The Son Also Rises

"How much of our fate is tied to the status of our parents and grandparents? How much does this influence our children? More than we wish to believe! While it has been argued that rigid class structures have eroded in favor of greater social equality, The Son Also Rises proves that movement on the social ladder has changed little over eight centuries. Using a novel technique -- tracking family names over generations to measure social mobility across countries and periods -- renowned economic historian Gregory Clark reveals that mobility rates are lower than conventionally estimated, do not vary across societies, and are resistant to social policies. The good news is that these patterns are driven by strong inheritance of abilities and lineage does not beget unwarranted advantage. The bad news is that much of our fate is predictable from lineage. Clark argues that since a greater part of our place in the world is predetermined, we must avoid creating winner-take-all societies."--Jacket.

The illustrated edition of Ernest Hemingway's first novel. The Sun Also Rises is a 1926 novel by American writer Ernest Hemingway, his first, that portrays American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona to watch the running of the bulls and the bullfights. An early and enduring modernist novel, it received mixed reviews upon publication. However, Hemingway biographer Jeffrey Meyers writes that it is now "recognized as Hemingway's greatest work", and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926 by Scribner's. A year later, Jonathan Cape published the novel in London under the title Fiesta. It remains in print. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the Pyrenees. Hemingway presents his notion that the "Lost Generation"-considered to have been decadent, dissolute, and irretrievably damaged by World War I-was in fact resilient and strong. Hemingway investigates the themes of love and death, the revivifying power of nature, and the concept of masculinity. His spare writing style, combined with his restrained use of description to convey characterizations and action, demonstrates his "Iceberg Theory" of writing. Plot summary On the surface, the novel is a love story between the protagonist Jake Barnes-a man whose war wound has made him unable to have sex-and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. Brett's affair with Jake's college friend Robert Cohn causes Jake to be upset and break off his friendship with Robert; her seduction of the 19-year-old matador Romero causes Jake to lose his good reputation among the Spaniards in Pamplona. Book One is set in the café society of young American expatriates in Paris. In the opening scenes, Jake plays tennis with Robert, picks up a prostitute (Georgette), and runs into Brett and Count Mippipopolous in a nightclub. Later, Brett tells Jake she loves him, but they both know that they have no chance at a stable relationship. In Book Two, Jake is joined by Bill Gorton, recently arrived from New York, and Brett's fiancé Mike Campbell, who arrives from Scotland. Jake and Bill travel south and meet Robert at Bayonne for a fishing trip in the hills northeast of Pamplona. Instead of fishing, Robert stays in Pamplona to wait for the overdue Brett and Mike. Robert had an affair with Brett a few weeks earlier and still feels possessive of her despite her engagement to Mike. After Jake and Bill enjoy five days of fishing the streams near Burguete, they rejoin the group in Pamplona. All begin to drink heavily. Robert is resented by the others, who taunt him with antisemitic remarks. During the fiesta the characters drink, eat, watch the running of the bulls, attend bullfights, and bicker with each other. Jake introduces Brett to the 19-year-old matador Romero at the Hotel Montoya; she is smitten with him and seduces him.

A profile of the Lost Generation captures life among the expatriates on Paris' Left Bank during the 1920s, the brutality of bullfighting in Spain, and the moral and spiritual dissolution of a generation.

"The first Norton Critical Edition of Ernest Hemmingway's The Sun also Rises features the authoritative text of the modern classic with new annotations by Michael Thurston. The novel follows expatriate journalist Jake Barnes as he travels through Paris and Pamplona pursuing the favor of the Lady Brett Ashley. In addition to the annotated text, the "Backgrounds and Contexts" section provides valuable biographical information as well as letters offering insight into the creative evolution of the novel. "Reviews and Early Criticism" explores the critical reception of the novel on its date of publication, while "Modern Criticism" offers a variety of newer readings, exploring the novel's themes of sexuality, gender, and masculinity among others. A chronology and further readings sections are also included"--

History.

An account of the making of Ernest Hemingway's The Sun Also Rises, the larger-than-life people that inspired it, and the vast changes it wrought on the literary world

Is the Christian message of Jesus Christ and his resurrection true? Using ten lines of historical evidence, Dr. Craig defends the probability that Jesus was resurrected following his crucifixion. He examines the origin of the Christian movement, and more provocative subjects, such as the Shroud of Turin, parapsychological phenomena and hallucinations.

This Companion serves both as an introduction for the interested reader and as a source of the best recent scholarship on the author and his works. In addition to analysing his major texts, the contributors provide insights into Hemingway's relationship with gender history, journalism, fame and the political climate of the 1930s. The essays are framed by an introductory chapter on Hemingway and the costs of fame and an invaluable conclusion providing an overview of Hemingway scholarship from its beginnings to the present. Students will find the selected bibliography a useful guide to future research. Contributors include both distinguished established figures and brilliant newcomers, all chosen with regard to the clarity and readability of their prose.