers a provocative interpretation of contemporary versions by Angela Carter, Robert Coover, Donald Barthelme, Margaret Atwood, and Tanith Lee, and explores the ways in which the tales are transformed in film, television, and musicals.