The Sixteen Satires Of Juvenal

Perhaps more than any other writer, Juvenal (c. AD 55-138) captures the splendour, the squalor and the sheer energy of everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society

Decimus Junius Juvenalis, known as Juvenal, is one of the greatest satirists and moralists in history. His works, of which 16 are preserved, are scathing and unapologetic in their presentment of Rome and its citizens; Juvenal is also revered as a social historian for his vivid depictions of Latin life. He wrote his satires between 100 and 127 AD, and although his volumes of poetry were lost for several centuries, his rediscovered works introduced a tradition of satire that has been popular for nearly two thousand years. Juvenal has often been misunderstood, as some critics have denounced him for having disliked everything in his life. However, the poet intended for his works to instruct as much as chastise. In these 16 works, ranging in size from just over 60 lines to 661 lines, Juvenal deals with such subjects as the wealthy, women, soldiers, the highborn, vanity, greed, extravagance, among others.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.